Sentences with phrase «classical techniques in»

From 1986 to 1998, Pavia spent the summers studying the classical techniques in stone carving and bronze casting in Pietrasanta, Italy, a center for sculpture in Europe.

Not exact matches

His work ranks with the finest classical Hebrew prose to be found anywhere in the Old Testament, displaying a phenomenal verbal / literary technique in the use of humor and irony, in subtle, sensitive character portrayal, and in effective, varied appeal to human emotion.

An accomplished chef, host and culinary consultant, Zakarian has presided over some of the country's top kitchens, traveling the world for new inspiration to marry with his classical training and techniques in a lifelong effort to deliver paramount hospitality experiences.

An opportunity to study in France landed Kropczynski with internships at the La Côte Saint - Jacques and Le Clos Longchamp and provided extensive practice in classical French technique.

Rounding out the winners, «Gerd Faltings, of the Max Planck Institute for Mathematics in Bonn, Germany, and Henryk Iwaniec, of Rutgers University, New Brunswick, in New Jersey, won the mathematical sciences award for developing new techniques in number theory that have led to the resolution of some long - standing classical math problems.»

We can examine every transistor in a classical microprocessor using the same techniques we use to understand the brain.

«Surprisingly, the ideas and techniques used in our work are elemental and allow us to thoroughly study the properties of the horizon at the moment both black holes join together to form one,» points out Emparan, who along with his colleague has published the results in the journal Classical and Quantum Gravity.

«We chose to attack the problem using machine learning implemented on a D - Wave quantum annealer, in order to test our ability to translate complicated real - life biology problems to the setting of quantum machine learning, and to look for any advantages this approach might offer over more conventional, yet state - of - the - art classical machine learning techniques,» Lidar added.

«It looks like quantum communications gives rise to new techniques which do not fit in the framework of classical physics.»

Gerd Faltings, of the Max Planck Institute for Mathematics in Bonn, Germany, and Henryk Iwaniec, of Rutgers University, New Brunswick, in New Jersey, won the mathematical sciences award for developing new techniques in number theory that have led to the resolution of some long - standing classical math problems.

The best, Heatherton says, provide interdisciplinary training by blending deep, expert, classical social science training with training from neuroscientists in imaging techniques.

Combining several neuroimaging techniques and psychophysiological measures, we aim to assess the impact of individual GABA concentrations in the amygdala on neural and behavioral fear correlates using a classical fear conditioning and extinction paradigm.

Understanding their function and mechanics requires knowing their in situ structural organisation, which is barely accessible to classical structural biology techniques (EM, NMR, crystallography).

Making sense of the «big data» that is now ubiquitous in biology requires the development of innovative new quantitative tools and techniques, grounded in classical theory yet adapted for powerful modern technologies.

In addition to the classical techniques of practice, we will explore ourselves through discussion, short writing assignments, and the cultivation of an introspective attitude.

During this program (or the shorter workshop version), you will experience meditation techniques whose origins are found in many classical as well as contemporary teachings.

He's trying to make a heart - tugging account of a boy and his horse with all the classical filmmaking techniques that he grew up admiring, but where schmaltz can work when done delicately and with precision, Spielberg and his collaborators have lacquered this baby up in so many shiny coats of manipulative drivel that it borders on spoof.

Directed by Stephen van Vuuren and narrated by LeVar Burton of Star Trek fame, In Saturn's Rings is a large - format look at NASA's Cassini mission to Saturn, made using over 7.5 million real high - resolution images of the planet, its moons, and other astronomical objects, carefully assembled and presented using classical multi-plane animation techniques.

What attracted critical minds like Jacques Rivette, Eric Rohmer, and others to Nicholas Ray and his oeuvre — bored stiff as they were by the risk - averse, respectable, and ultimately neutered «cinema of quality» — was the stamp of the personal and the element of danger they discerned in his films, whether that meant the improvisatory handling of actors with a touch deft enough to coax remarkable performances out of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting, subjective POV compositions like the «rolling camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source of Ray's critical appeal.

Theatre, especially classical theatre, gives you a solid grounding in technique.

A good approach in tackling dog fear is to invest in classical counterconditioning — a behavior modification technique meant to change the dog's emotional response towards a feared stimulus by encouraging an emotion that is incompatible with fear.

Other dogs may respond to classical conditioning techniques in which firework sounds are paired with positive reinforcements.

It is a reward - based training technique that has its roots in classical and operant conditioning.

It is a reward - based training technique rooted in classical (remember Pavlov's dog?)

She studied classical voice for eighteen years and trained in the Meisner acting technique.

Murakami employs his «Superflat» style in his dragon paintings which is a combination of a highly refined classical Japanese painting technique and a wide range of subject matter from Pop, animé and otaku.

Subsequently, this inspired him to create The Flag, a painting in encaustic — this classical technique has its roots in ancient Egypt and it is based on mixing pigments with melted wax.

He is both trained in and an exponent of the atelier method which emphasizes classical painting techniques.

Forgive Me Father, For I Have Painted (2011) is a series of paintbrushes and tubes of acrylic enclosed in clear resin, which responds to contemporary art's fascination with new media, often at the expense of classical painting techniques.

A seasoned technician in classical gelatin silver printing, and digital technique — the artist now goes beyond the traditional print to present his ideas in a variety of fresh and interesting ways.

The concept of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the «modern» avant - garde (at the beginning of this century) challenged the Romantic idea of «creation from nothingness,» with its techniques of collage, mustachios on the Mona Lisa, art about art, and so on.

His use of classical figurative techniques with a honed attention to aesthetics of form and surface — such as in the velvety finished concrete or waxed iron patina surfaces of his sculptures — reflect an embrace of the making of objects that seems refreshingly out of step with the digital era.

Both Ms. Cox and Ms. Peters exploit classical techniques, mastery of craft, and motifs from the canon to address contemporary concerns in painting and sculpture.

The oversized canvases, abundance of materials used, and divergent techniques in which collaged media and imagery were sourced from classical and contemporary culture then applied effusively in a thickly layered manner are characteristics of Schnabel's continued exploration of painting itself.

Zavaglia has developed a technique which has been described as «Modern Pointillism,» that allows her to blend colors and establish tonalities that truly resemble the techniques used in classical oil painting.

While the pairing of their techniques represents stylistic extremes — Bresson's classical roots in Renaissance and Baroque painting and Prata's borrowing of multiple modern styles — together they build a language around representations of movement and stillness, reality and incongruity, tragedy and humor.

Her post-graduate training took place in Florence, Italy where she studied classical painting techniques and conservation methodology.

In this class students will be painting the model from life using a blend of classical and contemporary techniques with an emphasis on drawing elements and color mixing.

In a Post-Fordist world increasingly dominated by customization, this investigation holds obvious importance for a company which deals primarily in mass - produced ready - to - assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasonIn a Post-Fordist world increasingly dominated by customization, this investigation holds obvious importance for a company which deals primarily in mass - produced ready - to - assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasonin mass - produced ready - to - assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasons.

Seamlessly blending pop cultural imagery, color theory, and psychology, Yuskavage draws on classical and modern painterly techniques and, in particular, marshals color as a conduit for complex psychological constructs.

The subject of art history is a constant undercurrent in his work, whether Koons elevates kitsch to the level of classical art, produces photos in the manner of Baroque paintings, or develops public works that borrow techniques and elements of seventeenth - century French garden design.

Utilizing the classical technique of chiaroscuro, Opie's subjects — including culturally significant figures such as fashion designers Kate and Laura Mulleavy of Rodarte, artist Kara Walker, and director John Waters — are posed in front of a black drop cloth and theatrically lit, intimately dramatizing the details of the face and body.

In this unique virtual studio visit, George will invite visitors to learn about his approach to portraiture and the classical techniques he utilizes to create his work.

Contemporary artists from our time are looking back to the art vault, borrowing and revamping classical techniques and styles.The exhibition includes works by Richard Aldrich, Joe Bradley, Kerstin Brätsch, Matt Connors, Michaela Eichwald, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, Rashid Johnson, Julie Mehretu, Dianna Molzan, Oscar Murillo, Laura Owens, Amy Sillman, Josh Smith, Mary Weatherford, and Michael Williams.The artists whose works are represented throughout the exhibition created pieces that grasp the viewers in their own ways with the use of a range of styles and medium.Interactive is one of them, provided by Colombian artist Oscar Murillo.

The Opening Reception is from 7:30 p.m. to 10:30 p.m. Merritt's work is a blend of contemporary and classical subject matter and technique, resulting in the use of a myriad of mediums and textures to convey his vision of painting the human spirit.

The work shown in Merge Visible opens a new discourse for Loesch with a series of large and small - scale paintings which explore the interplay between digital imagery and classical painting technique.

He is best known for a personal and intensely physical saxophone technique, revealed through long form solo improvisations, as well as collaborations with a multitude of world - renowned and underground practitioners in jazz, avant - garde, noise, classical, theater, and dance disciplines.

Drawing + Painting Anatomical Figure Drawing Beginning Water - based Media Color Theory for Painters + Designers Color Theory for the Painter Contemporary Figuration Contemporary Techniques for Figurative Painting Continuing the Indirect Method of Oil Painting Creating Innovative Comics Drawing + Painting the Figure Drawing for Comics Drawing Fundamentals Drawing in Color Drawing Outside in RVA Drawing with Ink, Charcoal + Wax Resist Exploring Water - based Media Figure Drawing Intensive Impressionism, Mark - making + Your Sketchbook Intermediate Classical Drawing Intermediate Drawing Intermediate Pastel Drawing Intermediate to Advanced Watercolor Introduction to Acrylic Painting Introduction to Children's Book Illustration Introduction to Classical Drawing Introduction to Oil Painting Introduction to Painting with Gouache Introduction to Pastel Drawing Introduction to the Figure Introduction to Watercolor Mixed - Media Drawing + Painting Mixed - Media Image Transfers Painting the Still Life + Figure in Oil Pen + Ink Drawing The Expressive Figure The Portrait in Oil The Traveling Sketchbook Value Into Color Visual Storytelling Through Illustration Watercolor + the Figure

Utilizing techniques of chiaroscuro, color, and formal composition found in classical 17th century portraiture, Opie arranges her subjects in allegorical poses that suggest an emotional state.

Daniel Dewar & Grégory Gicquel, «The Mammal and the Sap», Portikus, Frankfurt am Main At the core of Daniel Dewar & Grégory Gicquel's «The Mammal and the Sap», their first institutional exhibition in Germany, was a meshing of handcrafted furniture and cabinetry techniques with classical sculpture.