Sentences with phrase «classical artists with»

October 20, 2017 • As music director for the distinguished festival, Iyer united jazz and classical artists with a passion for spontaneity.

Not exact matches

So many times, we put a classical musician with a pop artist, a visual artist, an actor.
Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.
Umberto Boccioni was also one of the most passionate Futurists, defending and developing the Futurist ideas in very vivid art debates with the Parish Cubist artists, and attacking them as old static and classical cubist artists.
Its figures are solid and impassive, seemingly at odds with the notion of flight (despite the numerous birds and birdlike creatures that also fill the space), and they are representational (depicting images as realistically as possible) at a time when more «cutting - edge» artists were discarding classical techniques (not to mention fussy media like egg tempera.)
Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.
Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.
According to Colvin respected music artist Nitin Sawhney was a clear choice as composer: «We wanted someone with a genuine grounding in Eastern culture who was equally at home with contemporary or classical forms, as well as being completely comfortable with the project's technological setting.
Usually when people are becoming familiar with my work, I ask them to spend some time on my Website (RobbiFirestone.com) and really get to know my work, because I'm not a photorealist or classical realism artist.
Of course, in classical painting, the artists are also often closely observing a scene in front of them, but with observational painting, the act of looking is given primacy.
Among contemporary American photographers, Opie is exceptionally attuned to the histories of representation, and Portraits and Landscapes vigorously embodies the artist's conversation with classical European portraiture as well as the American Pictorialist idiom within landscape photography championed by Alfred Stieglitz in the early 1900s.
The artist Anri Sala will discuss his works and their correlation to classical music with Peter Szendy, a musicologist and professor at Brown University, from 4 - 6 pm.
With three landmark exhibitions in London this year — including the inaugural show of the RA's new galleries — the artist discusses mysteries of the cosmos, classical mythology and chance encounters at her LA studio.
The work takes inspiration in part from classical imagery: The artist finds resonance in both representational Catholic iconography as well as the architectural forms of European Gothic and Islamic architecture, while recent praise in the New York Times places her in a complex lineage with both Georgia O'Keefe and Judy Chicago.
Taking influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards, and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.
Indianapolis - based artist, Marna Shopoff, blends contemporary with classical approaches to art and spatial relationships.
These works take the classical mediums of painting and dance and present them with the inner emotion and knowledge of a dancer as well as a fresh contemporary eye of an artist.
For the exhibition Portrait Gallery in Genova, the artist will show a new series of works; the installation situates the paintings, with their brooding and centripetal masses, in dialogue with the rooms of the villa responding to its monumentality and mimicking the classical display of a picture gallery.
She studied classical and fauvist painting at the San Jorge University in Barcelona, with the Catalan artist Ramón Sanvicens as preceptor.
Other leading contemporary artists to have built upon the historic and the classical to create something wholly new include Jeff Koons at Almine Rech Gallery, and, more recently, Mat Collishaw at Robiland + Voenna, with four mirror works that engage with paintings by Caravaggio in the Galleria Borghesa's permanent collection in Rome.
This exhibition brings together some of Mapplethorpe's renowned portraits with a focus on musicians, artists and classical poses.
For these works, the artist works with the classical figure in the manner of a traditional sculptor yet drastically deconstructs and contorts each shape, inserting unexpected readymade objects to further the abstraction.
Albert Oehlen / Skarstedt / 20 E 79 / thru 12/20 Baptiste Caccia / Blumenthal / 1045 Madison @ 80 / thru 12/13 Amie Siegel thru 1/4; Cubism thru 2/16; Thomas Struth thru 2/16; Etc. / Met Museum / 5th Avenue @ 82nd Krazy Kats: Christian Maycheck; Michelle Segre; Cary Smith; B.Wurtz / Artist House Party / 424 E 83 # 2W / thru 12/10 Egon Schiele; etc. / Neue Galerie / 148 Fifth Avenue @ 86 / thru 1/19 ZERO: Countdown to Tomorrow thru 1/7, V.S Gaitonde thru 2/11; Etc. / Guggenheim / 1071 Fifth Avenue @ 89 Beyond the Classical: Imagining the Ideal; Wendell Castle; William Pedersen / National Academy / 1083 Fifth Avenue @ 89 / thru 1/11 Lee Krasner & Norman Lewis thru 2/1; Dani Gal thru 2/1; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Katherine Bradford / Arts & Leisure / 1571 Lexington @ 101 / thru 12/14 Alejandro Duran / Hinter / 2130 Third Ave. @ 119 / thru 2/28 Marisol thru 1/10; Playing With Fire thru 1/3 / El Museo del Barrio / 1230 Fifth @ 104 Speaking of People; Kianja Strobert; Titus Kaphar / Studio Museum / 144 W 125 / thru 3/8
Presenting rediscovered and rarely seen works by Old Masters including Luca Giordano, El Greco and Pedro de Mena, the exhibition will show classical works together with modern masterpieces by two artists strongly influenced by texture, religion and historic art: Antoni Tàpies and Miquel Barceló.
She performs classical, experimental and improvised music in solo shows as well as in collaboration with other artists.
Robert Mapplethorpe and the Classical Tradition exemplifies the artist's rapport with the elongated and elaborate forms of Mannerist art, namely the study of the human body, highlighting the underlying classicism evident in the clarity and potency of all Mapplethorpe's subjects as well as their explosive energy.
Often described as a neo-dadaist, American artist Jasper Johns «work is by most classified as Pop art (with a hint of Americana), mainly because of his extensive use of classical iconography and lack of confrontational abrasiveness characteristic of...
By choosing Wrestlers, a tour - de-force depiction of young athletes whose limbs are intertwined in combat, Paolini not only provides a contemporary link with the Classical period but also recalls the profound effect Classical, particularly Hellenistic, art had on artists during the Renaissance (Wrestlers was excavated in the late 16th century).
Indianapolis based artist, Marna Shopoff, blends contemporary with classical approaches to design and spatial relationships.
Drawing influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.
Looking specifically to the shapely vessels of Classical Greece, the artist's hand - built objects marry ancient ceramic techniques with modern industrial materials such as neon and machined metals.
2018 will offer a variety of exhibitions to cater for everyone's taste in art from spending time with modern masters such as a year in the life of Picasso, Monet's relationship with architecture, drawings by Klimt and Schiele, through classical artists Ribera and Murillo to contemporary greats like Tacita Dean and Joan Jonas not to mention Frida Kahlo's iconic wardrobe.
His work combines the classical ballet of his training with the music of David Bowie, Wire, and The Fall, amongst others, and collaborations with artists and designers such as Sarah Lucas, Peter Doig, Leigh Bowery, and Bodymap have all been part of this ongoing history.
Artscape Artscape returns July 15 - 17 with more than 150 artists, craftspeople, and fashion designers from across the country; visual art exhibits both on and off site; live concerts on four outdoor stages; performing arts including dance, opera, theater, fashion, film, and classical music, hands - on projects, and children's entertainers; three street theater locations; and a delicious international menu of food and beverages.
Neoclassical artists, in homage to the Greek and Roman Classical tradition, crystallized their subject matter to a pure, harmonious form with a sober clarity and a subdued sense of color.
The exhibition also features classical paintings by the great 19th - century artists Frederic Leighton and Lawrence Alma - Tadema, revealing the Victorian fascination with re-imagining life in Greece and Rome, from lovers» flirtations to dramatic martyrdom.
As the artist explained, «my landscapes are not only beautiful or nostalgic, with a Romantic or classical suggestions of lost Paradises, but above all «untruthful» (even if I did not always find a way of showing it); and by untruthful I mean glorifying the way we look at Nature — Nature, which in all its forms is always against us, because it knows no meaning, no pity, no sympathy, because it knows nothing and is absolutely mindless; the total antithesis of ourselves, absolutely inhuman» (G. Richter, quoted in D. Elgar, Gerhard Richter: Landscapes, Hanover 2002, p. 30).
Coinciding with the first ecological movements in the USA and Europe, Land Art was first created in the 1960s by artists working concurrently but sepa - rately from each other, as a critical reaction to the classical genre of sculpture and the commercial art market.
Influenced by both Urban Art and Abstract Contemporary, we present works from a group of artists who merge the way between these styles focusing the energy and rawness of classical graffiti with abstract expressionism.
A second - century Roman bust of a goddess, for example, will be paired with unusual portrait busts made of chocolate and soap by contemporary artist Janine Antoni in an effort to explore classical concepts of beauty.
The rich range of programming, whether that be classical dance and music in the actual gallery space, an artist talk, or a writing workshop will help expand the conversation with our visitors.
Riffing off of classical compositions — most notably Spanish masters Velázquez and Goya — the Dresden - born artist takes an attitude of irreverence along with impressive skill and respect for traditional technique.»
At the center of the works by 24 international artists shown in the Kunstverein was the observation that artistic preparatory designs since the nineteen eighties are less concerned with the classical dialectic between surface and content, but rather with the textualization, visualization of the surface itself.more
Peter Holm is a Danish artist working with painting in the extended field, extracting qualities from multiple disciplines such as architecture, design and classical painting.
Contemporary artists from our time are looking back to the art vault, borrowing and revamping classical techniques and styles.The exhibition includes works by Richard Aldrich, Joe Bradley, Kerstin Brätsch, Matt Connors, Michaela Eichwald, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, Rashid Johnson, Julie Mehretu, Dianna Molzan, Oscar Murillo, Laura Owens, Amy Sillman, Josh Smith, Mary Weatherford, and Michael Williams.The artists whose works are represented throughout the exhibition created pieces that grasp the viewers in their own ways with the use of a range of styles and medium.Interactive is one of them, provided by Colombian artist Oscar Murillo.
The French artist is famous for his exacting, classical style, but he would often merge antique themes with Christian imagery and ideals.
In Pace Hong Kong's inaugural exhibition, the artist used the formality of oil painting on paper, integrating the Western notion of Surrealism with the Eastern conception of classical art.
Recipient of the 2011 Artist Residency at Robert Wilson's Watermill Center in partnership with New York Theater Workshop, Herbst received commissions from Roulette and the Jerome Foundation, Sugar Vendil and the Nouveau Classical Project, Duo Noir and Experiments in Opera at Issue Project Room.
MASTERY OF STONE Little Manhattan, 2007 - 2009 Marble is a medium of choice for the artist, and his virtuosity with the classical stone is evident in his meticulously rendered, impossibly elegant sculptures of cityscapes and highways.
David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.
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