«From the Renaissance to the nineteenth century, artists working in the Western
classical tradition favored idealized statuary.
Not exact matches
Many people try to solve this basic, problem by simply condemning the typical products of the scientific age and by reasserting the values of the past — that is, by a resolute renunciation of modernity in
favor of the «
classical»
tradition.
Histories and theories of Western sculpture have typically
favored idealized representations, as exemplified by the austere, white marble statuary of the
classical tradition.
Cohen sheds light on the many influences that have impacted his sentiments towards conventional film, and his desire to eschew both
classical avant - garde and theatrical filmmaking in
favor of a model rooted in the
tradition of the 1940s New York School of street photography.