Sentences with phrase «classic examples of music»

The abstract works in the 1920s and 30s, including the red - dot symphonies and black - grid compositions, are classic examples of music - visual hybrids evoking constellations, planets, and moons, as in «Several Circles» (1926).

Not exact matches

Additionally, in no particular order, there were vocal supporters of the Ralph Jones «incongruously great score to «Slumber Party Massacre ``; «Phantasm» «s heavily «Exorcist «- indebted score from Fred Myrow and Malcom Seagrave; Danny Elfman «s channelling of Bernard Herrmann for «Nightbreed ``; Wojciech Kilar «s bombastic, often recycled music for «Bram Stoker's Dracula ``; John Harrison's score for Romero's anthology film «Creepshow ``; Richard Band «s better - than - deserved compositions for the terrible «Troll ``; the great Lalo Schifrin «s score for the original «The Amityville Horror ``; a more recent example in Climax Golden Twins» music for Brad Anderson «s now cultish «Session 9 ``; Pino Donaggio's terrific work with de Palma's «Dressed to Kill ``; Gene Moore's classic church organ scares in «Carnival of Souls ``; and while we've featured Bava fils above, we could easily have found room for his father Mario Bava, probably with the funky original music by Libra for his final film «Shock.»

Mole Music is a perfect example of that classic picture book maxim.

At least there are some nice creature comforts — for example, the ability to independently change the style of graphics or music to classic sprites and chiptunes or newer art and higher quality music tracks — nice if, like me, you're not a fan of the newer art.

The classic example of a cultural intermediary is a marketer, whose job it is to make products look appealing to potential customers, but the concept can be applied to a wide range of pursuits beyond marketing and PR: film festival programmers, cocktail bartenders, personal trainers, country music producers, and, we think, indie game showcase organizers.

A-ha's classic 80s track is just one example, but really being able to blare any of the music from this game over the speakers of your transport helicopter is a pretty insane and wonderful thing.

Samba de Amigo, for example, used contemporary tracks from the likes of German pop group Bellini, Chumbawamba, and Santana, as well as classic music from the 50s and 60s including tracks from the Gipsy Kings, Perez Prado, and Quincy Jones.

I also remember some years ago that the (pretty dismal) followup to the classic Def Jam Vendetta was a Street Fighter clone that used the game's heavily licensed soundtrack to generate mostly neglected environmental hazards (for example, fire hydrants would spray water to the beat of a song), and if you had music on your hard drive it would use it.