Not exact matches
In this interview from Print magazine's Imprint blog, Kim Munson talks about an iOS and Android app she developed called Comix
Classics: Underground Comics based on Underground
Classics: The Transformation of Comics into Comix, a book and exhibition on the history of underground
comic - book
art.
And then there's something new: concept
art of Brie Larson as Captain Marvel, in a slightly darker and grittier take on her
classic comic book suit, complete with the star on her chest and a shorter, blonde haircut.
Though it isn't quite as flashy as some of the more explosive nominees, Scott Pilgrim mastered the oft - tried - but - rarely - successful
art of translating the more abstract aspects of
comic book
art - such as sound effects and panel transitions - and brought them to life in a style that homaged not just sequential
art, but
classic video games.
European
comics were historically more diverse and often higher - quality (in terms of
art and story craft) than American
comics; in addition to drama, fantasy, and detective books (including
classics like The Adventures of Tintin), many European
comic book series are historical fictions.
Plus, the internal editorial meetings at the House of Ideas turn towards the staff's own
classic comics, and in the course of answering a new wave of fan questions, the Marvel staff shares LOADS of exclusive
art from upcoming releases.
Needlessly conservative storytelling, crap coloring (maybe that's just me and my
art snob friends though), bad
comics, rising prices, a lack of speculators, the Hollywood money being exponentially better, companies going for the short gain instead of the long - term gain (I'm looking at you, Humanoids, and your reprinting of
comics classics in strictly deluxe formats that are too expensive for the casual reader who needs that stuff and you, Marvel, who can't even keep a trade of a book that's buzzing super hard in print, and you,
comic shops, for banging your doofus drum every time somebody does something in digital
comics you don't like), and yes, piracy, have all hurt
comics.
Dante's inferno is making the most of its fifteen minutes with an anime,
comic and even an Electronic
Arts - branded edition of the eponymous literary
classic, but a live action movie it will never be, according to executive producer and creative director Jonathan Knight.
As I and the rest of the internet have been falling in love with Ryuji Higurashi's
comics - inspired, nostalgia - inducing Rockman
Classics Collection cover
art, I was reminded of another piece of his that appeared in one of Capcom's official artbooks early this year.
Wonder Momo: Battle Idol, based on the Japan - only 1987 beat»em up
classic Wonder Momo, will be co-written by tokusatsu expert and super otaku Erik Ko and Sky Kid writer Jim Zub and feature the
art of fighting game
comics mainstay Omar Dogan.
«What Kickstarter did for us was give us a platform to expose a book that had appeal to non-comic readers, to people who liked great
art and
classic storytelling... We lobbied hard for blogs outside of the world of
comics to give us a mention... You have to find people who are interested in the heart of what you're doing, not the medium.»
This, combined with constant inspiration drawn from classical
comic book imagery, pop
art and American cinema (especially the horror genre), as well as the aesthetic of
classic prints (Durer, Goya, Daumier, Kathe Kollwitz, etc.), creates Hancock's unique approach to collaged painting.
The artwork with MF DOOM releases is often inspired by
comic book
art and
classic old school graffiti styles, incorporating graffiti writing.
The
classic elements of Scharf's style are on display: subverted images of
comic books, Pop
Art, jarring colors and surreal themes.
Putting spotlight on works with strong influences of
comics, humor, grotesque, as well as references to
classic and contemporary
art masters, Sebastien Adrien will be showing solo shows by two American artists and friends, Aaron Johnson and Nicasio Fernandez.
From 1963 to 1978 Joe Brainard created over 100 works of
art appropriating the
classic comic book character Nancy.
Roy Lichtenstein, the artist whose
classic paintings of
comic strips were a defining factor in the Pop
art movement that exploded in the 1960s, died on Monday, Sept. 29, 1997, at New York University Medical Center, where he had been hospitalized for several weeks.