Sentences with phrase «classical western»

According to Jennie Hirsh, his «reliance on the natural world as a theatrical apparatus uncovers collisions between nature and culture, past and present, in carefully crystallized visions that inscribe themselves onto classical Western visions of the (un) natural world.»

The use of French alludes to the hegemony of Classical Western - European High Culture while its representation in the exhibition suggests dissolution and degeneracy.

Ben Charles Weiner's respective depictions of these subjects - both in isolation and together in tableaux — pair a motif from classical Western painting with a synthetic beauty product — to address tension between the rapid technological innovation of our time and the persistent fact of our mortality.

Monkman reinstates these lost dandies into his landscapes, where they act as observers of reinterpreted classical Western allegories and imagined scenes from North American colonial history.

Afghanistan's first institute of music train children in traditional Afghan and classical Western music, while providing a high - quality academic education, regardless...

SHANE George Stevens's strenuously classical western remastered for Blu - ray, with Alan Ladd as the mysterious stranger who steps in to protect a farm family (Jean Arthur, Van Heflin, Brandon De Wilde) from an evil landowner (Emile Meyer).

10:00 pm — TCM — The Man Who Shot Liberty Valance Three of the greatest names in westerns — John Ford, John Wayne, and James Stewart — teamed up to make this film just as the classical western was fading out of popularity.

Like his 2009 debut, «Samson & Delilah,» the new film, which won a special jury prize in Venice, finds Thornton expressing a palpable anger at the brutal mistreatment of his country's Aboriginal people, in a style that melds classical western filmmaking with studied art - film longueurs.

Like so many directors before them, the Coens are drawn to the classical western tradition of moviemaking.

Oliver Laxe's Mimosas plays out like a classical western film where there are potential double crossers, semi-saviors, and suspenseful stand offs.

Leone brought back a masterpiece, a film that expands his baroque, cartoonish style into genuine grandeur, weaving dozens of thematic variations and narrative arabesques around a classical western foundation myth.

Examples include harmonic progressions in classical western tonal music4 and jazz5, as well as transformations of tone rows in twelve - tone serialist compositions6.

This allows Balthasar to disagree with Barth's wholesale rejection of natural theology but transform this overly theologized insight into a practical claim regarding the inefficacy of modern Catholic appeal to the classical Western metaphysical and moral tradition in today's secular culture.

Part of the motivation for our refusal to assimilate the «shadow» is the pervasive ideal of «purity,» an ideal closely related to classical Western theology.

Only with the rise of the research university in Germany early in the nineteenth century and in America toward the end of that century was the focus on the classical Western languages and literatures gradually replaced by departmental specialization and the abandonment of required courses in favor of electives.

In this regard, Hartshorne remains fully consistent with the other principles of process philosophy and abandons entirely the «substance» theory of the human soul or self as held by Plato, Augustine, Kant and other classical Western metaphysicians.

Such reasons certainly reflect a classical Western view of the social contract, and those who don't give a damn about anyone but themselves can skip this section and go on to the next.

In contrast to the classical Western neglect of the beautiful ones, there is the Hartshornean theory of «contributionism» which, like traditional African thought, maintains that, given a social conception of human existence, «the rational aim of the individual must in principle transcend any mere good of that individual» (EA 188).

Thus, Hartshorne opposes the classical Western conception of the atomic individual as ultimate with a social conception of the self, and indeed, with a social conception of all reality.

From the perspective of black theology, the prevailing classical Western (white) theism is logically, existentially, and religiously anathema.

We may then begin this critical reflection upon Hartshorne's «neoclassical theism» or «process theology» with the observation that both black and neoclassical theologies are defined in large part by their opposition to or protest against certain features of classical Western theism.

Another of the classical Western notions that is challenged by Hartshorne is what I call the Western conception of the atomic individual.

I believe that these indicators will support my general thesis, which is that the African - American conception of God as God of the oppressed is far more in accord with Hartshorne's vision of God than with those classical Western theologies which are affiliated with denominations and traditions from which African - American congregations have sought to liberate themselves.

They have also been influenced by the much - contested argument of Lynn White, Jr., and others that the classical Western theological tradition has proved ecologically problematic.

In the modern period the classical Western deity more and more took on the garb of the One who ultimately validates scientific and industrial progress, including not only much that was truly progressive, but also the industrial rape of nature and, ultimately, through a variety of corporate structures, the oppression of the poor, and the dispossessed.

An atheist will find that position ridiculous, since an atheist will find position A to be false (creating the false cause you note), as would someone who perhaps doesn't hold to the classical Western Christian cosmology, but it is possible for Santorum to hold to A and not - B.

So, admittedly, someone holding to classical Western Christian cosmology does believe evil in the world results from Satan's initial rebellion and the subsequent chaos it caused (such as humanity becoming mixed up in it).

We had classical westerns (Stagecoach, Red River, Silverado) and there are revisionist Westerns (The Man Who Shot Liberty Valence, The Outlaw Josey Wales, Dances With Wolves) and we had classical westerns told in a revisionist style (the spaghetti westerns).

Not exact matches

Yes, one could claim there is a battle but it is not the one classically understood by Western Christianity, and in that way, note the last sncnetee is also a false cause, but since we were dealing with Santorum, I felt it safe to assume the classical Christian cosmology.

and while the literalists may make protestants look silly, remember that its this rejection of authoritarian leadership that led directly to the rise of western style democracy and american / scottish classical liberalism.

The MORAL LIFE AND THE CLASSICAL TRADITION SEMINAR is a week - long program for advanced high school students interested in the origins of Western moral thought and its influence on Christian ethics.

The classical deity of Western theology has been depicted as a patriarchal ruler.

In terms of Whitehead's total philosophy the move toward a temporal nature of God seems easy enough, but it was such a novel departure from traditional Western classical theism that it is no wonder that Whitehead was so long blind to these possibilities.

This traditional Western conception of deity — this classical theism — also teaches that God exists from the divine and of the divine; aseity is taken to be the root attribute of the divine.

The problem is that a basic tenet of classical liberalism — a tenet generally accepted in the Western world by «liberals,» as well as by many «conservatives» — is that differences regarding fundamental principles of human nature and morality are not a threat to social and political life.

With this in mind Christians rightly turn to biblical authors who go beyond stewardship to stress a just treatment of animals; to Orthodox traditions with their emphases on a sacramental understanding of nature; and to classical, Western writers such as Irenacus, the later Augustine, Francis of Assisi, and the Rhineland mystics who stress the value of creation as a whole.

Black theology's rootage in the tradition of that other great protest, schism, and reformation which produced the racially separate African - American congregations determines that it is not at all committed to that predominantly white - Western theological tradition which Hartshorne calls «classical theism.»

One of the difficulties encountered by many young Filipinos who had been trained in Western classical philosophy (which until recently was practically the only kind of philosophical training that was available in the Philippines) was the inadequacy of such a mode of thinking to articulate fully our experience as an Asian people.

Hartshorne attributes this consistent violation of the principle of dual transcendence to the fact that classical theism has placed too much faith in Greek philosophy, and to a Western prejudice according to which absolute independence along with the power to the cause of events is regarded as a superior attribute while relativity and the capacity to be an effect is mistakenly regarded as an inferior attribute.»

This is testified by both the western and Indian classical writers.

He will include all that is known of ancient and medieval and modern Oriental cultures and societies (Near, Middle and Far East) and extend his examination of Western society and cultures back beyond the classical world finally to include the successive types developed in the various great periods of the Christian era down to this day.

Introduction: In Search of a Context «Christologies based on a Europe - centered history, a too narrow or deductive Christ - centered theology, and a church - centered mission tied to classical dogmas about the person of Christ and theories of the atonement, which respond to Western needs, are not only irrelevant to the life of the people but often...

The radical opposition of Grace to nature in classical Protestantism has resulted in a Western civilization that despises our humanity and ignores our responsibility to practice stewardship rather than exploit our natural resources.

Thank the Greeks for Democracy and for the majority of Western Civilization because our culture and system of government stems from their Classical period.

The confidence has many roots: the steady decline of models of theology in which «critical appraisal» is the dominant task; receptiveness toward and fresh engagement with classical thinkers, patristic, medieval and Reformation; a sense that the Enlightenment is only one episode in the history of one (Western) culture and not a turning point in the history of humankind; the work of a number of gifted and independent - minded theologians now at the height of their powers who have shown the potency of constructive doctrinal work.

Unfortunately, in the Western Church, after the substitution of «right beliefs» for «works» or «fruits of the Spirit» as the sign of authentic faith by in classical Protestantism and the Enlightenment's emphasis on a reductionistic understanding of reason based solely on empirical logic, faith became confused with orthodox theological beliefs.

«Christologies based on a Europe - centered history, a too narrow or deductive Christ - centered theology, and a church - centered mission tied to classical dogmas about the person of Christ and theories of the atonement, which respond to Western needs, are not only irrelevant to the life of the people but often obstruct the life and witness of the church in Asia.»

That is not to say that this is a time of ascendency of the classical Judeo - Christian western religious institutions, but rather that a vast new interest in and experimentation in a whole new range f religious options may be identified.

However, the tradition of Western classical theism does not fare quite so well under his critical scrutiny.

Any such treatment would necessitate a deeper engagement with the classical tradition - the plural Western inheritance of Jerusalem, Athens, and Rome - than Kekes seems willing to allow.