His monochromatic works explore the traditional portrait format on a range of scales, using source material from vintage postcards, magazines, found photos, and
classic film stills.
Gokita continues his monochromatic series that explores the traditional portrait format on a range of scales, using source material from vintage postcards, magazines, found photos, and
classic film stills.
Not exact matches
But problematic though it may be, Rita Moreno's
classic 1961
film performance is
still worth your time and provides clearer context.
Although White is absolutely right about the tendency of today's animated
films (Tangled included) to pander to the most annoying and depressing aspects of popular culture even as they ignore or deny the richer, deeper culture from which most
classic fairy tales emerged, the animated features that Disney brought to the screen when Uncle Walt himself
still oversaw the studio made a point of drawing considerable aesthetic, emotional, and narrative power from specifically Christian aspects of the culture that, even today, America shares with Europe.
The remake of The Day the Earth Stood
Still closely parallels Robert Wise's 1951 science fiction
film classic that was a Cold War warning shrouded in a Christ allegory.
Still, that's the magic of it — this
film is the quintessential American
classic, and that's the way it should and will stay forever.
Classics like Blade Runner (1982), 2001: A Space Odyssey (1968), and Alien (1979) appealed to audiences» imaginations like no other
films before them, arguably, they
still do today.
somewhat melodramatic but
still the best
film adaptation of dumas»
classic, a childhood fave of mine.
The
film skews young, to be sure, and it isn't as memorable as the new Disney
classics of the early 1990s, but there's
still plenty here to hold the interest of viewers of all ages: delightful performances (particularly by Dench, plowing Angela Lansbury terrain), zinging comic dialogue and a soundtrack that's a wealth of sonorous riches.
James Thurber's
classic short story was previously adapted into a 1947 feature
film starring Danny Kaye;
Stiller's version features Kristen Wiig, Sean Penn, Adam Scott, Patton Oswalt, Kathryn Hahn, and Shirley MacLaine.
Although not as great or refined as The Big Lebowski, this
film is
still a
classic of the stoner genre.
In Turner
Classic Movies: Must - See Sci - Fi, fifty unforgettable
films are profiled, including beloved favorites like The Day the Earth Stood
Still (1951) and Fantastic Voyage (1966), groundbreaking shockers like Planet of the Apes (1968) and Alien (1979), and lesser - known landmarks like Things to Come (1936) and Solaris (1972).
Their latest adventure into the
classics is «I Know Where I'm Going», a simply plotted
film that
still manages Read more...
To watch Downey making the
classic films within the main
film you would actually think Chaplin was
still alive today starring in his own bio, amazing work to get it right.
Your evening kicks off with The Day the Earth Stood
Still, an enduring
classic and easily one of the most influential science fiction
films of all time.
A&E's Bates Motel is inching closer toward resembling Alfred Hitchcock's 1960's
classic Psycho, the
film that serves as inspiration for this modern - day prequel of sorts that examines the motel in its early days when Norman Bates (Freddie Highmore) was
still in high... Read More
Using a hyper - artificial filmmaking style that harkens back decades (you ain't never seen rear - projection like this before), Mandico creates a throwback to
classic boys - own adventure
films that
still constantly surprises.
At the same time, DreamWorks
still has yet to make a
film to put them on a par with Pixar in terms of being able to make animated family
films that will last the test of time as
classics in their genre, rather than populist features that work primarily in the here and now.
I've been highly pleased with the few other
classic Fox Blu - rays I've encountered, but it's
still a treat to encounter such a sterling presentation of a nearly 70 - year - old
film.
With «The Kids Are All Right,» Lisa Cholodenko interestingly courted mainstream audiences, playing gender roulette with
classic rom and bedroom - farce formats; the result was arguably her most well - rounded
film, but
still not as sensual or electric a study of lesbianism as her 1998 breakthrough «High Art.»
So basically we are over due for a new Wright
film and Baby Driver is departure from the Cornetto Trilogy but
still has
classic Wright elements.
Still, «Leave Her to Heaven» does boast a
classic film noir plot and one of the supreme movie femme fatales who's not the person you want standing behind you on a high staircase, with no witnesses.
To be honest, I also look at
films that I grew up with like Dark Crystal and Labyrinth and for Jim Henson at the time they were flops in terms of their theatrical release, but they went on to become
classics that people
still buy to this day.
Sure, Showgirls is a cult
classic, but some critics find it obscure why NC - 17
films can't even make it to a major wide release unless it's
still an R - rated raunchfest.
Sure, Showgirls is a cult
classic, but some critics find it obscure why NC - 17
films can't even make it to a major wide release unless it's
still
A&E's Bates Motel is inching closer toward resembling Alfred Hitchcock's 1960's
classic Psycho, the
film that serves as inspiration for this modern - day prequel of sorts that examines the motel in its early days when Norman Bates (Freddie Highmore) was
still in high school and his mother, Norma (Vera Farmiga), was
still breathing.
11:00 pm — TCM — New York, New York Not generally considered one of Martin Scorsese's better
films, but
still an intriguing attempt on his part to revive the
classic Hollywood musical with a story of on - the - rise musicians and their rocky relationship.
Long - in - development comedy remake The Secret Life Of Walter Mitty is adding some
classic and classy acting talent to its line - up, with Shirley MacLaine in talks to play Ben
Stiller's mother in the
film.
In the late 1920s, Fritz Lang was the star director of Germany's Ufa Studios, the biggest
film studio outside of Hollywood, and one of the most celebrated filmmakers in the world for such ambitious epic visions as Destiny (1921), the Die Nibelungen (1924)
films and especially Metropolis (1927), his allegorical science fiction
classic that is
still considered one of the great
films of the silent era.
Still, Rebecca is clearly a superior
classic film, one that is immensely engrossing, leaving you forever haunted by its memory, much the way Rebecca does to those she left behind in this terrific story from Daphne du Maurier's novel.
Wahlberg recently spoke to MTV about the
film, which is
still in development, and continues to suggest that it's going to be pretty serious in tone, comparing it to a Scorsese
classic.
Plot details for MAGIC IN THE MOONLIGHT are
still under wraps but the Sony
Classic Pictures
film, thought to be a romantic comedy (so no change there) spanning 20 years during the 1920 / 30s, has a super cast that is led by Emma Stone and Colin Firth.
This family friendly
film still holds up, with a
classic hero's story and some pretty great -LSB-...]
Still, Francis Ford Coppola's belated third installment earned seven Oscar nominations, and remains part of the
classic film canon.
Recommendation: In the vein of a sci fi thriller
classic (
still too early to say for sure but I already feel pretty comfortable saying it), 10 Cloverfield Lane is a
film for adrenaline junkies.
We got our first official
still from Guy Ritchie's big screen take on the
classic spy series The Man from U.N.C.L.E. earlier this week [see here], and now we have another image from the
film featuring the two leads Henry Cavill (Man of Steel) and Armie Hammer (The Lone Ranger)... Set against the backdrop of -LSB-...]
A
classic holiday movie that is
still relevant today always makes for a great
film.
The 1962
film,
still chilling today, had all the ingredients for success: accomplished director J. Lee Thompson (who also made Peck's 1962 adventure
classic, «The Guns of Navarone»), a near - perfect cast, top - notch material (James R. Webb's screenplay is based on John D. MacDonald's novel «The Executioners»), a Bernard Herrmann score, cinematography by Sam Leavitt, art direction by Robert Boyle and editing by George Tomasini.
We
still have Suicide Squad in August (the
classic untested
film adaption to anchor the summer) and November's Doctor Strange, but the big blockbusters came shockingly early this year.
The resulting book, published in 1966 complete with extensive
stills from those
films, became a
classic,
still in print, and
still prized by filmmakers and
film buffs who now have instant access to those
films.
The comparison is apt and obvious, though I doubt people will be talking about this
film 8o years from now the way we
still revere that 1939 Judy Garland
classic.
4:00 am (5th)-- TCM — La Jetee Very few short
films become
classics (outside of silent
films and arguably Looney Tunes), but Chris Marker's La Jetee, told entirely in sequences of
still photographs, is one of them.
With The Martian and Prometheus 2 on his upcoming slate, it seems that Ridley Scott has decided against taking on the director's chair on Blade Runner 2, although the sequel to the sci - fi
classic is
still going ahead and will begin
filming within the next year, with Harrison Ford confirmed to appear.
In that decade, he headlined three Vacation
films (the outer two,
still considered
classics) among other well - regarded works.
Director Bryan Singer
still seems to be chasing the greatness that's eluded him since 1995's The Usual Suspects, his second
film and modern cinematic
classic.
12:00 N — IFC — La Jetee Very few short
films become
classics (outside of silent
films and arguably Looney Tunes), but Chris Marker's La Jetee, told entirely in sequences of
still photographs, is one of them.
12:00 N — IFC — La Jetée Very few short
films become
classics (outside of silent
films and arguably Looney Tunes), but Chris Marker's La Jetee, told entirely in sequences of
still photographs, is one of them.
Anyway, Psycho's one of the first great
classic films I ever saw, and it's
still one of my favorite, probably in my top 40 or 50
films of all - time.
«The Slammin» Salmon» is
still very much a Broken Lizard
film, and though it's unlikely to become a cult
classic any time soon, it's a solid addition to their résumé that is sure to please fans.
2:00 pm — IFC — La Jetée Very few short
films become
classics (outside of silent
films and arguably Looney Tunes), but Chris Marker's La Jetee, told entirely in sequences of
still photographs, is one of them.