Sentences with phrase «classic artists such»

Art pieces by famous modern and classic artists such as Marc Chagall and Andy Warhol are widely displayed in common areas.

Artists that have performed include classic artists such as: Ella Fitzgerald, Dave Brubeck, Benny Goodman, Dizzy Gillespie, Ray Charles, Tony Bennett, Preservation Hall Jazz Band, Pearl Bailey, Lena Horne

Not exact matches

I expected Christian rock artists, classic rock»n' roll, and possibly some Indy Pop, but I was not prepared for the string of explicit rap artists that hit my desk, including Jay - Z, Kevin Rudolf, and Lil» Wayne, along with heavy metal songs such as «Raining Blood» by Slayer.

Mixed media artists such as Edwina Bridgeman and Kirsty Elson transform flotsam and jetsam into wondrous creations, and I love looking at the work of many many artists both contemporary and classic, including John Caple, Elaine Pamphilon, Cathy Cullis to name just a few.

It's a 2.5 D RPG platformer with stunning visuals that seek to pay homage to the brilliantly crafted Studio Ghibli films as well as classic Final Fantasy concept artists such as Yoshitaka Amano.

Both sets contain all 115 compete episodes from the series six year run — remastered and engineered for optimal viewing — along with complete show notes with episode synopses, cast member reflections, «Current Events,» and more, as well as the soundtrack of over 300 classic period songs as they were featured in the original broadcasts includes such artists as: Jimi Hendrix, Bob Dylan, Joni Mitchell, The Byrds, Simon & Garfunkel, Aretha Franklin, James Taylor, and of course, Joe Cocker's unforgettable theme.

Although not critically well received, Antonioni's cult classic remains a milestone of psychedelic filmmaking with its beautiful desert landscapes, hypnotic fantasy sequences, and a tailor made soundtrack from artists such as The Grateful Dead and Pink Floyd.

«I am proud of the breadth, intelligence and style of the choices the London critics have made, honouring the richness of world cinema and the fresh, cool takes on classic movie genres seen in films such as TINKER TAILOR SOLDIER SPY, DRIVE and THE ARTIST.

Irish artist P.J. Lynch is known for illustrating books such as the beloved Christmas classic The Christmas Miracle of Jonathan Toomey, recently released in a 20th anniversary edition.

Their catalog includes some of the world's most popular entertainment brands such as Star Wars, Star Trek, and My Little Pony; award - winning editions of classic comics including the Artist's Edition line; and # 1 New York Times bestsellers like Love Is Love and March, the first graphic novel ever to win the National Book Award.

These include classics such as Fire Kirby, Ice Kirby, and Blade Knight along with new abilities such as Artist which brings art to life and attacks and Love - Love Stick which is a combination of fighter Kirby with a combat poll.

Creator of such video game classics as Rampage, Xenophobe and General Chaos, Brian F. Colin is a vastly experienced game designer, artist, animator and development group leader of over 80 video game titles to his credit... including the creation of some of the most popular, highest earning & best - selling titles in video game history!

Players will be able to enjoy over 30 classic licensed jazz tracks in L.A. Noire featuring songs by big name artists such as Billie Holiday, Dizzy Gillespie, Ella Fitzgerald, Louis Armstrong and Thelonious Monk.

The artist combines these seductive devices of brilliance, slipperiness, morphing and repetition with his own interest in the transgressive aesthetics of «body horror», found in manga and anime, as well as cult classics such as Cronenberg's Videodrome (1983).

He is also notable for his evocation of the classics in mythology, painting, and epic poetry, such as his 1975 works Venus and Apollo and the Artist — in which the title words are messily scribbled in large letters with lists of barely discernible words underneath.

Run by two former art gallerists and based in a closet - sized shop in Manhattan's West Village, the three - year - old business works with a roster of artists, selling classics, such as Yves Klein's gold - leaf - filled glass tables, alongside commissions such as Gerrard's cutlery or the rococo cuckoo clock soon to launch from painter Kehinde Wiley.

Within this exhibition, Andy Warhol's Brillo Box (Soap Pads)(1964) borrows the visual language of mass - produced objects to produce iconography — in classic Warhol style, and artists such as Martin Kippenberger and Mario Schifano use similar techniques to appropriate universally recognizable typefaces, as the image of a brand or consumable personality.

Selections from Albers's own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction,») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers's prints.

This sale brought together some of the most in - demand artists and provided us with the opportunity to display classic German painters such as Albert Oehlen, Martin Kippenberger and Gerhard Richter alongside the major contemporary figures such as Lynette Yiadom - Boakye, Jonas Wood, Amy Sillman and Charline von Heyl who are forming the next generation of painters.

Decagon Constructionhangs directly above Pentadecagon Construction, recalling both the blackboards hung in a similar manner in classic»60s or»70s photographs of the physicist Richard Feynman's lectures and the minimalist display practices of the same era by artists such as Daniel Buren, Robert Ryman, and Donald Judd.

Also taking a critique of popular culture as her point of departure, Glasgow - based Rachel Maclean's hyper - saturated videos unfold narratives through characters — often played by the artist — that quote classic films such as The Wizard of Oz but also draw from horror movies, talent shows and TV advertising.

Saul started as a Pop artist and his art exhibits classic Pop features, such as including cartoon characters and other modern icons.

Artists like Marina Abramović, Gottfried Bechtold and Goran Petercol selected classics such as John Cage, Marcel Duchamp and the Croatian avant - garde artist Julije Knifer, Thomas Zipp and Angelika Krinzinger cite classics of photography as their models, such as Eadweard Muybridge and Man Ray.

The choices, including modern and abstract classics by such artists as Josef Albers and Mark Rothko, along with works by edgier names like Jasper Johns and Ed Ruscha, made news around the world — and launched the latest skirmish in the culture wars at home.

In 1963, Feigen opened a second gallery in New York City, showing works by such classic 19th - and 20th - century artists as Van Gogh, Monet, Picasso, Brancusi, and Mondrian.

A retrospective of artist Glenn Ligon's work at the Whitney Museum provides a backdrop for his personal history growing up in New York, as well as for the disparate influences that contribute to his mature work — from DeKooning, to children's coloring books of the 1970's, to classics of American literature by writers such as Gertrude Stein or Zora Neale Hurston.

It features works by classic pop artists, such as Richard Hamilton, Jim Dine and Roy Lichtenstein; as well as complimentary works by more contemporary artists such as Rachel Whiteread and Michelle Zalopany.

Selections from Albers» own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers» prints.

In addition to such classics as Gordon Matta - Clark and Nam June Paik, the focus of the Julia Stoschek Collection is on the contemporary period, with almost all the major and innovative media artists of our age represented: Marina Abramovic, Ed Atkins, Francis Alys, Doug Aitken, Björk, David Claerbout, Keren Cytter, Simon Denny, Olafur Eliasson, Cyprien Gaillard, Isaac Julien, Bruce Nauman, Pipilotti Rist, Christoph Schlingensief, Ryan Trecartin, Jon Rafman and many more, including younger, (as yet) unknown artists discovered by Stoschek through studio visits, extensive travels and contacts in the scene.

The same concept characterized Fiona Banner's word experiments (such as Car Chases: French Connection and Bullitt, 1998) for which the artist translated classic film scenes into her own words and, in the vein of works by Art & Language, showed a two - dimensional text work on canvas.

A completely intriguing selection of objects drawn from Tate's archive collection by artist Paul Noble, entitled Past the Future, brings together such disparate works as a wonderful mescalin - fuelled ink drawing by Henri Michaux with classic mid-60s Robert Morris, surprising (almost unrecognisable) late Caro, a chewing gum brain by (Noble's long time partner) Georgina Starr and relatively recent, deliciously rude Sarah Lucas.

Along with classic examples of Mr. Davis» work, Nyehaus will also offer some context by presenting a small selection of the artist's celebrated LA contemporaries such as Ken Price, Peter Alexander and the great Ed Ruscha.

Swiss dealer Galerie Gmurzynska brought an impressive selection of classic modern painting and sculpture selected with a special focus on artists with historic connections to Chicago and Chicago institutions, such as Wifredo Lam, Kurt Schwitters and Fernand Leger.

(New York, US) «Empty House — Casa Vazia» is a sculpture exhibition featuring Adriano Costa, Erika Verzutti, Marcius Galan and Rodrigo Matheus, among classic Brazilian artists such as Amilcar de Castro and Lygia Pape.

Connections can be made from Wall's work to conceptual artists such as Ian Wallace, Rodney Graham or Stan Douglas; as well as to artists that specialise in staged or set - up photography like Cindy Sherman, Thomas Demand or Gregory Crewdson; and even to classic photographers such as Ansel Adams, Edward Weston, Walker Evans and Diane Arbus.

The addition of this early but classic work by Winters will help the gallery tell the story of painting in the 1980s, when artists such as Johns, Anselm Kiefer, Brice Marden, and others proved the continuing vitality of expressive abstract painting.

The six paintings span 25 years of the artist ‟ s career, from 1968 to 1993 and include his classic abstractions such as Abstraktes Bild (798 - 3) one of the most valuable Richters to come to market.

In The Road to Here, the John Berggruen Gallery is proud to include classic examples of each artist's work, such as Bechtle's North Slope (2009) a complete set of Ruscha's Standard Station prints (1969), and Thiebaud's Park Place (1993).

Gross» chief inspirations include the classical impressionists - Monet, Van Gogh, Renault, Cezanne, etc., but also classic abstract artists such as John Mitchell, the bright, vibrant colors of Hans Hoffman, and Willem de Kooning.

It includes classics by artists such as David Park and Richard Diebenkorn and surprises such as Nathan Oliviera's severe, brooding, Hopperesque «Stage 2 With Bed.»

The empty space exhibited as such thus became, in a way, a classic of radicalism, and would be repeated and remade in other contexts, other places and other times by other artists whose intentions might be similar, different or even opposed to Klein's.

Hopper, known for his roles in such classic films as Apocalypse Now, Blue Velvet and Easy Rider, is also an accomplished artist and art collector.

Despite the fact that beyond certain superficial qualities, Lin's memorial shared little in common with the work of classic Minimalist artists such as Richard Serra or Donald Judd, critics nonetheless conflated it with Serra's equally controversial Tilted Arc, labeling it another example of an inscrutable Minimalist public artwork erected at taxpayers» expense.

The first depicts many of the «classic» works in the collection by artists such as Eduardo Paolozzi, Euan Uglow, Henry Moore and Barbara Hepworth.

On view are drawings of Classic Modernism by Joseph Albers, Hans Arp, Max Beckmann, Otto Dix, Vassily Kandinsky, Käthe Kollwitz, Oskar Schlemmer and Kurt Schwitters; drawings and prints of major historical figures of the post-war era such as Georg Baselitz, Louise Bourgeois, John Cage, Joseph Beuys, Lucian Freud, and Richard Buckminster Fuller; and works by contemporary artists Erick Beltrán, Marina De Caro, Marlene Dumas, Jiří Kolář, David Koloane, Laura Lima, Anna Maria Maiolino, Gerhard Richter, Kara Walker and Jakub Julian Ziółkowski, among many others from around the world.

Artschwager doesn't fit into classic Minimalism as we now think of it — conceptual, non-representational work that conforms to a strict set of codes exemplified by artists such as Carl Andre, Dan Flavin, Donald Judd and Sol LeWitt.