Sentences with phrase «class women viewed»

Torture and public trials resulted in burnings at the stake of poor and working - class women viewed as symbols of rebellion against the ruling church.

Not exact matches

The things I find most appalling about religion reach a new zenith in Islam --(i) a dulling down of individual thought and a dogmatic requirement to conform to the views of the masses; (ii) a stultifying ignorant education system in which anything inconsistent with the Qur» an is not just discouraged, but censored; (iii) the subjugation of women to the point of educating them to be nothing but mindless f * king, breeding machines for their insecure husbands; (iv) a political class that feeds off the religious - based ignorance it imposes on its populations; and (v) a general back - sliding against the rest of the planet because heads are buried in Dark Ages mythology.

And David, frankly speaking conservative Evangelicals (and Catholics) are almost the only ones who view women as second - class Christians nowadays.

Santorum is a first class wingnut between religion and his views towards women this country would take a step back to the 18th century.

Unlike the secular materialists I had studied in my feminist philosophy class that semester or the exhibitionist pop divas whose reductive views of women's liberation had shaped my generation, Teresa had something genuinely hopeful to say to me.

Increasingly the movement drifted toward a view that women should he enfranchised in order to double the vote of the white, Protestant middle class and thereby assure the supremacy of this ruling class over the rising tide of blacks and immigrant Catholics and Jews.

Thereafter they acquiesced in the increasing drift of the women's movement away from equalitarian views toward a racist and class bias.

He added that the show «repudiated hundreds of years of women's struggles to be viewed as being equal to men and is typical of old - fashioned sexism that might also advise a young woman that her best chance for a happy life is to ace her home economics class and learn how to make a queso dip from Velveeta to catch a good man.»

The flip side, according to this view, is that Clinton accentuated too many issues that appeal to a narrower band of upper - middle - class college - educated voters, women in particular — things like paid family leave and pay equity.

In the Summer of 2010, I drove Emily Thornberry to speak on Ed Milibands behalf at A leadership hustings, at Hornchurch and Upminster CLP in Essex, with Mike Gapes representing David Miliband, my reason for Backing Ed Miliband was he was aware and David didn't understand how un popular we were with the Public, following on from the Expenses scandal, Gordon Browns Comments, that Mrs Duffy's view on Immigration was dismissed by him as «that bigoted woman» and our obsession with the middle class.

One fun thing about the class was that we had women of all levels of yoga experience in the class which allowed us to show up and teach from a beginner's point a view.

You should never make your women feel her nationality is second class, hearing this from a foreign man can be very offensive, and whatever her views are on her own country.

The women come from different social classes and have disparate views about the impending births.

It's this immature view of women — the view of a tongue - tied schoolboy idolising the prettiest girl in class — that sets Curtis's work apart from When Harry Met Sally, Annie Hall, His Girl Friday and the other great romantic comedies.

Between this and the balanced approach Tsui gives to the woman's point of view in many of his romantic films (Working Class, The Lovers, Love in the Time of Twilight, Green Snake, etc) as well as the brilliant job he and Carina Lau do in re-envisioning the notorious Empress Wu in the Detective Dee films, I wonder if Tsui should be getting more credit for progressiveness in his depictions of women, especially relative to such macho directors as Woo, Sammo Hung, Jackie Chan, Ringo Lam, Wong Kar - wai and others of that generation.

Complete List of NAACP Image Award Winners Film Categories Best Picture - «The Secret Life of Bees» Best Director - Gina Prince - Bythewood, «The Secret Life of Bees» Best Actor - Will Smith, «Seven Pounds» Best Actress - Rosario Dawson, «Seven Pounds Supporting Actor - Columbus Short, «Cadillac Records» Supporting Actress - Taraji P. Henson, «The Curious Case of Benjamin Button» Independent Film - «Slumdog Millionaire» Documentary - «The Black List» Foreign Film - «The Class» Best Screenplay - Jenny Lumet, «Rachel Getting Married» Television Categories Best Comedy Series - «Tyler Perry's House of Payne» Best Actor in a Comedy Series - LaVan Davis, «Tyler Perry's House of Payne» Best Actress in a Comedy Series - Tracee Ellis Ross, «Girlfriends» Supporting Actor in a Comedy Series - Lance Gross, «Tyler Perry's House of Payne» Supporting Actress in a Comedy Series - Keshia Knight Pulliam, «Tyler Perry's House of Payne» Best Dramatic Series - «Grey's Anatomy» Best Actor in a Dramatic Series - Hill Harper, «CSI: NY» Best Actress in a Dramatic Series - Chandra Wilson, «Grey's Anatomy» Supporting Actor in a Dramatic Series - Taye Diggs, «Private Practice» Supporting Actress in a Dramatic Series - Angela Bassett, «ER» Made - for - TV Movie, Miniseries or Dramatic Special - «A Raisin in The Sun» Best Actor in a Made - for - TV Movie, Miniseries or Dramatic Special - Sean Combs, «A Raisin in the Sun» Best Actress in a Made - for - TV Movie, Miniseries or Dramatic Special - Phylicia Rashad, «A Raisin in the Sun» Best Actor in a Sopa Opera - Bryton McClure, «The Young and the Restless» Best Actress in a Sopa Opera - Debbi Morgan, «All My Children» Best Director in a Dramatic Series - Ernest Dickerson, «Lincoln Heights - The Day Before Tomorrow» Best Director in a Comedy Series - Kevin Sullivan, «30 Rock - MILF Island» Best Screenplay for a Dramatic Series - Shonda Rhimes, «Grey's Anatomy: Freedom Part 1 & 2» Best Screenplay for a Comedy Series - Erica D. Montolfo, «The Game: White Coats and White Lies» News / Information Series or Special - «In Conversation: Michelle Obama Interview» Talk Series - «The View» Reality Series - «American Idol 7» Variety Series or Special - «An Evening of Stars: Tribute to Smokey Robinson» Children's Program - «Dora The Explorer» Best Performance in a Children's Series or Special - Keke Palmer, «True Jackson» Music Categories Best Male Artist - Jamie Foxx Best Female Artist - Beyonce» Best New Artist - Jennifer Hudson Best Duo, Group or Collaboration - Jennifer Hudson, featuring Fantasia - «I'm His Only Woman» Best Jazz Artist - Natalie Cole - «Still Unforgettable» Best Gospel Artist - Mary Mary Best World Music Album - Cheryl Keyes - «Let Me Take You There» Best Music Video - «Yes We Can» - Will.i.am Best Song - «Yes We Can» - Will.i.am Best Album - Jennifer Hudson - «Jennifer Hudson» Literary Categories Fiction - «In the Night of the Heat: A Tennyson Hardwick Novel,» Blair Underwood, Tananarive Due, Steven Barnes Nonfiction - «Letter to My Daughter,» Maya Angelou Debut Author - «Barack, Race, and the Media: Drawing My Own Conclusion,» David Glenn Brown Biography / Autobiography - «The Legs are the Last to Go,» Diahann Carroll Instructional - «32 Ways to Be a Champion in Business,» Earvin «Magic» Johnson Poetry - «Hip Hop Speaks to Children: A Celebration of «Poetry With a Beat»» Nikki Giovanni Children - «Barack Obama: Son of Promise, Child of Hope,» Nikki Grimes (illustrator - Bryan Collier) Youth / Teens - «Letters to a Young Sister: Define Your Destiny,» Hill Harper

Mr Hughes said the trust was «shocked and saddened» at the suggestion «abominable practices like female genital mutilation and the treatment of women as second - class citizens are not robustly countered at Park View».

«The Club's aim in highlighting these world class women artists was to counter the traditional view that the art world is dominated by male artists.

Domestic Violence at the Intersections of Race, Class, and Gender Sokoloff & Dupont Violence Against Women, 11 (1), 2005 View Abstract Provides a comprehensive review of the emerging domestic violence literature using a race, class, gender, sexual orientation intersectional analysis and structural framework fostered by women of color and their allies to understand the experiences and contexts of domestic violence for marginalized women in U.S. socClass, and Gender Sokoloff & Dupont Violence Against Women, 11 (1), 2005 View Abstract Provides a comprehensive review of the emerging domestic violence literature using a race, class, gender, sexual orientation intersectional analysis and structural framework fostered by women of color and their allies to understand the experiences and contexts of domestic violence for marginalized women in U.S. socWomen, 11 (1), 2005 View Abstract Provides a comprehensive review of the emerging domestic violence literature using a race, class, gender, sexual orientation intersectional analysis and structural framework fostered by women of color and their allies to understand the experiences and contexts of domestic violence for marginalized women in U.S. socclass, gender, sexual orientation intersectional analysis and structural framework fostered by women of color and their allies to understand the experiences and contexts of domestic violence for marginalized women in U.S. socwomen of color and their allies to understand the experiences and contexts of domestic violence for marginalized women in U.S. socwomen in U.S. society.

Dworkin views the power of men as a class issue: because men belong to the privileged class, each man has power over every woman.