Sentences with phrase «classic films and music»

Not exact matches

On Saturday 31 August, Stephen Bell will conduct a concert inspired by the stars, including Jupiter and Mars from Holst's ThePlanets, classics from Strauss, Mozart and John Williams, as well as a selection of out - of - this - world film music from blockbusters such as: Star Wars, Independence Day, E.T., Apollo 13, Close Encounters and more.

Planet Books / / Specialised reference books, arts, fashion, architecture, design, photography, war, self - help, history, travel, cooking, kids, teens, fiction, classic novels and a lot of gifts Planet Music & Video / / Alternate films, foreign cinema, limited editions, records, cd's, collectables Miraposa / / Luxe Beauty, Body and Skin Care products, Fragrance & Candles flower places

Sugar Club is Dublin's most creative nightspot, where the very slick theatre - style venue hosts an array of events from music to comedy to classic film - themed nights and there's even some saucy cabaret and sexy burlesque dancing shows to heat up your evening.

The music is quite twisted and cool, the film definitely has the most unique take on a classic, and it succeeds in getting a point across while pleasing exploitation fans.

is a 24 - hour eclectic mix of cult cinema, independent films, classic television, music and anything wacky!

If the film failed to live up to expectations (though personally I thought it was OK) then surely the score could not be accused of such a thing; delightfully recalling Bernstein's classic western scores, it features several great themes, some rollicking action music and one chance after another to just have a smile on your face.

From its idyllic, adventurous setting to the selection of music and Alexandre Desplat «s tremendous score, it somehow felt like a classic kids» film (arguably more so than «Fox») airing on TV on a Sunday afternoon, while also featuring some of the most exciting filmmaking of 2012 so far.

Additionally, in no particular order, there were vocal supporters of the Ralph Jones «incongruously great score to «Slumber Party Massacre ``; «Phantasm» «s heavily «Exorcist «- indebted score from Fred Myrow and Malcom Seagrave; Danny Elfman «s channelling of Bernard Herrmann for «Nightbreed ``; Wojciech Kilar «s bombastic, often recycled music for «Bram Stoker's Dracula ``; John Harrison's score for Romero's anthology film «Creepshow ``; Richard Band «s better - than - deserved compositions for the terrible «Troll ``; the great Lalo Schifrin «s score for the original «The Amityville Horror ``; a more recent example in Climax Golden Twins» music for Brad Anderson «s now cultish «Session 9 ``; Pino Donaggio's terrific work with de Palma's «Dressed to Kill ``; Gene Moore's classic church organ scares in «Carnival of Souls ``; and while we've featured Bava fils above, we could easily have found room for his father Mario Bava, probably with the funky original music by Libra for his final film «Shock.»

In a partnership that will remind classic film buffs of Bernard Herrmann and Alfred Hitchcock, composer Danny Elfman and director Tim Burton have forged an enduring relationship between music and motion pictures.

They are best known, at least among film music fans, for their reconstructions and rerecordings of many classic scores on the Marco Polo label, featuring works by Korngold, Waxman, Tiomkin and others.

These collaborations between the film and music world keep classic films alive.

The film will feature music inspired by Fabio Frizzi, Goblin, and classic metal.

Labeled by the late Film Critic Roger Ebert as «The best in the world at accompanying silent films,» Alloy Orchestra is a three - man musical ensemble that writes new music and performs live accompaniment to classic silent films.

This oddly named but inestimable DVD outfit deserves a shout - out for its industrious and often wondrous efforts as a quality clearinghouse for niche titles that might otherwise fall through the cracks, from music docs (The Great Rock»n' Roll Swindle) to classic television (Freaks and Geeks, SCTV, priceless Dick Cavett collections devoted to film, rock music, and comedy), and definitive comedy compilations (Steve Martin, Mel Brooks, Richard Pryor).

Running February 19 thru March 10, along with a separate shorts program of short films and trailers, the Music Box will be showing 14 features — some of them in prints from their original theatrical runs — that run the gamut from Oscar - winning classics to cult oddities to contemporary uses of the format.

Teeming with eerie, ethereal synth music, dark psycho - sexual themes, and references to 1980s horror classics amid a dreary, timeless Detroit landscape, It Follows is a refreshingly subtle, practically gore-less film that at first appears to be a sort of combination of last year's terrifying «Under the Skin» and the graphic novel «Black Hole» by Charles Burns.

Barry Jenkins celebrated National Film Score Day by publishing his personal list of 10 favorite film scores, and the selections cover recent favorites like «Sicario» and classics such as Georges Delerue's music for Jean - Luc Godard's «Contempt.»

Gone is the classic John Williams score (except for little bits and pieces), replaced by a very unmemorable one done by Alan Parker (What's Eating Gilbert Grape, American Gothic), his first ever work in a film, having only ever done music for television series.

John Carpenter is an American movie writer, music composer, and director of numerous groundbreaking classic films, including «Assault on Precinct 13», «Halloween», «The Fog», «Escape From New York», «The Thing», «Christine», «Starman», «Big Trouble in Little China», «Prince of Darkness», «They Live», «In the Mouth of Madness», «Vampires», «Escape From L.A.», «Ghosts of Mars», «The Ward», and many more.

Like Michael Dubo de Wit's remarkable film that draws upon the pastel naturalism of Hayao Miyazaki's Studio Ghibli for what might be their best film in a line of classics, Del Mar's music is the equivalent of those soft brushstrokes on a big screen canvas of visual poetry, a score that profoundly captures a life at first seemingly lost at sea, only to soar under, and above it though its graceful music that touches the silent tides of nature's life force.

Call it a classic cross-promotion release, but the original films are better enjoyed in their own collections (which assemble all wolf, blood - sucking, and monster sequels in complete collections); the X-Box game is only level 1; and the missing music featurette could easily have fit onto the standard two - disc edition.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 25, 2009 BIG BUDGET FILMS Fame (PG for mature themes, teen drinking, sexuality and mild epithets) Remake of the 1980 classic revolving around the aspirations of students at NYC's School for the Performing Arts as they prepare for professional careers in dance, music and acting.

That leaves the DTS - HD MA (Master Audio) 5.1 lossless mix on Virgin a fine combination of classic Pop / Rock hits (some of the greatest songs ever recorded actually) with music from Air that meshes seamlessly, naturally and just adds to the strength of the film.

Complete with bongs and bell bottoms, macrame and mood rings, and featuring classic rock music by Aerosmith, Black Sabbath and KISS, this superb ensemble cast of up - and - comers (Ben Affleck, Matthew McConaughey, Parker Posey and Milla Jovovich) delivers an enduring film that Rolling Stone...

• Menken & Friends: 25 Years of Musical Inspiration — Get a front - row seat for an intimate discussion between legendary music composers from classic and future Disney films, including Alan Menken («Beauty and the Beast,» «Aladdin»), Stephen Schwartz («The Hunchback of Notre Dame,» «Pocahontas»), Kristen Anderson - Lopez («Frozen,» Disney's upcoming «Gigantic»), Robert Lopez («Frozen,» Disney's upcoming «Gigantic») and Lin - Manuel Miranda (Disney's upcoming «Moana»).

Featuring original music from Justin Timberlake, and soon - to - be classic mash - ups of songs from other popular artists, the film stars the voice talents of Anna Kendrick, Justin Timberlake, Russell Brand, James Corden, Kunal Nayyar, Ron Funches, Icona Pop, Gwen Stefani, and many more.

Independent filmmaker and underground music aficionado David Markey's films include 1991: The Year Punk Broke (1992) and the Los Angeles punk Super 8 cult classics The Slog Movie (1982), Desperate Teenage Lovedolls (1984), and its sequel Lovedolls Superstar (1986), all of which represent a unique record of the punk scene in Southern California throughout the 1980s and 1990s.

Set in Paris in 1899, his new film combines outrageously styled visuals, songs from every era of pop music history, and a classic story of impossible love between a struggling writer and a world nightclub siren.

The film's two theatrical trailers (as well as those for other Columbia releases) are included, as are the music videos for Destiny's Child's # 1 hit «Independent Women Part 1» and Apollo Four Forty's update of the classic Charlie's Angels theme song.

Good voice acting and use of classic music from the Batman films and John Williams Superman theme make for a good audio experience.

Sound: 8.5 Good voice acting and use of classic music from the Batman films and John Williams Superman theme make for a good audio experience.

The classic example of a cultural intermediary is a marketer, whose job it is to make products look appealing to potential customers, but the concept can be applied to a wide range of pursuits beyond marketing and PR: film festival programmers, cocktail bartenders, personal trainers, country music producers, and, we think, indie game showcase organizers.

Zur also composed, conducted and produced the original orchestral themes for DISNEY FANTASIA: MUSIC EVOLVED, the breakthrough musical motion video game inspired by Walt Disney's classic animated film «Fantasia.»

In 2014 Deutsche Grammophon / Universal Music Classics released St. Carolyn By the Sea; Suite from the Paul Thomas Anderson film There Will Be Blood, which features three of Dessner's orchestral works performed by the Copenhagen Philharmonic and conducted by André de Ridder.