Sentences with phrase «class social critique»

Not exact matches

Williams» critique of social issues, are (or were) also strongly rooted in her analysis of race and class; spiritual activism for her is deeply radical.

A cold, unnerving social critique across classes in China.

Critique, in other words, enables us to explain how social differences — gender, race, sexuality, and class — have been systematically produced and continue to operate within regimes of exploitation — namely within the international division of labor in global capitalism, so that we can fight to change them.

Class sessions that critiqued notions of social justice and multiculturalism, raised concerns about affirmative action or a culture of «victimhood,» advocated phonics and back - to - basics instruction, or were generally positive with regard to testing or choice - based reform were coded as «right leaning.»

Stephanie Graham is a trans - disciplinary artist that uses humor to critique works around relationships, subcultures, social class and race.

Ephemeral Museum March 14 — 26, 2017 The winter 2017 art history course Rethinking the Social History of Art considers ways art relates to the world, from reflecting the views of particular people and classes to participating in religious practice and social criSocial History of Art considers ways art relates to the world, from reflecting the views of particular people and classes to participating in religious practice and social crisocial critique.

Here Ojih Odutola's work is informed by the French philosopher Pierre Bourdieu and his 1979 book Distinction: A Social Critique of the Judgment of Taste that describes how distinguished aesthetics visualize class fractions.

The artist explores a number of social stereotypes in order to critique and challenge disparities that cut across gender, race, class, and age.

Wheat has employed her garish and grotesque aesthetic to make social critique, as in the suite of works presented in her solo exhibition «Hi - Lo» (2012), which parodied members of both the wealthy and destitute classes.

This essay focuses on the curator's use of the personal story and belongings of his late grandfather in order to craft a social critique of 1970s Europe that succinctly addressed the politics of class, economics, and cultural otherness.

Furthermore, it puts a satirical premium on «whiteness», ridiculing the superficial luxury of racial classification as well as critiquing the hard social realities of street vending experienced by those who have been discriminated against in terms of race or class.