His love of
classic cinema made this likely, of course; Hitchcock famously appeared in his own movies, as does Tarantino, and all you have to do is complete one little VIP side - op to unlock him as a new recruit.
Not exact matches
Take in a film: Going to the
cinema is a
classic date idea for a reason, just
make sure you fit in an after - show drink!
Alternatively, stick to the
classic date idea of going to the
cinema, but
make the evening feel more special by going to the art deco styled Dominion
Cinema, which has comfy leather sofas to cuddle up on.
All of this is a shame, because the seeds of a conceptually daring project are present here: a mainstream Hollywood special - effects action extravaganza retelling a
classic Japanese legend with a cast
made up mostly of Japanese actors, many of them mainstays in the country's contemporary
cinema, and all of whom are allowed to occasionally take the spotlight away from its more widely known marquee star.
It was
made into a
classic piece of early 1960s
cinema (and a 1990s remake), and will soon arrive at Netflix in a modernized form.
Miyazaki the all time
classic My Neighbor Totoro, perhaps the most universal movie about discovery and play ever
made, while Takahata would
make one of the greatest (and saddest) anti-war movies in the history of
cinema, The Grave of the Fireflies.
Final Verdict: So over-the-top it shouldn't have worked, but a wonderfully touching love story between two great actors
makes Moulin Rouge
classic musical
cinema.
The rest are of the supplements are just grace notes: a relaxed interview with actor Rod Taylor, a tribute to «The Original Inglorious Bastards» with director Enzo Castellari and actor Bo Svenson (who both
make cameo's in QT's film), a mock - featurette on «The
Making of Nation's Pride» (with the performers all in character — Eli Roth has a blast playing the sneering autocratic German auteur of this «lost»
classic of Nazi propaganda
cinema) and montages showing the playfulness of QT and his cast and crew on the set.
1 was both a great movie and a great martial - arts movie that paid homage to a ton of
classic martial - arts flicks (both Chinese and Japanese) to
make a really visceral, offbeat
cinema experience unlike any other (well, at least until Vol.
My well - known affinity for the
classic «Hard Knock Life»
makes Annie a natural vehicle to lead us into the world of the
cinema.»
This disjunction of sounds and images is of course a
classic narrative devise of
cinema (27) and functions as a kind of pedagogical entry into the visual regime of the film; it does interpolate the viewer and ask him or her to connect these tracks, not necessarily to
make sense of them, but at least to organise a suspended logic of connectivity.
«Wadjda» Given that it was
made by a female director in an environment as hostile to both women and film as Saudi Arabia (where women can't drive, and
cinemas have been closed for decades), it's genuinely staggering that «Wadjda» — which
made its U.S. debut at Tribeca on its way to a full release from Sony Pictures
Classics — turned out as brilliantly as it did.
«I am proud of the breadth, intelligence and style of the choices the London critics have
made, honouring the richness of world
cinema and the fresh, cool takes on
classic movie genres seen in films such as TINKER TAILOR SOLDIER SPY, DRIVE and THE ARTIST.
After forays into auteur
cinema like the magnificent TOKYO SONATA (Un certain regard Jury Prize at Cannes 2008), J - horror pioneer Kiyoshi Kurosawa, whose
classics CURE and SÉANCE were adored at Fantasia in their day,
makes a triumphant return to the horror thriller genre with the Berlin Film Festival selected Hitchcockian horror thriller CREEPY, which will be screened in Canadian Premiere.
The Coens seem unsure if they're
making a statement about old Hollywood or just riffing on it, and audiences will likely become confused as to whether the brothers» treatment of
classic cinema is delivered laughingly or lovingly.
And as the
classic Sixth Sense proves, somewhere inside Shyamalan is the skill - set required to
make a decent piece of
cinema.
It could
make a convert of anyone with a love of
classic movies and
cinema history.
Peggy's relationships were a driving factor of the show, and while the second season's love triangle may have slowed down certain episodes, the character's ability to
make allies out of enemies harkens back to
classic hero tropes in action
cinema.
Instead, it only
makes «Attack the Block» that much more impressive — a fun slice of nostalgic geek
cinema that effortlessly blends action, comedy, horror and sci - fi to create an instant genre
classic.
What The Clock does is survey the narratives that
make up
classic cinema, rather than merely reduce its source material to clips of clocks.