Sentences with phrase «classical painting techniques»

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Her works begin with realistically rendered landscapes of nature, executed in classical painting techniques reminiscent of the mid-19th century American landscape painters, which she then circumscribes with an uncomfortably enforced abstract geometry.
Her post-graduate training took place in Florence, Italy where she studied classical painting techniques and conservation methodology.
Forgive Me Father, For I Have Painted (2011) is a series of paintbrushes and tubes of acrylic enclosed in clear resin, which responds to contemporary art's fascination with new media, often at the expense of classical painting techniques.
He is both trained in and an exponent of the atelier method which emphasizes classical painting techniques.
The work shown in Merge Visible opens a new discourse for Loesch with a series of large and small - scale paintings which explore the interplay between digital imagery and classical painting technique.

Not exact matches

Murakami employs his «Superflat» style in his dragon paintings which is a combination of a highly refined classical Japanese painting technique and a wide range of subject matter from Pop, animé and otaku.
Most artists until this turning point painted according to Classical Realism methods, using realistic perspective, shading, and other techniques to create recognizable scenes and subject matter.
Subsequently, this inspired him to create The Flag, a painting in encaustic — this classical technique has its roots in ancient Egypt and it is based on mixing pigments with melted wax.
Both Ms. Cox and Ms. Peters exploit classical techniques, mastery of craft, and motifs from the canon to address contemporary concerns in painting and sculpture.
The oversized canvases, abundance of materials used, and divergent techniques in which collaged media and imagery were sourced from classical and contemporary culture then applied effusively in a thickly layered manner are characteristics of Schnabel's continued exploration of painting itself.
Zavaglia has developed a technique which has been described as «Modern Pointillism,» that allows her to blend colors and establish tonalities that truly resemble the techniques used in classical oil painting.
While the pairing of their techniques represents stylistic extremes — Bresson's classical roots in Renaissance and Baroque painting and Prata's borrowing of multiple modern styles — together they build a language around representations of movement and stillness, reality and incongruity, tragedy and humor.
In this class students will be painting the model from life using a blend of classical and contemporary techniques with an emphasis on drawing elements and color mixing.
With a remarkable technique, John Currin depicts women that often look like the subjects of classical paintings, yet have odd proportions, perhaps like caricatures, that take you by surprise yet make you not be able to look away.
Foreboding and violent, these large - scale paintings skillfully employ classical techniques to render writhing animal forms, snarling teeth and immense physical strength.
The subject of art history is a constant undercurrent in his work, whether Koons elevates kitsch to the level of classical art, produces photos in the manner of Baroque paintings, or develops public works that borrow techniques and elements of seventeenth - century French garden design.
The Opening Reception is from 7:30 p.m. to 10:30 p.m. Merritt's work is a blend of contemporary and classical subject matter and technique, resulting in the use of a myriad of mediums and textures to convey his vision of painting the human spirit.
His unique expressions created by a classical technique of layering thick oil paint to depict contemporary imagined sceneries reminiscent of the work of Van Gogh, have received acclaim both internationally and within Japan.
Drawing + Painting Anatomical Figure Drawing Beginning Water - based Media Color Theory for Painters + Designers Color Theory for the Painter Contemporary Figuration Contemporary Techniques for Figurative Painting Continuing the Indirect Method of Oil Painting Creating Innovative Comics Drawing + Painting the Figure Drawing for Comics Drawing Fundamentals Drawing in Color Drawing Outside in RVA Drawing with Ink, Charcoal + Wax Resist Exploring Water - based Media Figure Drawing Intensive Impressionism, Mark - making + Your Sketchbook Intermediate Classical Drawing Intermediate Drawing Intermediate Pastel Drawing Intermediate to Advanced Watercolor Introduction to Acrylic Painting Introduction to Children's Book Illustration Introduction to Classical Drawing Introduction to Oil Painting Introduction to Painting with Gouache Introduction to Pastel Drawing Introduction to the Figure Introduction to Watercolor Mixed - Media Drawing + Painting Mixed - Media Image Transfers Painting the Still Life + Figure in Oil Pen + Ink Drawing The Expressive Figure The Portrait in Oil The Traveling Sketchbook Value Into Color Visual Storytelling Through Illustration Watercolor + the Figure
He uses classical techniques, as the oil and acrylic paint, but he often incorporates some different and unusual media, like pencils, pen, paper, markers and spray paint, even gum wrappers, paper towels and baby wipes, reflecting the urban chaos of the world around.
His paintings unite classical Japanese techniques with Abstract expressionist influences, manga, and Buddhist and Shinto imagery.
His idiom combined «low» art methods (graffiti - like pencil / crayon doodlings; all - over painting technique) with «high» art references to Classical Antiquity (reminiscent of Arte Povera), the Italian Renaissance and French Neoclassicism.
Ken Ogawa (born in 1976 — Fukuoka, Japan) studied classical life drawing and painting techniques under local artist Hiraomi Abe (1920 — 2006).
Finkelstein often uses the classical technique of including a mirror in his still life paintings - and in the mirror we might see a window.
His work is characterized by a meticulous, old - masterly technique and an unfashionable investment in classical painting traditions commingling with other representational languages drawn from popular culture, including movies, pinups and Scandinavian pornography.
These two types of outdoor subjects and techniques evolved into the main classical styles of Chinese landscape painting.
1 The Remnant Mountain series is rendered in the tempera techniques of western classical painting.
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