He hits up the same sharp - dressed guy three times for a little help (director John Huston, in one of the many
classic cameos in his films), receives a tongue - lashing, and hunches down a little more, recouping a little bit of «big» in offering a cigarette to Curtin, another Yankee down - and - outer on a park bench.
Not exact matches
The biggest problem with the
film is that the marketing for it makes the viewer believe that the
classic video game characters will play a key role
in the
film while they honestly have minor
cameos.
sung by Mick Jones as himself
in a
cameo that makes a strange sort of sense within the
films context of cloning; a minor character with a freckle fetish who regards Anne of Green Gables as an erotic
classic; and one of the most achingly powerful evocations of longing that I have ever seen.
Few have had as varied and rich a career as Jacques Perrin, whose resume includes appearing
in and co-producing the
classic political thriller Z for Costa - Gavras, making an extended
cameo in the French potboiler THE BROTHERHOOD OF THE WOLF, and making fascinating
films in homage to the natural world.
The
film is an odd curiosity: a sort - of - modernized sort - of - remake of a
classic, made by the original director but with a no - name cast (apart from Christopher Lee
in a callback
cameo), and with a lolling, lazy indifference that suggests a student project.
The rest are of the supplements are just grace notes: a relaxed interview with actor Rod Taylor, a tribute to «The Original Inglorious Bastards» with director Enzo Castellari and actor Bo Svenson (who both make
cameo's
in QT's
film), a mock - featurette on «The Making of Nation's Pride» (with the performers all
in character — Eli Roth has a blast playing the sneering autocratic German auteur of this «lost»
classic of Nazi propaganda cinema) and montages showing the playfulness of QT and his cast and crew on the set.
Not forgetting the quality Will Ferrell
cameo as Chazz, who was the notorious albeit deluded man who invented «the rules of wedding crashing,» or the beautiful montage of half - naked women being bedded
in the
film's earlygoing set to the
classic celebratory song «Shout,» Wedding Crashers has assured its place among the great raunchy comedies of modern day filmmaking.
Existing
in a timeless not - quite - reality that tips its hat to»80s
classics like «Stand By Me» and «The Goonies» while blending it with an up - to - the - minute sense of humor that betrays Vogt - Roberts» links with the current comedy scene (big - name stand - ups like Kumail Nanjiani and Hannibal Burress have
cameos), it's certainly the funniest
film we've seen
in 2013 so far, minute by minute.