The film shifts from moody psychological thriller to
a classic nightmare sequence.
Not exact matches
Farrands explains that the original opening of the film was to be a
nightmare sequence that would've paid homage to Carpenter's
classic opening scene, and he lays bare the Man in Black's intentions to sacrifice baby Stephen Lloyd and in turn transfer Michael's evil into young Danny Strode and then starting the cycle again.
In John Frankenheimer's
classic 1962 movie thriller «The Manchurian Candidate,» we will be plunged into one of the greatest
nightmare sequences in American cinema.
THE CRESCENT Featuring the best opening credit
sequence of the year, and the most risque playing with audience tolerance, The Crescent is nonetheless a triumph in hallucinogenic
nightmares in the vein of bonafide
classics such as The Shining, Carnival of Souls and The Babadook.