Davis sees these newest pieces as being «rooted in
the classical tradition of abstraction and the response to music in the art making process» just as the first ventures into abstraction in the early 20th century were reactions to the music of their day.
Not exact matches
His work embodies
classical ideals and
traditions in a unique style
of abstraction that combines both industrial and organic elements.
She has cast forms in plaster and jesmonite and arranged them so that they unavoidably reference a sculptural
tradition that takes you from the
abstraction of Anthony Caro, back towards the figure through Henry Moore and beyond him to
classical sculpture.