Not exact matches
Hartshorne's contention is that
classical forms of both theism and pantheism violate this «law,» since they characteristically attribute one side of the basic polarities to God
while wholly denying him the contrasting term.
Nevertheless, the brain tumors that
form closer to the SVZ tend to be proneural or neural subtypes,
while tumors
form farther from the SVZ tend to be
classical or mesenchymal subtypes.
Vinyasa Yoga — Named and founded by K. Pattabhis Jois is kind of a modern
form of
classical ashtanaga / hatha yoga practice which lays special emphasis on Breath
while performing the postures or journey between the postures (asanas) and drishti (focused Gaze).
«
Forming his academic identity»
while studying at the University of Chicago, Shulman honed his analytical skills by «wrestling» with
classical Greek literature and Jewish texts.
The work takes inspiration in part from
classical imagery: The artist finds resonance in both representational Catholic iconography as well as the architectural
forms of European Gothic and Islamic architecture,
while recent praise in the New York Times places her in a complex lineage with both Georgia O'Keefe and Judy Chicago.
«7
While the challenge of classicism may be to fit feeling into pre-existing
forms, Hodgkin, as a Modernist working in the
classical tradition, goes one step further.
Her works often refer to recognizable architectural components — towers, cathedral spires, labyrinths, and
classical columns —
while also incorporating elements of nature and the human
form.
[i] Bunga's retransformation is an appropriate first exhibition, delicately balancing the context of the space
while referencing its dual aesthetic through the
forms he uses:
classical colonnade and apse, as well as contemporary building scaffolding.
Mapplethorpe's photographs exemplify
classical ideals of form and proportion with their controlled relationships between light and shadow, balance and asymmetry, beauty and obscenity, while at the same time clearly reflecting both a Classical and highly contemporary interest in the hu
classical ideals of
form and proportion with their controlled relationships between light and shadow, balance and asymmetry, beauty and obscenity,
while at the same time clearly reflecting both a
Classical and highly contemporary interest in the hu
Classical and highly contemporary interest in the human body.
While the artist's earlier works focused on
classical depictions of the female
form, primarily using powerful black women as the subjects, Tête de Femme more boldly conceptualizes female faces from collaged geometric cutouts.
Though not as hilarious, the non-sausage works in «Synesthesa» are similarly adept at aping the
forms and proportions of
classical sculpture all the
while subverting them to comic effect.
While the pedestal, figurative
form, and rotation at first call reference to
classical bronze sculpture, the momentum of the rotation suggests a deeper intent that challenges
classical conventions.