Sentences with phrase «classical art history»

From 1948 through 1954 he lived in Paris, where he was influenced by both classical art history and European modernists including Pablo Picasso and Paul Cézanne.

Using architectural elements like Corinthian columns as well a replica of Michelangelo's David, Ullman references classical art history.

In recent years, Urs Fischer has been exploring the genres of classical art history (still lifes, portraits, nudes, landscapes, and interiors) at the intersection with everyday life in cast sculptures and assemblages, paintings, digital montages, spatial installations, mutating or kinetic objects, and texts.

Classical art history celebrates portraiture as one of the highest genres of art for its ability to elevate the status of the sitter.

Not exact matches

Mundane objects and everyday people took the place of long - established «high art» themes such as classical history and mythology.

The history of ancient Greek coinage can be divided (along with most other Greek art forms) into four periods, the Archaic, the Classical, the Hellenistic

Enjoying our 6th year of operation, our students are partaking in a rigorous classical education that includes world & American history and geography, grammar and composition, poetry, French and Latin, art, music, physical education, penmanship, spelling, science, mathematics, and classical literature.

Although numerous books cover the history of classical art, and many reference books cover art and architecture, this is one of very few reference titles treating just the art and architecture of ancient Greece and Rome.

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This year they've launched cultural voyages inspired by classical composer Edvard Grieg, offering an in - depth view of Norway's music, art and cultural history.

At Tulane he received a Bachelor of Arts in Classical History and a minor in Biology.

He received a Bachelor of Arts in Classical History and a minor in Biology from Tulane.

About Blog Harmony Fine Arts plans organize great art and music appreciation resources into the classical four - year cycle of history and seasons each week with a Charlotte Mason flavor.

My wife Josette, a pianist and piano teacher, and I enjoy the same things in our travels: arts, architecture, history, classical music and opera, meeting people.

Cruises introduce you to the history, art, myths and culture of the classical civilizations.

The company's cruise portfolio includes a range of in - depth, general interest itineraries exploring local culture, cuisine and history, as well as voyages on the Rhone and Danube designed specifically for families, and themed cruises focused on classical music, French food and wine, fine art and Europe's traditional Christmas markets.

About Blog Harmony Fine Arts plans organize great art and music appreciation resources into the classical four - year cycle of history and seasons each week with a Charlotte Mason flavor.

This is actually a classical motif in art history, and an extensively exhibited sujet with prominent progenitors such as Botticelli and Rubens and Manet and Cézanne and Picasso — and... Read more

Taking influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards, and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.

He has also superimposed his trademark females on famous nudes from art history and classical mythology.

Infusing her work with the themes and motifs from Classical Greek art and literature that have been explored throughout the canon of Western art history, Brown situates her female protagonists as the main lead and erases men's presence all together.

Her work stems from her long study of art history and the classical genres of portraiture, landscape, and still like.

In 1977 Andy Warhol conceived of the «Torsos» series, a group of works inspired by both the high art tradition of the classical nude and the ancient history of erotic art.

In a statement, Thomas's newest dealer described her rhinestone - embellished works thus: «Drawing from a long study of art history and the classical genres of portraiture, landscape and still life, Thomas» political and pop - culturally infused imagery explores constructed notions of identity and the self.

These epic installations collapse historical and narrative time, placing equal emphasis on classical mythology, art history and the socio - political conditions of the present.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

I'm devoted to creating sculpture that is spontaneous and contemporary in its sensibility, yet reflects a love for the past, in particular classical Greek art and the great masters of sculpture throughout history.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

In a focused manner, Maunz's work mines the history of classical art, architectural structures abstracted from memory, particular aspects of the artist's past, and family and childhood psychological theory.

Gardner ties in imagery from classical painting to open up the historical perspectives while simultaneously asserting his contemporary identity into the history of art.

Her work stems from her long study of art history and the classical genres of portraiture, landscape, and still life.

Drawing influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.

Staros» fascination with classical antiquities lies both in the charge of the objects themselves, and with how those objects have come to represent an origin story of Western art history.

He was born 1960 in Linz, Austria, studied History of Art and Classical Archeology at the University of Salzburg, Austria and The Art Institute of Chicago 1979 - 86.

Thomas's work grows from a long study of art history, drawing inspiration from the classical genres of portraiture, landscape, and still life, as well as from contemporary popular culture, the imagery of which she uses to explore issues of identity and race, as well as beauty and the self.

Idris Khan: A World Within, a survey bringing together significant bodies of work, drawing on a range of interests including classical music, the history of art, literature, philosophy and religion, is at The New Art Gallery Walsall, 3 February - 7 May 20art, literature, philosophy and religion, is at The New Art Gallery Walsall, 3 February - 7 May 20Art Gallery Walsall, 3 February - 7 May 2017.

Those images combine the commercial and classical as icons of art history are juxtaposed with contemporary painting, commercial illustration, photojournalism, and three - dimensional household items.

The exhibition will bring together significant bodies of work drawing on a range of interests including classical music, the history of art, literature, philosophy and religion.

The subject of art history is a constant undercurrent in his work, whether Koons elevates kitsch to the level of classical art, produces photos in the manner of Baroque paintings, or develops public works that borrow techniques and elements of seventeenth - century French garden design.

Known for his imaginative depictions of Chinese and Japanese folklore, culture and history, especially Kabuki — a classical Japanese art form of dramatic dance and song, Yoshitoshi presented the intensity and height of action in his woodblock prints.

Her oeuvre stems from her long study of art history and the classical genres of portraiture, landscape, and still life.

At a time when art history was less and less the standard measure in contemporary art, Kasseböhmer — who regularly skipped school as a teenager so that he could visit art museums instead — returned to the classical repertoire.

«Sexualization of the human body has been an ongoing theme throughout art history, from breast imagery in churches to classical female archetypes,» explains Ysabel Pinyol, curator of the exhibition and Curatorial Director of Mana Contemporary.

Katy Grannan's Deanna, Allentown, PA channels classical portrait compositions from art history, while Mickalene Thomas» female subjects assertively challenge the viewer with their sexuality.

Rooted in the craft of sculpture and paint, it rises from intertwining everyday objects in all possible and surprising ways, but still with a formal reference to the history and tradition of classical art.

Inviting the viewer to enter a space charged with symbolic elements, from the more obvious to the more covert, that configure the multiple realities and readings which give life to the artist's personal universe, «Something old, something new, something borrowed» essentially speaks of personal records and comforts, of the past and the present, of what was and what is — a series of reflections that convey a repertoire of emotions, interests, and stories particularly important to the author: distant family recollections, but also recent intimate memories; pleasant re-connections with domesticity after long periods of travel in the real world, but also disconnections and ironic provocations with the virtual world of social media; a long relationship with the universe of animation and video games, but also another with themes of classical representation from the history of art.

Tate's renowned collection of historic, modern, and contemporary art includes paintings ranging from late 19th century Victorian depictions of classical mythology and history, to present - day politicized representations of the artist's own body.

2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.

Thomas's works often reference art history, as evidenced in her Andy Warhol - inspired compositions and coloration to her subjects» classical poses.

Pablo Picasso's re-working of classical composition inspired in part by African masks, Frank Stella's creation of non-rectangular shaped canvases, and Dan Flavin's experimentation with neon light are all important milestones in the history of modernism — an art movement that has origins in Western Europe in the early twentieth century and took hold in America in the 50s and 60s.