Sentences with phrase «classic painting galleries»

Not exact matches

Dorland, who is also an artist, was manning a Magenta Plains booth that offers a cross-section of the gallery's program, including quietly stunning monochrome paintings by Don Dudley, meaty, machinelike sculptural works by Anne Libby, and classic 1980s work by Peter Nagy (who is also an artist and the founder of New Delhi's Nature Morte).

Some of the most massive — and massively satisfying visually, despite of and due to their reverberating minimalism — paintings exhibited in the West Chelsea gallery run right now hang in Cheim & Read, in Al Held's seven - part suite of classic Alphabet Ppaintings exhibited in the West Chelsea gallery run right now hang in Cheim & Read, in Al Held's seven - part suite of classic Alphabet PaintingsPaintings.

Nick Smith's first solo exhibition at Lawrence Alkin Gallery, «Psycolourgy», introduced the art world to his reworking of classic paintings from the 20th Century canon.

Installation photographs of the rooms within the Betty Parsons Gallery in New York, where Still, Jackson Pollock, Barnett Newman, and Mark Rothko first showed their classic works, suggest these artists were accustomed to having their paintings dominate the viewer's field of vision.

2008 Abstract Painting, Galería Javier López, Madrid Joseph Albers, Donald Judd, Peter Halley, Galerie Thomas, Munich Painting: Now and Forever, Part II, Matthew Marks Gallery, New York Weight Watchers, Galerie Xippas, Paris The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, The National Gallery of Art, Washington, DC (catalogue) Summer Exhibition, Waddington Galleries, London Out of Storage I: Chosen Paintings from the Collection, Mudam Musée d'art modern Grand - Duc Jean, Luxembourg Indian Winter, Albert Baronian Gallery, Brussels Totally Rad: New York in the 80s, Paul Kasmin Gallery, New York The Big Bang, Museo Carlo Bilotti, Rome, Italy (catalogue) Abstract Vision, Thomas Ammann Fine Art, Zurich (catalogue) Collecting Collections, The Museum of Contemporary Art, Los Angeles Modern Prints: Classic Modern to Pop Art, Galerie Proarta, Zurich

Classic Hedrick, Mills College Art Gallery, Oakland / Wally Hedrick: Paintings, Gallery Paule Anglim, San Francisco

1964 Classic Spirit in 20th Century Art, Sidney Janis Gallery, New York, NY, February Mondrian, de Stijl and Their Impact, Marlborough - Gerson Gallery, New York, NY, April Post-War Collage, International, St. Etienne Museum, France, June Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, NY American Abstract Artists Annual Exhibition, Loeb Center, New York University, New York, NY Women Artists of America, 1707 - 1964, The Newark Museum, Newark, NJ Second Annual Summer Show, The Art Dealers Association of America, Park - Bernet Galleries, New York, NY

1963 28th Biennial Exhibition of Contemporary Painting, The Corcoran Gallery of Art, Washington, DC Art and Writing, Stedelijk Museum, Amsterdam, Holland; Staatliche Kunsthalle, Baden - Baden, Holland Recent Acquisitions, Whitney Museum of American Art, New York, NY The Classic Spirit in Twentieth Century Art, Sydney Janis Gallery, New York, NY

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

Timothy Taylor Gallery, London until 12 July 2014 Jazz and blues have always exerted an influence on the abstract paintings of Sean Scully RA, but he has perhaps never acknowledged its influence as clearly as his new remarkable quintych at Timothy Taylor — A Kind of Red (2013), comprised of five large - scale oil - on aluminium panels, in response to Miles Davis's modal classic A Kind of Blue.

Her latest show, opening April 23 at New York's David Zwirner Gallery, will introduce a new series of lanky men painted with shaggy hair and standing in classic, contrapposto poses.

2003 Fresh: Works on Paper, a Fifth Anniversary Exhibition - James Kelly Contemporary, Santa Fe, NM Collection D'Estampes Contemporaines - Galerie Akié Arichi, Paris Entre el clavel y la espada: Rafael Alberti en su siglo - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla Classic Works From the 1960s - Loretta Howard Gallery, New York City, NY Black White - Danese, New York City, NY The Eunice and Hal David Collection of 19th and 20th Century Works on Paper - Hammer Museum, Los Angeles, CA The Eighties - Part II: USA - Galerie Klüser, Munich Grafik - Art Forum Ute Barth, Zurich El Expresionismo Abstracto Americano en las Colecciones Españolas - Museo de Arte Contemporáneo Esteban Vicente, Segovia The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings & Sculp - MFAH — Museum of Fine Arts Houston, Houston, TX Some Assembly Required - Collage Culture in Post-War America - Polk Museum of Art, Lakeland, FL Roads Taken: 20th Century Prints and Drawings from the Collection - University of Virginia Art Museums - The Fralin Museum of Art, Charlottesville, VA American Art - The Wilfred Davis Fletcher Collection - Boise Art Museum BAM, Boise, ID Pairings — Hackett Freedman Gallery, San Francisco, CA (closed, 2009) Some Assembly Required: Collage Culture in Post-War America - MMoCA - The Madison Museum of Contemporary Art, Madison, WI Motherwell, Hartung, Fruhtrunk, Sonderborg, Vedova, Trökes - Galerie Dube - Heynig, Munich A Century of Painting - From Renior to Rothko — Guggenheim Hermitage Museum, Las Vegas, NV Trace Evidence - Frederick R. Weisman Art Museum, Minneapolis, MN Leckerbissen - Fischerplatz Galerie, Ulm Graphic Works from the Lopez Collection - Cirrus Gallery, Los Angeles, CA Painting Explosion - 1958 1963, Part I - Blanton Museum of Art, Austin, TX Abstract Expressionism - Art Movement in the 20th Century - Tehran Museum of Contemporary Art, Tehran

1964 The Classic Spirit in 20th Century Art, Sidney Janis Gallery, New York, NY Annual Exhibition: Contemporary American Painting and Sculpture, Whitney Museum of American Art, New York, NY

1956 - 1968 Sioux City Art Center, Sioux City, IA, Marilyn Monroe, Life as a Legend HVCCA — Hudson Valley Center for Contemporary Art, Peekskill, NY, Size Matters — XXL - recent Large - scale paintings Galerie Leu, Munich, Group Show Museum Dhondt - Dhaenens, Deurle, Belgium, Verzameling Roger en Hilda Matthys - Colle Vonderbank Artgalleries — Berlin, Berlin, Prime Time — Idols and Icons Mireille Mosler Ltd., New York, Tease Walker Art Center, Minneapolis, MN, Picasso and American Art CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Le cinque anime della scultura Woodward Gallery, New York, When Art Worlds Collide; The 60's CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Collectors 1 — Collezione La Gaia Oklahoma City Museum of Art, Oklahoma City, OK, Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961 - 1968 Burkhard Eikelmann Galerie, Dusseldorf, News on Paper The Dayton Art Institute, Dayton, OH, Marilyn Monroe; Life as a Legend Maxwell Davidson Gallery, New York, The Painted Lady Stiftung Schleswig - Holsteinische Landesmuseen — Schloss Gottorf, Schleswig, Schönwahnsinnig The Columns, Seoul, Temptations Galerie Hafenrichter & Flügel, Nuremberg, New Arrivals and Classics Princeton University Art Museum, Princeton, NJ, Pop Art at Princeton; Permanent and Promised Bank Austria Kunstforum, Vienna, Fondation Beyeler: EROS in der Kunst der Moderne Josef Lebovic Gallery, Sydney, NSW, International & Australian Works on Paper Contessa Gallery, Cleveland, OH.

With an exhibition title like «Dwan Gallery: Los Angeles to New York, 1959 — 1971,» you'd expect to find a show featuring classic paintings, sculptures, drawings, photographs, and films that once might have graced the pages of Artforum, the influential art journal which, like the gallery in question, migrated from Los Angeles to New York during the lateGallery: Los Angeles to New York, 1959 — 1971,» you'd expect to find a show featuring classic paintings, sculptures, drawings, photographs, and films that once might have graced the pages of Artforum, the influential art journal which, like the gallery in question, migrated from Los Angeles to New York during the lategallery in question, migrated from Los Angeles to New York during the late 1960s.

We've all been to art galleries and enjoyed wandering through each space to discover classic and contemporary works of art; but have you ever seen oil paintings that capture that experience?

Into their early American galleries, full of classic paintings by artists of the Hudson River School, they inserted a 1998 sculpture by Roxy Paine called «Bad Lawn.»

Related Topics: Tibetan artists, Nepalese artists, painting, Classic / Contemporary, gallery shows, events in London

Selected solo exhibitions include: Sticks with Dicks and Slits, Blain Southern, London, UK (2017); The Folly Acres Cook Book Reading and Exhibition, Other Criteria, New York, US (2015), London, UK (2014); Tim Noble & Sue Webster, Blind Painting, The Suzanne Geiss Company, New York, US (2014); Portraits from the Bottom Up, Other Criteria, London, UK (2013); Nihilistic Optimistic, Blain Southern, London, UK (2012); Turning the Seventh Corner, Blain Southern Berlin, DE (2011); The Head of Isabella Blow, National Portrait Gallery (solo room), London, UK (2010); 20 Modern Classics, Triumph Gallery, Moscow, RU (2009); Tim Noble & Sue Webster, The Goss - Michael Foundation, Dallas, US (2008); Polymorphous Perverse, Deitch Projects, New York, US (2008); Electric Fountain, Rockefeller Plaza, New York, US (2008); Polymorphous Perverse, The Freud Museum, London, UK (2006); CAC, Malaga (2005); Tim Noble & Sue Webster, Museum of Fine Arts, Boston, US (2004); Tim Noble & Sue Webster, P.S. 1 / MoMA, New York, US (2003); Ghastly Arrangements, Milton Keynes Gallery, Milton Keynes, UK (2002); Masters of the Universe, Deste Foundation, Athens, GR (2000); and The New Barbarians, The Chisenhale Gallery, London, UK (1999).

And Levin's installation — gallery walls painted ultramarine, velvet trimmings, lashings of glitter, all looking way slicker in reproduction than in actuality — is classic Kilimnik too.

The National Gallery is a wonderful museum — if Old Master European, 19th century American or classic Modern painting and sculpture of the early 20th century are what you want.

The addition of this early but classic work by Winters will help the gallery tell the story of painting in the 1980s, when artists such as Johns, Anselm Kiefer, Brice Marden, and others proved the continuing vitality of expressive abstract painting.

The gallery's program is characterized by a high diversity of artistic genres represented these belonging to the classic media painting, drawing and graphic arts, sculpture and installation as well as photography.

Current and forthcoming exhibitions include «One loses one's classics,» White Flag Projects, St. Louis, Missouri, «Changing light bulbs in thin air,» Hessel Museum of Art & CCS Galleries, Annandale - on - Hudson, New York and «The Triumph of Painting; Abstract America,» at the Saatchi Gallery, London, England.

Brooklyn was represented by Black and White Gallery featuring sculptures by Peter Brock, Causey Contemporary representing Jordan Eagles, and Porter / Contemporary showing paintings by Jason Bryant which combined images from classic cinema with skateboard graphics.

In addition to his two recent video works on display at Leila Heller Gallery, Azari also commissioned a painter to create replicas of classic orientalist paintings with specific changes or additions, such as playboy bunnies inserted into bath - house scenes, or RPG launchers and AK - 47s inserted into Jean - Léon Gérôme's iconic painting «The Snake Charmer» (1870).

Actually it was a painting of a green dwarf — Dwarf, 1947, by William Baziotes (1912 — 1963)-- looking like a bit of a freak among the various Surrealist - and automatist - inspired works that filled the gallery and that are conventionally understood to be the precursors of the New York School classics that were to follow.

The current exhibition features four gallery artists» takes on this classic theme in a variety of mediums including sculpture, photography, painting, and work on paper.

Senior Lecturer David Gariff explores the portrayal of work and workers in classic paintings from the permanent collection of the National Gallery of Art.

Cristin Tierney Gallery is pleased to present Classic Attitude, an exhibition of hard - edged abstract paintings from the early 1960s by Helen Lundeberg.

'' «Classic Attitude,» an exhibition of Helen Lundeberg's sixties - era abstract paintings, is at Cristin Tierney Gallery through December 17.

Artlyst attended this impressive and mesmerising work to experience the unique fusion of great British master painter of the 20th century and contemporary sound installation of the 21st century, creating an orchestral and ambient work of art in its own right, with operatic, and theatrical leitmotifs that create a temporal aspect to Bacon's classic painting, transforming the gallery space into a Baconian space - frame in its own right.