Set to a gentle
classical music soundtrack featuring top performances you can enjoy again and again!
And Channel 41 gives you this view of what we're sailing into at all times with a lovely
classical music soundtrack.
Not exact matches
Despite the loose, mean - streets concept and a
soundtrack that jump - cuts between
classical music and bass - thumping electronica, the under -90-minute movie often feels like a stage play.
Particularly welcome is this LA Times piece that delves into the film's spectacular
soundtrack — where Alexandre Desplat's typically intelligent original contributions nonetheless take a back seat to the dense collage of interpolations of existing
classical music that is customary for a Malick film.
Confounding logic or any readily apparent consistent standards, the
music branch says The King's Speech score by Alexandre Desplat is good to go, despite the extensive presence of
classical pieces on the
soundtrack.
Director Malgorzata Szumowska has many personal flourishes that give this film a wacky feel — most notably the
soundtrack, which moves between Metallica, trashy EuroPop and traditional
classical music.
Sumthing Else
Music Works, the premier record label dedicated to video game soundtracks, in partnership with Disney Interactive and Harmonix, today announced plans to release the «Disney Fantasia: Music Evolved Original Soundtrack,» featuring the original score and classical music selections from the award - winning musical motion game arriving Octobe
Music Works, the premier record label dedicated to video game
soundtracks, in partnership with Disney Interactive and Harmonix, today announced plans to release the «Disney Fantasia:
Music Evolved Original Soundtrack,» featuring the original score and classical music selections from the award - winning musical motion game arriving Octobe
Music Evolved Original
Soundtrack,» featuring the original score and
classical music selections from the award - winning musical motion game arriving Octobe
music selections from the award - winning musical motion game arriving October 21.
In the opening scene, an upper - middle - class family drives to their house in the country, heavy metal
music sarcastically blasting on the
soundtrack (not the family's car stereo, which plays bourgeois - appropriate
classical), and even before the whore has gotten a chance to flash her jewels, Haneke is already slapping her on the wrist.
What mostly figures on the
soundtrack are first the gnomic voiceover reflections of the sympathetic Bardem in Spanish, and of the tiresome, perpetually dancing Kurylenko in French; and second an eclectic album of
classical music ranging from Berlioz to Arvo Pärt.
With its sharp dialogue, great
soundtrack of opera and
classical music and excellent cast, I look forward to the next film by Atom Egoyan as I feel he will have several tense dramas in store for us.
Occasionally Rick's overbearing father (Brian Dennehy) and younger brother (Wes Bentley) drift into view, their incessant arguing at one point muted as Malick allows forlorn
classical music to swell on the
soundtrack by way of comment.
1980s, 2016 Schaffner Press
Music in Literature Award, Air Supply, Blue Moon Publishers, Bob Dylan, classical music, Digging Through the Fat, John Mayer, Kenyon Review Online, Kenyon Review Writers Workshops, Kris Faatz, music for writing, musicians, piano, Potomac Review, Reed, Sewanee Writers» Conference, The Rolling Stones, To Love A Stranger, undercover soundtrack, Van Mor
Music in Literature Award, Air Supply, Blue Moon Publishers, Bob Dylan,
classical music, Digging Through the Fat, John Mayer, Kenyon Review Online, Kenyon Review Writers Workshops, Kris Faatz, music for writing, musicians, piano, Potomac Review, Reed, Sewanee Writers» Conference, The Rolling Stones, To Love A Stranger, undercover soundtrack, Van Mor
music, Digging Through the Fat, John Mayer, Kenyon Review Online, Kenyon Review Writers Workshops, Kris Faatz,
music for writing, musicians, piano, Potomac Review, Reed, Sewanee Writers» Conference, The Rolling Stones, To Love A Stranger, undercover soundtrack, Van Mor
music for writing, musicians, piano, Potomac Review, Reed, Sewanee Writers» Conference, The Rolling Stones, To Love A Stranger, undercover
soundtrack, Van Morrison
To remedy this, the
soundtrack to every short vignette is soothing
classical music.
Play soothing
classical music, or whatever tunes your dogs dig — mine enjoy a healing
soundtrack by harpist Susan Raimond.
When it slows down for the evening, The Animal Keeper streams «Through a Dogs Ear» — a
soundtrack filled with soothing
classical music — throughout the dog boarding facility.
Ash's plight is accented by the game's dramatic
soundtrack, a collection of
classical music themes arranged by the fan - favorite game
music composition team known as Ridiculon.
The
soundtrack is amazing as well including
music from GN» R to
classical music from BACH.
The
soundtrack covers several genres including Hip - Hop, Rap, Drum and Bass, K - Pop, Rock, Heavy Metal, Trash, Caribbean
Music,
Classical Music, and possibly more.
The battles are accompanied by an extremely energetic, powerful and fast - paced
soundtrack, which is a mixture of
classical and rock
music, filled with fantastic guitar solos and dramatic orchestral melodies for each character (my personal favourite being Iron Tager's «MOTOR HEAD»).
The God of War (Playstation
Soundtrack) will be published by Sony
Classical as a subsidiary of Sony
Music Entertainment.
When Yuzo Koshiro wrote the
music for the as - of - yet unlocalized Nintendo DS RPG 7th Dragon, he gave listeners contemporary and retro mixes of the game's themes on the
soundtrack release, while also commissioning
classical arrangements for a piano and strings arrange album.
Customarily written for grand orchestras,
classical can be complex and overwrought, and Harle appreciates the simplistic form of early gaming
soundtracks — a symptom of pre-millennium technological capabilities — and the effect those confines have on the
music.
The
soundtrack, which is usually jazz, has been replaced by
classical Japanese court
music.
The three works selected for
Soundtracks are Sphere Packing: Mozart (2014; white polymer, 565 audio channels), Sphere Packing: Wagner (2013; glazed porcelain, 110 audio channels), and Sphere Packing: Cage (2014; plastic, 269 audio channels)-- an abridged walk through the eighteenth, nineteenth, and twentieth centuries.2 The series as a whole, featuring seventeen composers, constitutes nothing less than a broad history of
classical music, with surprising insights in terms of productivity, ranging from seventeen compositions (by Claudio Monteverdi) to 1,128 (by Johann Sebastian Bach).
Low - volume
classical music burbles through its
soundtrack, the fibrillation of the filmmaker's concern that people will not find her subject or the visuals sufficiently involving.
The
soundtracks employ ambient noise, sound effects, new and idiosyncratic arrangements of
classical music and pop standards, abrupt edits, a frequent use of distortion, and extraneous recorded speech to achieve an almost psychedelic and distantiating effect.
Everything sounds phenomenal coming out of this phone, whether it's
classical orchestra
music, Ramin Djawadi movie
soundtracks, 2Pac's pathos - laden lyrics, or the latest electronic productions from the likes of Nightmares on Wax.
I also notice it in my taste for
music (it's mainly
classical and the Frozen
soundtrack now), I only like to listen to the news channel on the radio and start shouting at it when I disagree — hello dad!