Sentences with phrase «classic cinema does»

The film opens with an authentic recreation of a vintage newsreel and its admiration of classic cinema doesn't end there.

Not exact matches

Guest post from Mary who blogs about all things to do with vintage and classic cinema at We Heart Vintage

There are a wide variety of romantic things to do in the city; like taking advantage of its vibrant cultural arts scene, or enjoying some of the finest classic cinemas in the UK.

Plan a daytime - date, and take in an art gallery, matinee show, or take a trip to the cinema — there's plenty to do during the day and no need to stick to the classic coffee shop!

Since then, the zombie movie has been a staple at the cinema and at home, with offerings ranging from the totally»80s classic Night of the Comet to the biggest box office zombie flick yet, World War Z. Because there are only so many ways to serve up brains, and with TV's The Walking Dead doing an excellent job of that on a regular basis, filmmakers are taking unique approaches to zombies and treating them as characters, not just mindless threats.

Flawed though Meet John Doe may be by its ending, it is the key film in Capra's filmography, and a must - see for anyone interested in classic cinema.

If his filmography included only half the classics they do, he'd still be lauded as one of modern cinema's most influential visionaries.

He did after all give us some of cinemas greatest obsessed (anti--RRB- heroes in Gene Hackman's Popeye Doyle in 70s classic THE FRENCH CONNECTION and William Petersen's Richard Chance in 1985's TO LIVE AND DIE IN L.A.

The lack of any nominations for his films which are absolute classics and an integral part of cinemas genre history is much more shocking when other filmmakers have simply missed out at the final ballot stage whereas Leone didn't even get to hear the starting pistol fire.

There's no better time of year for fans of classic cinema, no better place to watch classic films than movie palaces like the Chinese and Egyptian Theatres in the heart of Hollywood, and no better audiences to watch films with hundreds of people who love the classics as much as you do.

However, while Lachman had referenced classics of European cinema for other films, including Haynes» singular Bob Dylan biopic I'm Not There, he didn't reference any specific cinematic world for Carol.

This disjunction of sounds and images is of course a classic narrative devise of cinema (27) and functions as a kind of pedagogical entry into the visual regime of the film; it does interpolate the viewer and ask him or her to connect these tracks, not necessarily to make sense of them, but at least to organise a suspended logic of connectivity.

«Wadjda» Given that it was made by a female director in an environment as hostile to both women and film as Saudi Arabia (where women can't drive, and cinemas have been closed for decades), it's genuinely staggering that «Wadjda» — which made its U.S. debut at Tribeca on its way to a full release from Sony Pictures Classics — turned out as brilliantly as it did.

Meyers is in her element when the movie plays like classic narrative cinema, unafraid to go for the corny sentiment that she does with more conviction than the attempts at zeitgeist comedy.

2011 was a year that didn't deliver a tremendous amount of great cinema but the great cinema was really incredible and I think 2011 gave us some future classics, not least of which is The Skin I Live In, maybe my favourite Almodóvar film of all time... and that's saying a lot.

Nowadays, with technological innovation, new heavy - hitting players, like Netflix and Amazon, enter the lucrative cinema game and the classic model of production - distribution - exhibition is again tested and changed and we can ask the existential question: does a film have to also be available in theatres to be Cinema?

Criterion isn't the first to do this — The Godfather and Casablanca embrace the grain also — but it really jumped out at me in The Third Man and started me reevaluating what constitutes a proper restoration and mastering standard for classic cinema.

I agree with his viewpoint that younger generations and more of the general populace should be more open to watching classic movies, but I don't think he realizes that there are a lot of young, passionate film enthusiasts that are well versed in the history of cinema, and many of them attend Fantastic Fest.

His love of classic cinema made this likely, of course; Hitchcock famously appeared in his own movies, as does Tarantino, and all you have to do is complete one little VIP side - op to unlock him as a new recruit.

It is, however, a persuasive treatment of the issue, through the lens of Call of Duty: Black Ops and Yusuf comes across as more exasperated than excoriating: «Though Black Ops blatantly lifts scenes and lines from cinema classics like Full Metal Jacket and The Deer Hunter, it fails to communicate the same anti-war message that Kubrick and Cimino did.»

What The Clock does is survey the narratives that make up classic cinema, rather than merely reduce its source material to clips of clocks.

That said, it does feel dated, overdone and a little bit creaky in places, and A View To A Kill really marks the end of the road for «classic» Connery - Lazenby - Moore Bond - cinema was moving on, and it was time to bring the iconic spy film franchise into the modern era.