Sentences with phrase «classical artists like»

Not exact matches

I like rocks crystals like classical rock my favorite artist is Ozzy Osbourne and Stevie Nicks 7 concerts in my lifetime and I like going fishing and hunting my favorite Disney movie is Lion King I love horror movies my favorite TV show is Hannibal

Its figures are solid and impassive, seemingly at odds with the notion of flight (despite the numerous birds and birdlike creatures that also fill the space), and they are representational (depicting images as realistically as possible) at a time when more «cutting - edge» artists were discarding classical techniques (not to mention fussy media like egg tempera.)

Some remixes, for example, might see a classical piece from Dvorak and give it the old 8 - bit treatment or take a contemporary artist like CeeLo Green and give «Forget You» a dubstep drubbing.

Perhaps no other artist merges classical beauty and provocative politics like Lorna Simpson.

His new show, «Bright Young Things,» now on view at the Lehmann Maupin gallery, draws on sources from classical still lifes, art deco motifs and early 20th - century artists like Cecil Beaton, Marie Laurencin and Nils von Dardel.

Gathered in laboratory - like settings of ateliers and arts academies across Europe and the Americas, such figurative models demonstrate the standards of excellence according to which generations of artists learn the classical idioms of beauty and perfection.

2018 will offer a variety of exhibitions to cater for everyone's taste in art from spending time with modern masters such as a year in the life of Picasso, Monet's relationship with architecture, drawings by Klimt and Schiele, through classical artists Ribera and Murillo to contemporary greats like Tacita Dean and Joan Jonas not to mention Frida Kahlo's iconic wardrobe.

Highlights include small - scale sculptures by modern masters like Auguste Rodin, Jacques Lipchitz, and Henry Moore; ancient Chinese mingqi tomb figures and Buddhist devotional statues; European bronzes of princes, putti, and classical heroes; and boundary - breaking work by contemporary artists including Magdalena Abakanowicz, John Chamberlain, Robert Irwin, and H. C. Westermann.

PIERRE Banchereau — I like the classical Flemish painters of the 17th century, such as Jan van Huysum, the flower photos of Hans - Peter Feldmann, the opulent décor of the Villa Boscogrande in Luchino Visconti's The Leopard, or the work of the German visual artist Gerhard Richter.

Already, many sixties artists have taken on, for me, this classical stature — Dan Flavin, Carl Andre, Don Judd, Robert Morris, Kenneth Noland, among others — which feels more like past than present...» Nevertheless, many of the assumptions which were first propounded about the style — or what was commonly claimed, the non-style — of Minimalism (née Cool Art, The Third Stream, Post Geometric Structures, ABC Art, Object Sculpture, Specific Objects, Primary Structures, or Art of the Real) have remained unchallenged for over a decade.

The overrepresentation of male artists owes to a contingent of 19th — and 20th - century photography dealers, whose stock and trade is passing classical B&W photography from one hand to the next like a money - fueled game of hot potato.

Bringing these models into his studio and stripping them of their clothing, the artist has succeeded in answering his own question: «What would a classical Ryan McGinley black and white portrait look like?»

Atop these deformed classical and religious icons, the artist has placed cast bronze renditions of perishable food items like sausage, shrimp and raspberries.

While the artist is inspired by classical works like Augustus of Primaporta, the Artemision Bronze, the Venus de Milo or Winged Victory, to contemporary eyes the works evoke perhaps a sagging Koons balloon sculpture, or to a non art person, a birthday array the morning after.

The more traditional style has been maintained by artists like the Armagh - born Cecil Maguire (b. 1930) and Martin Gale (b. 1949), while the classical style of landscape painting was exemplified by the Waterford and Florentine artist Niccolo D'Ardia Caracciolo (1941 - 1989), and later by Martin Mooney (b. 1960), as well as the Impressionists Norman Teeling (b. 1944) and John Morris (b. 1958), and the Realist / pre-Impressionist Paul Kelly (b. 1968) and Henry McGrane (b. 1969).

Writing for Art in America, artist and critic Carrie Moyer observed, «[Congdon's paintings are] neither history paintings nor landscapes, [but] more like candy - colored billboards advertising a stroll through a scenic archeological dig or a verdant classical garden.»

Obviously, in many ways the artistic practice still has to be seen in this quite classical format: here's an artist who develops a philosophy or a series of objects which serve to illustrate his thoughts or his ideas, and the objects almost like by necessity seem to get referred back to the artist.

For the Karlsruhe exhibition, classical modern artists and avant - garde figures from the 1960 / 70s like Josef Albers, Daniel Buren, Francois Morellet, Gottfried Honegger, Friedrich Vordemberge - Gildewart, Richard Artschwager, Robert Ryman or Herman de Vries are placed alongside young artists such as Doug Aitken, John M Armleder, Tacita Dean, Cor Dera, Sylvie Fleury, Bernard Frize, Gail Hastings, Isabell Heimerdinger, Gerold Miller, Jonathan Monk, Kirsten Mosher, Ugo Rondinone, Karin Sander, Pietro Sanguinetti, Simone Westerwinter, Georg Winter and Andrea Zittel.

The Bay Area artist Roy De Forest has said he thinks of himself as a «classical American painter with some correspondence to American primitive art and people like George Caleb Bingham and Edward Hicks.»

Compositional formulae using elements like the repoussoir were evolved which remain influential in modern photography and painting, notably by Poussin [18] and Claude Lorrain, both French artists living in 17th century Rome and painting largely classical subject - matter, or Biblical scenes set in the same landscapes.

To create her works, primarily oils on linen, the artist photographs herself in classical, Renaissance - like poses, and makes drawings from the images.

Like other Pre-Raphaelite artists such as William Holman Hunt (1827 - 1910), Rossetti was in favour of the aesthetics, classical poses and natural compositions of Raphael (1483 - 1520) and his predecessors.

As one might expect for an artist devoted to classical realism, O'Maoldomhnaigh is influenced by the great traditionalists like William Orpen (1878 - 1931) and Sean Keating (1889 - 1977), as well as the Impressionist portraits of John Singer Sargent (1856 - 1925).