Sentences with phrase «class women artists»

«The Club's aim in highlighting these world class women artists was to counter the traditional view that the art world is dominated by male artists.

Not exact matches

I'd taken at least five art history classes in college, but then I enrolled in one where I learned about the great women artists of the world.

«Keep one of your headphones in your ear and let the other one dangle,» suggests Dan Kruy, a martial artist and trainer at Chelsea Piers in Stamford, Connecticut, who teaches runner's safety and self - defense classes for women.

With some of the cast talking directly to the audience to fill us in on what's going on, «I, Tonya» stars Margot Robbie as a 15 - year - old right up to her 25th year: credit the wig people and makeup artists for converting a classy - looking actress as a hardscrabble, working - class woman who had in at least one instance is looked over by as a representative of her sport because she does not radiate a wholesome, family manner.

Complete List of NAACP Image Award Winners Film Categories Best Picture - «The Secret Life of Bees» Best Director - Gina Prince - Bythewood, «The Secret Life of Bees» Best Actor - Will Smith, «Seven Pounds» Best Actress - Rosario Dawson, «Seven Pounds Supporting Actor - Columbus Short, «Cadillac Records» Supporting Actress - Taraji P. Henson, «The Curious Case of Benjamin Button» Independent Film - «Slumdog Millionaire» Documentary - «The Black List» Foreign Film - «The Class» Best Screenplay - Jenny Lumet, «Rachel Getting Married» Television Categories Best Comedy Series - «Tyler Perry's House of Payne» Best Actor in a Comedy Series - LaVan Davis, «Tyler Perry's House of Payne» Best Actress in a Comedy Series - Tracee Ellis Ross, «Girlfriends» Supporting Actor in a Comedy Series - Lance Gross, «Tyler Perry's House of Payne» Supporting Actress in a Comedy Series - Keshia Knight Pulliam, «Tyler Perry's House of Payne» Best Dramatic Series - «Grey's Anatomy» Best Actor in a Dramatic Series - Hill Harper, «CSI: NY» Best Actress in a Dramatic Series - Chandra Wilson, «Grey's Anatomy» Supporting Actor in a Dramatic Series - Taye Diggs, «Private Practice» Supporting Actress in a Dramatic Series - Angela Bassett, «ER» Made - for - TV Movie, Miniseries or Dramatic Special - «A Raisin in The Sun» Best Actor in a Made - for - TV Movie, Miniseries or Dramatic Special - Sean Combs, «A Raisin in the Sun» Best Actress in a Made - for - TV Movie, Miniseries or Dramatic Special - Phylicia Rashad, «A Raisin in the Sun» Best Actor in a Sopa Opera - Bryton McClure, «The Young and the Restless» Best Actress in a Sopa Opera - Debbi Morgan, «All My Children» Best Director in a Dramatic Series - Ernest Dickerson, «Lincoln Heights - The Day Before Tomorrow» Best Director in a Comedy Series - Kevin Sullivan, «30 Rock - MILF Island» Best Screenplay for a Dramatic Series - Shonda Rhimes, «Grey's Anatomy: Freedom Part 1 & 2» Best Screenplay for a Comedy Series - Erica D. Montolfo, «The Game: White Coats and White Lies» News / Information Series or Special - «In Conversation: Michelle Obama Interview» Talk Series - «The View» Reality Series - «American Idol 7» Variety Series or Special - «An Evening of Stars: Tribute to Smokey Robinson» Children's Program - «Dora The Explorer» Best Performance in a Children's Series or Special - Keke Palmer, «True Jackson» Music Categories Best Male Artist - Jamie Foxx Best Female Artist - Beyonce» Best New Artist - Jennifer Hudson Best Duo, Group or Collaboration - Jennifer Hudson, featuring Fantasia - «I'm His Only Woman» Best Jazz Artist - Natalie Cole - «Still Unforgettable» Best Gospel Artist - Mary Mary Best World Music Album - Cheryl Keyes - «Let Me Take You There» Best Music Video - «Yes We Can» - Will.i.am Best Song - «Yes We Can» - Will.i.am Best Album - Jennifer Hudson - «Jennifer Hudson» Literary Categories Fiction - «In the Night of the Heat: A Tennyson Hardwick Novel,» Blair Underwood, Tananarive Due, Steven Barnes Nonfiction - «Letter to My Daughter,» Maya Angelou Debut Author - «Barack, Race, and the Media: Drawing My Own Conclusion,» David Glenn Brown Biography / Autobiography - «The Legs are the Last to Go,» Diahann Carroll Instructional - «32 Ways to Be a Champion in Business,» Earvin «Magic» Johnson Poetry - «Hip Hop Speaks to Children: A Celebration of «Poetry With a Beat»» Nikki Giovanni Children - «Barack Obama: Son of Promise, Child of Hope,» Nikki Grimes (illustrator - Bryan Collier) Youth / Teens - «Letters to a Young Sister: Define Your Destiny,» Hill Harper

Two women remain: Toby, a former God's Gardener (a religion devoted to the melding of science, religion and nature) barricaded inside a luxurious spa, and Ren, a trapeze artist, locked away in a high - class sex club with a really good dental plan and the cleanest dirty girls in town.

Simone Leigh has used her agency as an artist to turn her exhibitions at various art institutions into platforms for everything from yoga classes to natural healing centers; at the New Museum this past summer, Leigh staged a protest and celebration by 100 artists assembled under the name Black Women Artists for Blackartists assembled under the name Black Women Artists for BlackArtists for Black Lives.

«Jettisoning the silence that has been imposed on women of all races and religions and classes and sexual orientations is important for all of these artists,» said Deborah Frizzell, an independent curator who organized the exhibition with guest curator Harry J. Weil, and Wave Hill's senior curator Jennifer McGregor and curator of visual arts Gabriel de Guzman.

She visited Chicago's class for women artists at Fresno State College and also met women artists in Southern California.

«We Wanted a Revolution» focuses on the work of black women artists during the emergence of second - wave feminism — a primarily white, middle - class movement (Judy Chicago's The Dinner Party might ring a bell).

Max Mara Art Prize for Women: Emma Hart, talk (9 March, 7 pm) The London - based artist and winner of the winner of the Max Mara Art Prize for Women presents an event inspired by her research interests, including family structures and social class, as well as the notion of the constructed «situation».

The London - based artist and winner of the winner of the Max Mara Art Prize for Women presents an event inspired by her research interests, including family structures and social class, as well as the notion of the constructed «situation».

Described by the artist as «an homage to the working class,» the image also speaks to the very limited identities society allows women to embody.

«Frankenthaler's Fortunes: On Class Privilege and the Artist's Reception,» Woman's Art Journal 37, no. 1 (spring / summer 2016), 29 - 36

Described as the first - ever exhibition to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history,» featured artists include Camille Billops, Beverly Buchanan, Elizabeth Catlett, Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Samella Lewis, Lorraine O'Grady, Faith Ringgold, Betye Saar, Lorna Simpson, and Carrie Mae Weems, among others.

Bringing together students from the Artist's Coalition, Black and Muslim Student Associations and Women's studies class, the Guerilla Girls visit St. Kate's University and amp up for next year's takeover.

Among the galleries exploring feminist issues, Salon 94 (New York) will feature works by three women artists — Huma Bhabha, Francesca DiMattio, and Katy Grannan — offering commentary on issues of race, gender, class and sexuality; and Galleri Magnus Karlsson (Stockholm) will present a thematic stand curated around the question of what it means for works of art to be designated as «female».

I was not the only woman or artist of color in the class; there were a few of us, so it felt particularly egregious.

Through this class we will tackle such diverse themes as female rulers, women's roles in the home and kitchen, the concept of the muse, the historical odds of being a female artist, as well as biblical stories of rape, subjugation and triumphs.

«Ghosts,» she says, explaining that the island evokes — or rather is haunted by — the spirits of a generation of men and women: artists, thinkers, people of color, the affluent, the middle class, the ignored, the displaced, those let down by their government, those who caught the disease too early, those who didn't realize they had caught it at all, those who thought they would never catch it but who did, all of those who were lost to the dark times when she first came to New York City in the early 1990s, at the height of the AIDS crisis.

The exhibition includes LaToya Ruby Frazier, Carrie Mae Weems, and Lorna Simpson, and demonstrates how African American women artists have consistently explored issues of gender, race, and class in a world of evolving cultural and artistic landscape.

Experimental filmmaker and video artist Peggy Ahwesh (2000 Moving Image) was part of Creative Capital's first class of awardees with her work The Star Eaters, a short film about gambling, risk - taking and failure in one woman's trip through Atlantic City.

In the fifteen months since Whitechapel Gallery re-opened, director Iwona Blazwick has been able to expand the gallery's programme to include 2009's startlingly high - quality Max Mara Art Prize for Women and showcase the world - class work driven by writer - in - residence Maria Fusco (Director of Art Writing MBA, Goldsmiths) at the inaugural Festival of Art Writing 2009, and Volatile Dispersal, an unique event comparable only to some of the satellite shows of Printed Matter's annual New York Artist's Book Fair.

In this 10 - minute piece a mysterious woman (identified by the artist and the gallery as Diamond Stingily) cycles through a series of small actions and expressions as if she's in an acting class, with multiple do - overs.