Sentences with phrase «classical avant»

These examinations challenged not only the classical avant - garde but also the works of neo-avant-garde artists as well.

Cohen sheds light on the many influences that have impacted his sentiments towards conventional film, and his desire to eschew both classical avant - garde and theatrical filmmaking in favor of a model rooted in the tradition of the 1940s New York School of street photography.

Consistently playing with conventions of modernism and the classical avant - garde, she nurtures traces of the familiar and the unfamiliar, the real and the fantastic, allowing each to seamlessly intermingle with the others.

Not exact matches

Lest the reader suppose that only classical authors can be faulted for Scripture - twisting, let me hasten to give an example of it in the most avant - garde liberal theology at the present time.

Other music is designed and adapted primarily to do such things as create cerebral conundrums (some avant - garde classical works) or energize sporting events, entertain at parties, reduce stress or enhance bedroom desires.

As in the rest of Europe the city's culture was dominated by the avant - garde: an intellectual movement that questioned all forms of knowledge, in particular classical intuitive notions of space and time.

You can even listen to an isolated score track, something that normally seems superfluous when offered but here calls attention to Damon Albarn and Michael Nyman's truly odd soundtrack, a blend of classical orchestration, folk and electronic effects that is not like Neil Young's squalling Dead Man score but shares its avant - garde genre application.

He has always been able to do that by telling one story in a classical shooting fashion and then tell another with a different avant - garde post-modern way.

MASTER BOOT RECORD, who claims to be an old 486 PC «processing avant - garde chiptune, synthesized heavy metal & classical symphonic music» has revealed that he's also responsible for the upcoming cyberpunk adventure game, VirtuaVerse.

The exhibition will contain classical works of the Russian Avant - garde art of the first quarter of the 20th century, without which it is impossible to understand artistic processes of the whole century.

It brings together leading avant - garde composers of the early postwar period such as Elliot Carter, Pierre Boulez and Karlheinz Stockhausen; pioneers of electroacoustic music such as François Bayle, Pauline Oliveros, Iannis Xenakis and Peter Zinovieff; minimalist and Fluxus - inspired artist - musicians such as Tony Conrad, Henry Flynt, Phil Niblock, Yoko Ono, Steve Reich and Terry Riley; and figures that have moved between classical / experimental realms and more pop terrain, such as Brian Eno, Kraftwerk, Howie B., Arto Lindsay and Caetano Veloso.

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The concept of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the «modern» avant - garde (at the beginning of this century) challenged the Romantic idea of «creation from nothingness,» with its techniques of collage, mustachios on the Mona Lisa, art about art, and so on.

The much - revered avant - garde guitarist John Fahey (1939 — 2001) incorporated influences ranging from folk, blues, and bluegrass to classical music, musique concrete, and noise in his primarily acoustic guitar - based compositions.

An evening honoring legendary American avant - garde jazz and new classical composer, improviser and performer

The work of composer, pianist, and director Ulrike Haage (b. 1957 in Kassel, Germany; based in Berlin) combines jazz, avant - garde, classical music and literature.

The meeting with Cage in 1958 was of particular importance in convincing Paik that he should pursue a career in avant - garde art rather than becoming a classical pianist.

He is best known for a personal and intensely physical saxophone technique, revealed through long form solo improvisations, as well as collaborations with a multitude of world - renowned and underground practitioners in jazz, avant - garde, noise, classical, theater, and dance disciplines.

About 130 works ranging from classical Modernism and the post-war avant - garde via European Zero and Minimalism to international contemporary art are being presented.

As a consequence, during the interwar period, the balance and force of classical forms engendered a fusion of modernity and antiquity, turning away from the two - dimensional abstract spaces and fragmentation of Cubism, Futurism, Expressionism, and other avant - garde movements of the early 20th century.

Trained as a classical pianist, his early interests in composition and performance combined with his radical aesthetic tendencies brought him into contact with protagonists of the counter-culture and avant - garde movements of the 1960s, including Fluxus.

Although it dates back to the medieval performances of court minstrels and travelling troubadours (if not to the oratorical performances of Classical Antiquity), modern Performance Art owes its existence to the activities of avant - garde movements such as Futurism (c.1909 - 14), Dada (1916 - 24), Surrealist Automatism (1924 - 40), Nouveau Realisme (early 1960s), Fluxus (1960s), Neo-Dada (1960s), Body Art (from 1960) and Feminist Art (1970 onwards).

Dr. Mandelbaum, a humanities graduate of Wesleyan University, was a respected New York internist who loved Broadway, jazz, classical, and twentieth - century avant - garde music.

Omari Tau is a singer with opera, jazz, avant - garde classical, musical theater, and R&B music in his blood furthered by study in composition and contemporary vocal interpretation.

For the Karlsruhe exhibition, classical modern artists and avant - garde figures from the 1960 / 70s like Josef Albers, Daniel Buren, Francois Morellet, Gottfried Honegger, Friedrich Vordemberge - Gildewart, Richard Artschwager, Robert Ryman or Herman de Vries are placed alongside young artists such as Doug Aitken, John M Armleder, Tacita Dean, Cor Dera, Sylvie Fleury, Bernard Frize, Gail Hastings, Isabell Heimerdinger, Gerold Miller, Jonathan Monk, Kirsten Mosher, Ugo Rondinone, Karin Sander, Pietro Sanguinetti, Simone Westerwinter, Georg Winter and Andrea Zittel.

With very different motivations, paintings were produced that sought to examine the painting tradition, the post-war avant - gardes and the artists» own immediate present to equal degrees: masterfully executed «Bad Painting» encountered classical genre painting or staged dilettantism.

Primarily in color and often large - scale, the photographs reference everything from classical painting and avant - garde cinema to science fiction illustration and Alfred Hitchcock.

Kathleen Kim is an experimental musician and composer with background in improvisation, avant jazz and classical theories.

Koko Bi draws inspiration both from both avant - garde and classical West African art.

Mikkel Carl is inspired by art theoretical and culture critical movements such as the historical avant - garde, the «60s neo-avant-garde, postmodern appropriation art and the»90s relational aesthetics, all of which tried to challenge the classical art institution and the existing concept of art.

About 130 works ranging from Classical Modernism and the post-war avant - garde via European Zero and Minimalism to international contemporary art are being presented.

Cape May, New Jersey, United States About Blog Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog.