Charlie Chaplin's
classic film Modern Times — one of the last silent films -LSB-...]
Not exact matches
The series focuses on
classic films,
modern films and documentaries that highlights a wide range of labor issues.
Also, while the pages devoted to dissection of
classic modern films such as Performance, Alien and Full Metal Jacket make compelling reading, they defeat the utter disposability so crucial to the
modern: what can't be instantly forgotten becomes an impediment to what can next be accessed and experienced.
I went for a
modern 90's vibe today — it was one of my favorite decades for
film and fashion the first time round (think Sex And The City, Clueless, Melrose Place and other cult
classics!)
Working with an insanely talented crew that also includes cinematographer Rodrigo Prieto («Babel,» «Brokeback Mountain»), Affleck has made a
film that features multiple locations, dozens of speaking roles, and the kind of tonal shifting that veterans routinely screw up and he's not only dodged the many potential pitfalls but made a
modern classic by doing so.
An excellent performance from Genevieve Bujold is the highlight of this
filmed play but the
modern adaptation of the
classic story is clunky.
It is hard sometimes to shake the feeling that this live - action Disney adaptation is relying too much on the 1991 animation, to the point that it almost feels like an extended version of that
film; but even so, it offers a fresh and
modern look at the
classic story that makes it worth it.
Steven Spielberg might as well be known for directing well - loved
classics, but he's also the same guy who also directed
modern art like The BFG and this
film.
A remake of the 1974
film of the same name, Death Wish pairs aging action icon Bruce Willis with director Eli Roth (Hostel, The Green Inferno) to bring the
classic tale of vigilante justice to
modern audiences.
Maybe if they realized the influence these
classic directors and
films have had on the
modern filmmakers and movies they enjoy, they would be more inclined to see these
films.
«The Walk» has everything it needs to be a
modern classic, except for an understanding that when you have everything you need to make a such a
film, it doesn't need to hype itself and explain itself.
A&E's Bates Motel is inching closer toward resembling Alfred Hitchcock's 1960's
classic Psycho, the
film that serves as inspiration for this
modern - day prequel of sorts that examines the motel in its early days when Norman Bates (Freddie Highmore) was still in high... Read More
This
film feels like the musical genre's missing link, bridging the gap between the
classic MGM musicals of the Freed Unit, and the more
modern, less sanitised genre it eventually became.
In this
modern era, the Coen Brothers are often credited as the life support system for
classic noir, but the Coens appear to have serious competition in the form of Australian filmmaker and stuntman Nash Edgerton, whose feature debut, The Square, is a brilliantly twisty, gritty contemporary
film noir.
This week on GeekScholars Movie News, presented by Eclipse Magazine, the crew debuts a new segment called the Casting Competition Challenge where the GeekScholars must attempt to recast
classic films in the
modern era.
Though the
film follows a pretty standard cops - and - robbers formula, it does so with such razor - sharp proficiency and well - drawn characters that it succeeds not just as a terrific genre
film but a
modern American
classic in the same vein as «No Country for Old Men.»
Based on the book The Disaster Artist by Greg Sestero and Tom Bissell, the
film tells the behind - the - scenes story behind one of
modern cinema's biggest cult
classics The Room.
Horror fanatics will be delighted by this
film and it is destined to become a
modern day horror
classic.
Reuniting the stars of his celebrated
film Cinderella, Kenneth Branagh and Rob Ashford direct Richard Madden («Game of Thrones,» Cinderella) as Romeo and Lily James («Downton Abbey,» Cinderella) as Juliet, alongside Derek Jacobi as Mercutio, and Meera Syal as The Nurse, in a
modern, passionate version of the
classic tragedy.
Reuniting the stars of his celebrated
film Cinderella, Kenneth Branagh and Rob Ashford direct Richard Madden and Lily James as Romeo and Juliet, Derek Jacobi as Mercutio, and Meera Syal as The Nurse, in a
modern passionate version of the
classic tragedy.
For a
film based upon a dysfunctional family's struggle across America to enter their daughter into a beauty pageant — Little Miss Sunshine should go down in history as a
modern classic; an absolutely wonderful cinematic release.
But the 1973 British
classic has become the latest
film set to undergo a Hollywood remake with the production company behind Liam Neeson action thriller Non-Stop poised for a
modern take on it.
Dumb and Dumber: Unrated offers even wilder antics and more of the outrageous humor that made the
film a
modern day
classic.
Following the
modern cult
classic In Bruges, Martin McDonagh fully delivered on that
film's vast promise with Seven Psychopaths — a fiery genre cocktail of crime & dark comedy.
A&E's Bates Motel is inching closer toward resembling Alfred Hitchcock's 1960's
classic Psycho, the
film that serves as inspiration for this
modern - day prequel of sorts that examines the motel in its early days when Norman Bates (Freddie Highmore) was still in high school and his mother, Norma (Vera Farmiga), was still breathing.
The new Criterion Blu - ray of Ang Lee's «The Ice Storm», with its excellent transfer and illuminating features, should raise the
film's stature as a
modern classic.
Forging a strong link in the evolution of
modern science fiction
films, this
classic was nominated for an Oscar, and won an honorary award for outstanding makeup.
Knowing
film buffs may relate the
film's plot to the infamous
classic All About Eve, but more
modern filmgoers will see this more as a mix of Clueless and Single White Female The
film has a very high camp value, all intentional, and the humor works well on the occasional scenes where there's some inspiration.
It's easy to reference the
classics, but «The Conjuring 2» is an evolved,
modern version of this story, and establishes its own
classic status as
film in conversation with both the past and future of horror.
Other upcoming projects include the samurai
film 47 Ronin, Chef - story by Reeves and written by Steven Knight, and a
modern retelling of theRobert Louis Stevenson
classic Strange Case of Dr Jekyll and Mr Hyde, scripted by Justin Haythe and titled Jekyll.
Considered a disaster on its release, the
film has since been reassessed as a
modern classic, a dark fairytale that feels like something the Brothers Grimm would make if they were filmmakers.
Dobkin, who directed Wedding Crashers and The Change - Up, will direct the
film that is an action - oriented take on the
classic Arthurian story, with a
modern feel.
Craig Pearce and Baz Luhrmann have taken the heart of the
classic story, and fashioned a
modern uber - stylish
film around it.
Yuen has made entertaining
films without good scripts, and considering Besson has written such
modern classics in the action genre as La Femme Nikita, Leon (The Professional), and The Fifth Element one would have thought this
film couldn't miss.
That
film is Call Me by Your Name, an adaptation of the 2007 André Aciman novel that is something of a
modern classic of gay literature.
But when he infects himself with a new virus that appears designed to kill its celebrity, the
film becomes a
modern version of the
film noir
classic DOA, will our hero figure out who poisoned him in - time?
As Jurassic Park has become a
modern classic over the years, one of the constant compliments paid to the
film is how the special effects used to bring the dinosaurs to life have aged surprisingly well.
The first
film was charming and funny, a sweet love letter to
classic arcades and
modern video games alike.
Also forget whatever Peoples may have said in interviews about the
film being a «side - quel» of sorts to Blade Runner, i.e., set in the same universe as that 1982
modern classic.
Bruce Beresford's
film has slipped into obscurity, while Lee's movie remains a flawless
modern classic.
The
film is a direct sequel to Tobe Hooper's malevolent and masterful 1974 flick, THE TEXAS CHAINSAW MASSACRE, picking up hours after the genre
classic before a
modern setting takes us on a journey of more mayhem with the chainsaw - wielding maniac, Leatherface (Read our review HERE).
Not forgetting the quality Will Ferrell cameo as Chazz, who was the notorious albeit deluded man who invented «the rules of wedding crashing,» or the beautiful montage of half - naked women being bedded in the
film's earlygoing set to the
classic celebratory song «Shout,» Wedding Crashers has assured its place among the great raunchy comedies of
modern day filmmaking.
Whether it's
modern noir («L.A. Confidential»), an old
classic («Chinatown»), a genre - bending head trip («Mulholland Dr.») or even a cartoon («Who Framed Roger Rabbit»),
film loves to pull back the curtain of Hollywood's seedy underbelly and expose the world of crime.
Director Bryan Singer still seems to be chasing the greatness that's eluded him since 1995's The Usual Suspects, his second
film and
modern cinematic
classic.
Starring Robin Williams and Kirsten Dunst, the
film stands the test of time and remains a
modern classic for family entertainment.
One of the
film's most memorable aspects — and arguably the facet which helped to entrench itself within the annuls of
modern comedy greats — is the work undertaken by the Max Fischer Players: Broadway - sized high school theatre reinterpretations of
classic movies.
Though the «sex equals death» rule isn't as prominent in
modern horror movies that defy those decades - old tropes, «It Follows» is very much a retro homage to «70s and «80s genre
classics, from the «Halloween» - esque synth score, to the striking similarities to «Nightmare on Elm Street,» both in Jay's perpetual helplessness and the
film's dreamlike atmosphere.
Directed by Ramin Bahrani (99 Homes) and written by Bahrani and Amir Naderi (Vegas: Based on a True Story), the
film is a
modern adaption of Ray Bradbury's
classic novel.
From
classics such as How The Grinch Stole Christmas or A Christmas Carol to
modern films like Jingle All The Way or Home -LSB-...]
Matthew's print encapsulates both the old - school movie poster feel of
classic horror
film art, while bringing some
modern printing magic into the mix.