Sentences with phrase «classical ideas at»

Mathew Zefeldt confronts the remaking of classical ideas at the juncture between the original and the replica.

Not exact matches

The attack has frequently been directed at the idea of liberal education itself, apart from its classical form.

There we find, in the classical atomic theory, the first appearance of the idea that space is a neutral insulator; and at about the same time, the antithetic view that it is a perfect superconductor.

Whitehead himself, unlike Hartshorne and Ogden, repudiates the deductive method and the demonstrative claims of classical rationalism and, rather, attempts to arrive at a metaphysical system that will bring a consistent meaning and coherence to the critical ideas, mostly scientific, of his own time and world.

Not only does it seem that modern industry is at odds with classical virtue, but the classical idea of a virtuous citizenry seems to fit uneasily with modern ideas about the equality of persons.

According to Dr Frankcombe, «this work demonstrates that these classical, intuitive ideas of individual electron movements have been the right way to look at chemical reactivity all along, even though they previously had little support from quantum mechanics.»

«Surprisingly, the ideas and techniques used in our work are elemental and allow us to thoroughly study the properties of the horizon at the moment both black holes join together to form one,» points out Emparan, who along with his colleague has published the results in the journal Classical and Quantum Gravity.

Although Barna's idea of diverse ribosomes goes against the classical textbook view, «the concept is not heretical at all,» says Vassie Ware, a molecular cell biologist at Lehigh University in Bethlehem, Pa., not involved in the work.

It recaps previous lessons, introduces the idea of classical architecture and then focuses on the metopes of Heracles» labours at the temple of Zeus at Olympia.

- Kataoka believes the world of The Legend of Zelda: Breath of the Wild is the true protagonist of the game - at times, really beautiful and delicate, and other time's it's rough and ruthless - the natural beauty is one of the main appeals of the game - she wanted the music to not just reflect, but also enhance that appeal - she wanted the music to reflect the long History of Hyrule, but also the ordeals of the Link and Zelda of this particular entry - in order to express the idea of a world in ruin, yet so vibrant, she decided to use traditional instruments - these included the shinobue and the erhu, which are not commonly used in orchestras - these contrast the synthesizer sounds of the ancient civilization - the main theme includes chord progressions which are not really suited to classical music - Kataoka wanted reflect Link's 100 - year sleep in the main theme, which explains the rather strange break in the song - the break represents Link taking a «new breath», after 100 years in stasis - the break basically serves as the division between Zelda and the past, and Link and adventure in the present day - she usually does not pay much attention to such details, but had the opportunity to do so this time

Trained at Swarthmore, the Pennsylvania Academy of Fine Arts, and Yale, Akunyili Crosby uses the languages and strategies of Western art, absorbing and subverting classical approaches in order to express ideas more pertinent to our times.

The concept of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the «modern» avant - garde (at the beginning of this century) challenged the Romantic idea of «creation from nothingness,» with its techniques of collage, mustachios on the Mona Lisa, art about art, and so on.

Suzanne's idea of including live entertainment as part of the evening was inspired by classical pianist Aldan Gatt's surprise sit - down at the piano early this year.

The Starry Rubric Set was a group exhibition that considered ideas from classical astrology and pseudo-scientific structures of space and time as a device to bring together works made by artists who were in - residence at Wysing during 2011 as part of The Institute of Beyond.

Our presentation of these myths, however, must be in our own terms, which are at once more primitive and more modern than the myths themselves — more primitive because we seek the primeval and atavistic roots of the idea rather than their graceful classical version; more modern than the myths themselves because we must re-describe their implications through our own experience.»

Let's not forget this very robust refutation of the very idea of climate modelling: > More than Bernoulli is at issue because Gosselin draws on the classical physics of d'Alembert, do you think the MSM will pay attention to him now that the bombshell paper by Marcie Rathke of the University of Southern North Dakota has been accepted for publication in Advances in Pure Mathematics?

At a time when moralisers can not give any real meaning to classical ideas about right and wrong, they try instead to make people feel guilty about their impact on the environment.

Regarding land use run 1, Gavin at Real Climate says: «Dropping outliers just because they don't agree with your preconceived ideas is a classical error in statistics — it's much better to use the spread as a measure of the uncertainty»

Classical gardens are filled with all sorts of weird and wonderful ideas, from cabbages used as bedding plants to infill the vast parterres at Château Villandry (pictured), to the fantastical creatures carved from stone that randomly populate the woodland glades and water features of the gardens at Bomarzo, Italy.