Sentences with phrase «classical images of»

The resulting studies are gathered here, alongside classical images of masculinity from the Brooklyn Museum.

Ashkan Honarvar dissects classical images of the human form, reconfiguring portions and parts in order to create disjuncture of time and movement.

For small town manufacturers, finding computer - leaning workers can be a challenge because of the difference between the reality and the classical image of the industry.

The classical image of atoms may have been left well behind, but the fascination of ultimate constituents and some systematic portrayal which could account for their unfolding into our known universe is still very much with us.

In the Yoga Sutras Patanjali talks about «cleansing our instrument of perception» and uses the classical image of a crystal.

Thankfully these experiments are no longer performed, but this side of a dog's character can be seen in the classical image of the mistreated pet dog who remains faithful to its abusive owner.

A true product of a multicultural society in Ptolemaic Egypt, this statuette combines a classical image of the Greek goddess Aphrodite appearing from the sea, just born, with the typically Egyptian material, faience.

Not exact matches

Still another alternative, the biblical and classical theological image «the Kingdom of God,» seems to be a possibility for creative theological development, both politically and ecologically, but it brings problems of its own.

The man who chooses to live in our destiny can neither know the reality of God's presence nor understand the world as his creation; or, at least, he can no longer respond — either interiorly or cognitively — to the classical Christian images of the Creator and the creation.

It seems obvious upon a little reflection that there is a strong relationship between classical metaphysics of substance and being and traditional images of personhood.

For historical and expository reasons, they chose to present a model of classical mechanism that is based on an outdated image of a machine.

The author presents a mechanistic position based on a contemporary image of a machine and attempts to show its relationship to the ecological model of Birch and Cobb, in which a classical mechanism is presented based on an outdated image of a machine.

Ignatieff continues his critique of communitarians with a question: «Our political images of civic belonging remain haunted by the classical polis, by Athens, Rome, and Florence.

The image goes back to the Greeks, but it was given its most complete expression in the sixteenth, seventeenth and eighteenth centuries with the rise of classical physics.

Classical discussions of the symbolic and analogical character of religious language were dependent on the metaphysical assumptions of Platonism or scholasticism, which can no longer be presupposed; more recent interpretations often hold that religious images are only symbols of man's subjective life.

The image of the «crucified God» is central to Christian teaching, though perhaps it has not often been taken seriously.2 Instead «God» has been ensconced, in classical theologies, as omnipotently immune to suffering and tragedy.

As it happens, I prefer classical music and I wouldn't want to start my premiership by projecting a false image, trying to attract the «yoof» vote by pretending I liked one of their bands.

A longbow brings back images of classical history, but is more difficult to master than the recurve or compound.

And story number 4: A small study of radiologists found that those who listen to classical music as they examined images made better diagnoses.

CULTURE: the word conjures images of nights at the opera, airy art galleries and classical architecture.

He adds that «they can do all the things classical flow cytometers do, as well as look at images of individual cells.»

The researchers developed a novel algorithm that can recover the phase information from a stack of bright - field images taken by a classical microscope.

The phrase «Mozart Effect» conjures an image of a pregnant woman who, sporting headphones over her belly, is convinced that playing classical music to her unborn child will improve the tyke's intelligence.

Other interests are in astronautic and space exploration (both manned and unmanned), astronomy popularization, astronomical data processing and digital enhancement of astronomical images, drawing, listening to classical music and other things.

Detailed 3D X-ray images of the saw - like nose of Schizorhiza stromeri challenge the classical theory that vertebrate teeth evolved from external scales.

The resulting images have a solidity CGI could never achieve, and the rich classical score heightens the sense of austere beauty as the earth explodes to life onscreen.

The Cat o» Nine Tails predicts shots and images that Argento would use in his later works and, because of the transparency of the classical auteur theory, this rather stolid thriller entry holds the most interest for students and fans of Argento's distinctive flourishes and obsessions.

Directed by Stephen van Vuuren and narrated by LeVar Burton of Star Trek fame, In Saturn's Rings is a large - format look at NASA's Cassini mission to Saturn, made using over 7.5 million real high - resolution images of the planet, its moons, and other astronomical objects, carefully assembled and presented using classical multi-plane animation techniques.

The apparatus theory proposed by Jean - Louis Baudry and Christian Metz posits that spectators in classical narrative cinema are manipulated by the images and, deprived of the ability to critically contemplate the act of viewing, confuse film illusion and reality.

Chilean - born Ruiz is a director whose love of storytelling and narrative play is often more engaging than the films themselves but with Mysteries of Lisbon, an epic based on a classic Portuguese novel (one yet untranslated into English), his engagement with the characters and their defining stories guides his direction, and his graceful camerawork and unerring eye for images both classical (like paintings in a cinematic frame) and fluid (his camera moves with purpose and grace) are in the service of the trajectories of the characters.

With classical authoring tools, you surely can personalize the content of your course, the sentences, the images... But with a game - based learning platform, you can go much, much deeper in the idea.

The first five examples were all hand - painted, but Rauschenberg used photographic methods to transfer images — mostly of classical art pieces — to the car's sheetmetal.

Its figures are solid and impassive, seemingly at odds with the notion of flight (despite the numerous birds and birdlike creatures that also fill the space), and they are representational (depicting images as realistically as possible) at a time when more «cutting - edge» artists were discarding classical techniques (not to mention fussy media like egg tempera.)

In the tradition of the classical art song, where composers wrote music for the poetry to be sung, the chamber jazz duo PoetryMusic combines poetry, exquisite music and visual images for a truly unique multi-media experience.»

Sound effects include selecting and discarding a puzzle piece, viewing the puzzle's background image, successfully and unsuccessfully placing a puzzle piece within the puzzle, earning bonus points and completing the entire puzzle which are complimented by over 5 hours of music from a variety of genres including acoustic, classical and electronic.

Mixing together what will become more «classical» VR elements (a headset - based design, bespoke audio design and sensors designed to track head movement) with augmented reality (the projection of 3D images and constructs into a real environment), HoloLens has almost unlimited potential.

The textile's image reflects the «ongoing interest in classical mythology and the stories, magic, and colour of the Trinidadian landscape he inhabits.»

Her work addresses how the historical can be used as a material to address contemporary conditions such as loss, the swipe, the flatness and limitations of an image, emotions in classical sculpture, the use of models, muscle aches from using a computer, color as a language, and the democracy of materials such as clay.

The intimate focus of these seven images offers a provoking meditation on the interplay between historical characters, fictional personae and classical subjects.

Throughout the 80s, Mapplethorpe produced a bevy of images that simultaneously challenge and adhere to classical aesthetic standards: stylized compositions of male and female nudes, delicate flower still lifes, and studio portraits of artists and celebrities, to name a few of his preferred genres.

Simultaneously classical and contemporary in scope, it contains roughly 300 images, how - to diagrams, and information about figurative art movements of the past as well as profiles of some of the greatest practitioners working today... featuring examples of Zeller's own work and also some of his best contemporary peers, who collectively bring the figurative tradition forward into a new era.»

Included are portraits of personalities such as Vincent Minnelli, Jane Fonda, the Marx Brothers, Louis Brandeis, and Sitting Bull, important German and Swiss figures Mildred Scheel, Max Bill and Joseph Beuys, commemorative images, such as Truck and The New York Post and a reinterpretation of the classical painting «The Annunciation».

Hartung's dark room installation includes two elements — a lighted fish tank sitting on top of a metal cabinet with a paper image of two classical portrait paintings, and a fifteen - minute video projection titled The Ascent of Man.

For one recent series, Channer appropriated and digitally manipulated images of the carved drapery from a group of fourth - century - BCE Classical sculptures in the British Museum, which were then printed onto lengths of fabric and suspended from the ceiling, playing with the relationship between sculpture, architecture, clothing, and the body.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

The single image is repeated twelve times along the length of the wall, with the composition's receding lines and diminishing dots of classical one - point perspective alternately moving backward toward the horizon and forward toward the viewer.

Representations of a distant, classical past are spliced with images of fragmented memories from the Soviet era, conveying the collision of two time periods.

His images are symbols of both contemporary life and the classical need for order.

For his collages Montgomery is basically attracted to the classical portrait format with which he creates layered abstract images, which are reminiscent of faces or muzzles.

This trick, in which an image is only legible from a single perspective, can be seen in classical paintings, such as William Scrots» 1546 portrait of King Edward VI.