We see this type of passive teacher in
the classic movie trope that we love in fictional narratives.
Not exact matches
For his 1992 comeback hit, The Player, he satirized film - industry politics with the
tropes of a
classic crime
movie.
But it is of a piece with the rest of the
movie, which plays less like a
classic gangster film than like a 99 percent pure, Heisenberg - quality, blue - crystal distillation of all the
tropes and themes and moods of the
classic gangster film.
Though the «sex equals death» rule isn't as prominent in modern horror
movies that defy those decades - old
tropes, «It Follows» is very much a retro homage to «70s and «80s genre
classics, from the «Halloween» - esque synth score, to the striking similarities to «Nightmare on Elm Street,» both in Jay's perpetual helplessness and the film's dreamlike atmosphere.
The film takes all the
tropes of the
classic gangster
movie and, whilst never skimping on the violence or seediness, presents something slicker, more complicated.
Wrapping itself with references to
movie tropes, such as its overt allusion to
classic Christmas tales like A Christmas Carol — in which Michael Shannon appears in a drug - deal version of Ghosts of Christmas Past / Present / Future — it never avidly mocks the traditions but instead embraces its ridiculousness, alongside Rogen's trademark crass humour.
Not just a
classic Hollywood blockbuster and a landmark sci - fi
movie, T2 presents a twist on the
trope of machines that kill: the idea of a guardian machine programmed to protect humans rather than destroy them.