Sentences with phrase «class of character in»

Not exact matches

The other thing we identified about the Metatag was that Best in Class made use of the 67 to 70 character limit whereas the Industry Average did not.

Robinson's memoir, A Game of Character, documents the lessons he learned from his working - class parents growing up on Chicago's South Side, and how he's applied them in life and in basketball.

No employer shall «discriminate between the sexes in the payment of wages for work of comparable character, the performance of which requires comparable skills» or «pay wages or other compensation to any employee at a rate greater than that at which the employer pays wages to employees of a protected class for work of comparable character»

Al Mutual funds have their own personal symbol, but al mutual funds are 5 digits and all ends in the letter X. Mutual funds generally have classes, consisting of characters ABC or D.

It's more enjoyable than zombies since there is considerably more variety, both in terms of the types of enemies and the differentiation in character classes.

In this way, dual - class shares would deliver one unfulfilled promise of loyalty shares, namely the temporary character of the departure from one - share - one - vote.

American music folk just make me think no class in general, be it Gaga or any number of other characters.

The class character of their work is unquestionable, even in the age of universal compulsory education.

In this sense the electronic media are entirely different from the older media like the book or the easel - painting, the exclusive class character of which is obvious.

The Muslim aristocracy was feudal in character, depending on levies enlisted from the middle and lower classes of Muslims, usually of the same nationality as the feudal leader.

We know a great deal today about how our thinking is conditioned by culture, gender, and class interest, and is thoroughly perspectival in character, and we become rightly suspicious of every claim to truth that does not acknowledge its own conditionedness and relativity.

But, as Vale shows, this success and popularity rested on sustaining the projects as the home to a very narrow spectrum of the Boston poor, those deemed both deserving and respectable: two - parent, mostly white, single - earner, low - income, working - class families of good character in need of a temporary leg up — a stratum «below the bulk of blue - collar employees but above that of the unemployed, the irregularly employed, and the welfare - dependent.»

In a study of his earlier pictures, Kolker notes that «Scorsese is interested in the psychological manifestations of individuals who are representative either of a class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerIn a study of his earlier pictures, Kolker notes that «Scorsese is interested in the psychological manifestations of individuals who are representative either of a class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin the psychological manifestations of individuals who are representative either of a class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followers.

and Godless (of course) and Ricky Bobby (with a login name like that you want to stereotype me Haha)... Derp if i was a character in Deliverance i would be Burt Reynolds shooting an arrow right through the heart of the problem and as for as your paying attention in class... sounds more like some liberal teacher has you brainwashed already.

George Gerbner «s research at the Annenberg School of Communication in Philadelphia tells us that in the TV world two - thirds to three - fourths of the important characters are male, American, middle class, unmarried, and in the prime of life — and they are the people who run the world.

It is his abiding contribution to have unmasked the class character of God in much of popular worship.

Later that evening in my hotel room, I tried to frame some of my questions regarding the sociopolitical character of lower - class Punjabi Christianity: was it a movement of the oppressed, or a movement of the oppressors?

That is, if a Jewish FBO runs an hour long, publicly funded computer skills training class that includes a one - minute prayer by the instructor at the beginning of class, that FBO is not engaging in «sectarian instruction»; it is simply being true to its character as a religious organization.

Spontaneity and the need for adaptation in a competitive situation have helped to give them a popular, «grass - roots» and sometimes vulgar character that removes them a long way from establishments which still bear the traces of historic alliance with privileged classes.

All too often, their character is implicitly diminished in efforts to account for their situation in the first place: they represent the opposite of character traits thought to be the basis of middle - class success and security.

Human affliction, especially the monstrous inhumanity of man to man, was to them a practical, rather than a theoretical, problem; it represented not only a conflict of ideas but a conflict of individual and class interests, a struggle for justice in personal character or social organization against selfishness, ill will, and inequity.

The believers in the non-natural character of sudden conversion have had practically to admit that there is no unmistakable class - mark distinctive of all true converts.

This form or character is not one inhering in each entity separately and individually — in which case the character would be a mere class name — but is a character of a relation.

The concern of the Philippines delegates was to emphasize the class character of theology in contrast to Pieris's emphasis on the religiocultural: «Every theology is conditioned by the class position and class consciousness of the theologian.

Where these movements of eco-justice stand in isolation from the struggle against «capitalist infringements of communal rights to natural resources», that is, from the struggle for social justice, they are likely to be of a purely middle class character and tend to get coopted by the ideology of market economy.

A word more about the inner character of the event - theoretical framework, which consists of (1) the usual quantificational theory of first order, extended to include the theory of virtual classes and relations, (2) the theory of identity, (3) Lesniewski's mereology or calculus of individuals, (4) logical syntax in its modern form, (5) a semantics or theory of reference both extensional and intentional, (6) variant renditions of systematic pragmatics as needed, (7) the theory of events, states, acts, and processes, and, finally, (8) a theory of structural or grammatical relations of the kind needed for the analysis of natural language.

An intelligent eighteen - year - old in a sociology class who isn't a paid - up progressive quickly recognizes the ideological character of a great deal of social science.

There was in the years from perhaps the seventh century B.C. the beginning of reflection by non-Brahmins and in particular by men and women of the Kshatriya or warrior - ruler caste concerning the great questions of God, the world, and man's origin and final destiny, and Gautama himself was, according to tradition, of that class, and was not out of character in seeking the way out of the round of rebirth, which by his time had become a matter of common belief.

Single Cask Single Malt is a particularly premium class of Single Malt in which each bottle comes from an individual ageing cask, showing all its own distinct character, instead of being created by blending together the contents of various casks to provide uniformity of colour and taste.

In golf, we always overplay and overhype the emotion, character and class of the players.

Hey SoOpa AeoN you got a cool but yoy don't talk cool at all along with rkw.I didn't like the way Chicarito's name was rubbed in the mad and what pains me is that you all think Giroud is better.The fact that you are a team reject does not mean you aren't good enough or can't be world class.Do you want me to name a few rejects who have become world class or have come back to haunt their teams.If I was to choose between sticking with Giroud or Chicarito for thousand years we all know who people would go for.The over hyped average players in our club is unbelievable and it's just sad.The club is also over hyped at times and we feel like we are so so big.It's a shame.The mentality of this club is so so bad and trust me with this characters success will be far away for centuries to come.

More well known for being a bit of a character off the pitch, David Ginola had the occasional majestic performance but was not a truly top class player in the way that some make him out to be.

Mourinho has in the past been just the kind of character needed to get big egos to perform for him, as he notably turned Didier Drogba and Zlatan Ibrahimovic into world class players when their careers threatened to stall somewhat.

In my humble opinion to win the EPL, you a world class manager, talented players, leadership, a core group of players with strong characters.

Tottenham showed a lot of character and class last weekend to beat Chelsea, even if they rode their luck a bit at the back in the first half.

At the Waldorf School of Princeton, for example, lessons in sustainability or character are woven into every subject; movement is found in math classes, and math is found in movement classes.

«You are a gifted teacher, and the advice you gave in your classes, your patience with us in our frustration, speak so highly of your character and your practice.»

While oversight and accountability genuinely help the democratic process, representing the proper style of character and the proper valence of emotion mattered more in this referendum than facts about the economic prospects of the UK and of the working class.

Turning away from the exodus state we have become and rebuilding the Empire State will require a new class of courageous elected officials of character and belief in making government stand up, protect the people, give New Yorkers opportunity and allow the economy to grow.

a) is of good character as attested to by two Ghanaians who are notaries public, lawyers, senior public officers or other class of persons approved of by the Minister; b) has not been convicted of any criminal offence and been sentenced to imprisonment for a term of twelve months or more; c) is of independent means; d) is in the opinion of the Minister capable of making a substantial contribution to the development of Ghana; and e) has attained the age of eighteen years.

This was at a time when Little Britain's Vicky Pollard and Catherine Tate's Lauren Cooper were on our screens - characters that, in 2006, a survey found that 70 % of TV industry professionals believed were an accurate reflection of white working class young people.

I walked across town into Carlton (in the constituency) yesterday as a matter of fact, and it is certainly looking like the more tired, faded edge - of - conurbation territory which once would've been lower middle - class / aspirational working - class Tory heartland but is now very much more like an inner suburb of Nottingham in character (and psephology).

In my favorite, All - American Girl, there's a scene where the main character attends art class and is chastised for painting a still life of grapes that looks nothing like the fruit they're using as a model.

Class of 2014 from the Academy of Art University with a BFA in Character Animation.

In the musical «Avenue Q,» the character Trekkie Monster sings a song called «The Internet is for Porn,» bursting the bubble of his good - natured neighbor Kate Monster, who just wants to teach her kindergarten class how to use the world wide web.

In one, Deanna's fear of speaking in front of a class, completely unmotivated by anything we know about her character up to that point, causes her to regress from sweaty - pit dread to phlegmatic panic to total, collapsing bodily rejectioIn one, Deanna's fear of speaking in front of a class, completely unmotivated by anything we know about her character up to that point, causes her to regress from sweaty - pit dread to phlegmatic panic to total, collapsing bodily rejectioin front of a class, completely unmotivated by anything we know about her character up to that point, causes her to regress from sweaty - pit dread to phlegmatic panic to total, collapsing bodily rejection.

Directed by Rees and adapted, with Virgil Williams, from the 2008 novel by Hillary Jordan, Mudbound is a true ensemble piece; the film explores race and class in the South through the story of two fated families, narrated by several divergent characters.

It tells the story of the Garfield character, growing up in a working - class family in the Bronx and breaking the social code by falling in love with the violin instead of the baseball bat.

The film, which might be semi-autobiographical and certainly influenced by Cassavetes» style, consists of a number of sketches painting a picture of the working class characters and their limited ambitions, and their resignation that their station in life is fixed by destiny.

«Submarine» is at its best when it feels specific to its setting; Erik Wilson's often lovely cinematography captures the distinctive, watery light and raw weather of the Welsh seacoast in winter, and Hawkins, as always, captures a character who is completely specific in terms of class, place and period.