Those were elementary questions, and I'd bet that you found a similar dynamic among aficionados of «hillbilly» recordings, as you certainly did among connoisseurs of opera or
classical piano recordings.
Not exact matches
In this week's
Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions, sharing a
recording of Béatrice Rauchs playing final movement of Fanny Mendelssohn's
Piano Sonata in G Minor.
She had a few possibilities in mind, but the reputation and publication
record of Kim Nasmyth put his laboratory at the Austrian Institute of Molecular Pathology at the top of her list; besides, she says, «I considered Vienna a lovely city, particularly as I play the
piano and adore
classical music!»