Sentences with phrase «classical figures on»

Continuing her series of animated paintings, there are several wall works made from printed PVC with industry marker drawings of classical figures on them that have aluminum printed faces that gesture toward classical Roman and Greek statues.

Not exact matches

But, as with other classical figures Eke Luther and Calvin, Wesley reveals another side which is illustrated in his dealing with problems of chronology, his understanding of the biblical use of non-biblical sources, his judging of much of the Psalms as «unfit for Christian lips,» and so on.

Drawing on the conventions of the classical literature of love and using an existing pan-Indian stock of symbols and figures of speech, the bhakti poets nevertheless strive for spontaneous, direct, personal expression of feeling rather than a rarified cultivation of aesthetic effect and the «emotion recollected», preferred by the Sanskrit poets.

James Levine, whose 46 - year career at the Metropolitan Opera established him as a towering figure in classical music, was fired by the company on after an investigation found evidence of sexual abuse and harassment.

LEVINE»S CURTAIN CALL — Associated Press: «James Levine, whose 46 - year career at the Metropolitan Opera established him as a towering figure in classical music, was fired by the company on Monday after an investigation found evidence of sexual abuse and harassment.

Converts Great On The typical Taurus woman possesses a classical Venus - like type of beauty, with a curvaceous figure and beautiful hair.

We had to figure out, bit by bit, how to create a continuity between two worlds of Ireland and America — but also how the film aesthetically should become more classical as it was going on, as [Saoirse Ronan's] character [Eilis] was developing.

What mostly figures on the soundtrack are first the gnomic voiceover reflections of the sympathetic Bardem in Spanish, and of the tiresome, perpetually dancing Kurylenko in French; and second an eclectic album of classical music ranging from Berlioz to Arvo Pärt.

His elegant paintings present a modern, quintessentially American take on the classical themes of portraiture, landscape, figure studies, marine scenes and flowers.

More important, Botticelli continued to make classical learning, Christian symbolism, drawing in perspective, figures on a powerful scale, and life drawing central to Renaissance ideals, like Piero della Francesca before him.

Spearheaded by Leon Golub and united by a shared interest in the figure during a period that is often seen as dominated by abstraction, the group created deeply psychological works that drew on classical mythology and ancient art.

The behemoth figure of Odysseus / Achilles (2013) stands in a room hung with a pictorial declension on the classical male nude.

Classical figures doing everyday modern activities, on Grecian urns.

Titled Hunter Games, the large - scale works feature renderings of figures in classical Greek contrapposto poses and touch on the links between visual culture and violence, gun control, and consumerism.

Since it's an academy that has been supported by both Andy Warhol and Prince Charles, and prides itself on both traditional methods, such as anatomy and indirect painting, and on contemporary discourse, I thought it would be compelling to take the long view and explore how and why the classical academic tradition has impacted the present state of figure - based art.»

They are the result of a meditation on the figures and the surfaces of classical sculpture and architecture.

In Italian artist Giulio Paolini's «The Other Figure (L' altra Figura)» from 1984, two classical busts are looking down at a shattered classical bust on the floor.

Boundlessly curious, Durham takes on subject matter ranging from specific historical events or figures — such as Malinche and Cortés — to classical architecture, religious martyrdom, quantum physics, and literary sources from Shakespeare to José Saramago.

Half Gallery has a selection of paintings by Genieve Figgis on view, all of which look like someone's taken a classical figurative painting, held a candle to it, swirled the paint around, and repainted the figures to look creepy and sad — a successful exercise in enlivening history.

Foreword by James Rosenquist vii Preface by Ira Goldberg viii Acknowledgments x Introduction: Miracle on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein: On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein: On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 286

«She has taken on the aesthetic of classical realism and made it her own, meticulously layering fabricated compositions of familial scenes with personal and political meaning, and animating her surfaces with the careful transfer of images of Nigerian pop stars and government figures alongside family photos,» says Cheryl Brutvan, curator of the artist's show at the Norton.

Recollection, memory and nostalgia are present throughout the collection: Emin's Portrait from the past (2014) shows a figure in classical recline, reminiscent of many of her drawings but here detailed in embroidery on cotton.

The images in the new solo exhibition in Paris see the street artist working in Posca markers on catalogue pages, the beautifully drawn classical figures contrasting magnificently with the consumerist advertising of the modern world.

Perhaps the waning of the modern humanist subject is best captured in Desiderio's mural - sized Un» Istoria (an ironic take on Alberti's Renaissance concept of istoria which laid the foundation for Western history painting).6 Parodying figures from a classical white marble frieze in this mid-20th-century scene, a line of mental asylum patients wearing white hospital gowns stroll through the park.

Ethridge's take on a figure who has loomed large since he began studying the medium, highlights Mapplethorpe's focus on classical and baroque, intimate and public, and restraint and licentiousness.

Greeting the viewer at the door, Jon Pylypchuk's sculpture «allright I guess I can't be sincere to you anymore» is simply the sum of its parts: a figure on a pedestal made with tennis rackets and lightbulbs for eyes; Keith Edmier's «Medea» is cast from pink dental stone and rises from the exploded kiln of the late artist Lowell Grant; Sean Landers» casts a beautifully menacing god Pan; Heimo Zobernig «s take on the classical contrapposto is a 3D composition of three sculptures; bulky, elegant and graceful, Georg Herold's «Brown Betelgeuze is a beautifully imagined bronze of the second - brightest star of Orion.

The unheroic nature of modern dress was seen as a major obstacle in the depiction of contemporary scenes, and the Scottish gentleman - artist and art dealer Gavin Hamilton preferred classical scenes as well as painting some based on his Eastern travels, where his European figures by - passed the problem by wearing Arab dress.

The emphasis this film places on the seemingly mundane ritual of cleaning shoes transforms the artist's own footwear into another contemporary object of worship deserving of meticulous attention and care, the modern equivalent to the traditional artistic «attribute» (an object conventionally associated with a particular figure from classical mythology or Christian hagiography): the social signifier.

Robert Nelson's work here is pop art writ large, intense colors that illuminate a classical figure with its heart not on its sleeve but in the air.