Sentences with phrase «class tensions as»

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At a hearing on Thursday, U.S. District Judge Edward Chen asked if there was a «tension or inconsistency» for Uber to argue that every single one of its drivers is an independent contractor, yet to also argue that the legal issues in the case are so specific to each driver that it can't be decided as a class action.
Beginning the year at around $ 997, bitcoin experienced abrupt volatility in the last quarter as the currency witnessed immense buying interest in the wake of escalating tensions in the Middle East and East Asia, pushing investors to look at the virtual currency from the perspective of an alternate asset class with barely any accountability.
And to do this let us begin by climbing up till we tower over the trees which now hide the forest from us; in other words let us forget for a moment the details of the economic crises, the political tensions, the class - struggles which block out our horizon, and let us climb high enough to gain an inclusive and impartial view of the whole process of hominization11 as it has advanced during the last fifty or sixty years.
As even this brief description of the debate indicates, the demand for reparations raises issues that can not be resolved entirely by courts or legislators — issues involving relationships and tensions between groups divided by ethnicity and class.
And if you fancy stretching your legs as well as your mind, breaking a sweat can be great to release any tension or stress so take advantage of our free boxercise classes — or grab the girls and get down to our women - only swimming sessions.
This 60 minute class will focus on strengthening the pelvic floor and abdominal muscles as well as other areas of the body (neck, shoulders, back) that now feel the tension of caring for a new baby.
This way of operating means differences of opinion will be reported and classed as tensions and fall - outs.
In mbg's newest class, Acupressure 101: Relieve Back Pain, Reduce Headache Tension & Calm Your Anxiety, Paige introduces you to the ancient Chinese medicine practice of acupressure, teaching you how to relieve pain and tension on your own, as well as learning meditation and visualization techniques to feel like the best version of yoTension & Calm Your Anxiety, Paige introduces you to the ancient Chinese medicine practice of acupressure, teaching you how to relieve pain and tension on your own, as well as learning meditation and visualization techniques to feel like the best version of yotension on your own, as well as learning meditation and visualization techniques to feel like the best version of yourself.
There is a lot of movement on and around the machine as well as adjusting the spring tension so would also recommend arriving early to the class to see if you can get a walk through or simply observing the class before you.
He can barely hide his anger at Ira & Christine's presence, as well as Ira's apparent wealth (unfortunately this is the beginning and end of the film exploring class tensions between the two couples), making his presence add a slight amount of unease to some scenes.
An early, intense two - hander between Richardson and Martin instantly crystallizes the undercurrent of class tension that runs beneath the civilized sniping; Gorman spends the opening act with the affect of a man who's actually a pile of badgers in a trench coat, effortlessly angling the comedic bent into the darkness as the bodies pile up.
An extended, affecting riff on Tennessee Williams» «A Streetcar Named Desire», Blue Jasmine tones down the melodramatics and sexual tensions to reposition its Blanche Dubois as a ruined New York socialite (Cate Blanchett) forced to rely on the kindness of her working - class sister (Sally Hawkins) when she is bankrupted by criminal husband Hal (Alec Baldwin).
The turnaround of the attitudes of the class seems too pat and expedient for believability, and many of the events of the film strike me as heavily embellished for the purposes of dramatic tension.
Working here with a great, unpredictable screenplay from Taylor Sheridan, Villeneuve conducts a master class of constant suspense, one that ratchets up the tension just as the audience thinks it can grow comfortable.
The plot tracks Maud's gradual association with and then involvement in the suffrage cause, but it fails to acknowledge well - known class tensions within the movement, for example: Maud being cautioned by Gleeson's policeman character seems to be the only acknowledgement of her position as a working - class woman within the movement, and the potential implications.
The first, dread - and tension - inducing scene practically functions as a master - class in tone - setting and world - building on a modest budget, achieved through a relatively straightforward combination of visual composition, natural lighting, and production design and not exposition (e.g., dialogue, voiceover narration).
The film introduces us to its protagonist Owen Chase (Chris Hemsworth) and establishes a clear line of tension between his role as First Officer, and Captain George Pollard Jr. (Benjamin Walker), whose position stems purely from class rather than skill.
But these are some of the film's strongest sequences, as Martinez drops his near - feral menace to reveal what drives him, and Abvincula offers a class - clown approach to life that eases the tension of what they're doing together, and the desperation that pushed them into such dangerous work.
As usual, there's a multitude of tensions bubbling under the placid surface, along class and racial lines as well as the requisite secrets from the past haunting certain folkAs usual, there's a multitude of tensions bubbling under the placid surface, along class and racial lines as well as the requisite secrets from the past haunting certain folkas well as the requisite secrets from the past haunting certain folkas the requisite secrets from the past haunting certain folks.
His first success, Joe, which starred Peter Boyle as a racist factory worker (and earned him critical acclaim), examined the class tensions of the»70s hippie era.
No tension sticks for long enough to make a discernible dramatic impression; queasily, even the subplot concerning an abuse victim in Poppy's class merely serves as a pretext to hook her up with a cute social worker.
He has a kinship in this way with Deep Red's Marcus (a pianist), a man in a pursuit coded as feminine, and there's the intimation early on that the central tension of the film will again be a race between a masculine means of detection (effected (affected) by a woman, Rose, who reads a book about the Mothers as prologue to the film) and a feminine means of intuition (swooning Mark's maybe - encounter with the beautiful Mater Lachrymarum — the mother of tears — in the middle of a music class).
The ability to be more present hinges very greatly on your ability to become self - aware, because as you feel tension in your body, you notice greater reactivity and conflict between yourself and the children in your class, peers, or family.
The question assumes, as in the case of a food - standards specialist for the state of Oregon whose job was eliminated amid tensions with her boss, that the worker isn't protected by a union contract or as a member of a group shielded from employment discrimination based on race, sex, or other protected classes.
If there are any tensions or contradictions in the expectations that have been suggested, you can discuss them as a class.
This is difficult to attain under all circumstances and creates a tension for the teacher, which increases as class size grows.»
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Underlying the composition, however, are issues of race and class as well as, perhaps, sexual tension.
With billboard - size aerial photographs of Hackney and Tottenham, the locations of the London riots — some gleaned from contemporary news reports, others taken from inside a specially chartered helicopter — the Canadian artist reconstructs recent events, raising questions about public versus private memories, as well as racial and class tensions.
Although never formally trained as an artist, Basquiat's natural talent as a painter and his profound life experiences prepared him for his aesthetic language and ability to illuminate the conflicts of his particular time and place in society including tensions of race, class, identity, and culture.
Brimming with Gilbert & George's unique visual vocabulary, it functions as a social document of life in our modern urban world, examining issues of nationality and individuality, class tensions, and the artists» preoccupations with religion, politics, sex, death, and human existence.
With dynamic images that use the visual chaos of the street to address urban class tension and are inspired by a variety of sources such as hobo art, sign painting, graffiti comics, and Beat literature, McGee now has an international exhibition record that includes shows at Deitch Projects, UCLA Hammer Museum, Foundation Cartier in Paris, and Fondazione Prada in Milan.
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