Sentences with phrase «classical works from»

In The Meatgrinder Madrigal, the artist spins a dense and complex web of narrative, allusion and dark humour to create a new mythos, making classical works from art history serve as her «found objects».

That painting will hang in the Great Hall along with 94 other European and American classical works from the late 16th to the early 19th century.

Not exact matches

Classical physics — the kind we know about courtesy of Galileo and Newton — is comparatively easy to understand because we can clearly see it working all around us: the apple falls from the tree; the earth orbits the sun; the thrown baseball follows an arc that we can predict with an equation.

Even without a formal rhythmic underpinning, the impression gained from reading her work is to have come across something elegantly crafted and almost classical in form.

What a fine tragedy it would be if those with the most Christian and promising option proved unable to make good their case against many objections so that the shift away from classical faith continued despite their work and effort.

In classical physics from the spot P we infer the position of atom A. From the spot P, the track PP1, and from knowledge of how the lens works, we could also know the momentum of the partifrom the spot P we infer the position of atom A. From the spot P, the track PP1, and from knowledge of how the lens works, we could also know the momentum of the partiFrom the spot P, the track PP1, and from knowledge of how the lens works, we could also know the momentum of the partifrom knowledge of how the lens works, we could also know the momentum of the particle.

In him the church can boast, a scholar who, though a foreigner from the west, knew the Chinese classics and was able to fill his works with classical allusions.

Instead of rejecting every idea of an active and acting God when she rejects classical theism, Sölle might profit from approaching empirically the working of grace as Wieman did.

By working out a neoclassical theory of nonliteral religious discourse consistent with his neoclassical theism generally, he has not only overcome the notorious contradictions involved in classical theism's use of analogy and other modes of nonliteral language, he has also given good reasons for thinking that our distinctively modern reflection about God results from two movements of thought, not simply from one.

The exceptional powers of sympathetic imagination and of literary expression possessed by this evangelist make his work the most effective of all as a human and, so to speak, secular approach to the «Jesus of History,» but it does not lie on the main classical line of development from the apostolic Preaching.

It means the Word of God, initiated by God, irresistibly breaking into the life and work of men from Moses» time on and with peculiar, sustained potency in the classical prophets.

It was another German missiologist, Georg F. Vicedom, who has the honour of having developed the concept of missio Dei in a way that seems to be consistent with the more classical missiology that preceded Willingen, and quite different from the more radical missiology that, under the same label, was worked out during the 1960s.

My understanding of «missional» derives from what I would call a «classical understanding» of mission: that women and men, through personal faith and conversion by the work of the Holy Spirit, would become disciples of Jesus Christ and responsible members of Christ's church.

When «From the Top,» the National Public Radio showcase for top young classical musicians, contacted Mass Audubon about shooting a video at the popular wildlife sanctuary and working farm in Lincoln, it might have been assumed the organizations would team up to jointly advance their serious missions.

Monarchy: Throughout much of the Bronze Age / Dark Age / Archaic / Classical and beyond period (including the Roman Empire which is a defacto complex monarchy), there were always monarchies, so this is quite relevant in understanding what / why / how government worked from a day in day out basis.

According to Dr Frankcombe, «this work demonstrates that these classical, intuitive ideas of individual electron movements have been the right way to look at chemical reactivity all along, even though they previously had little support from quantum mechanics.»

«While the experiment is a beautiful demonstration of how a single atom can be used as a heat engine,» Taylor says, «there is still substantial work to go until deviations from classical thermodynamics can be seen.»

Magnetism at the atomic level is driven by quantum mechanics — a fact that has shaken up classical physics calculations and called for increasingly complex, first - principle calculations, or calculations working forward from fundamental physics equations rather than relying on assumptions that reduce computational workload.

Lisa Burk - McCoy, RYT200, is working toward a 500 hour teaching certificate in Classical Yoga from the YogaLife Institute.

All the classical work apparel items are still at play, but wearing a graphic tee makes it easy to go from day to date night.

James Newton Howard's pleasing score channels Herrmann's VERTIGO compositions and other works from classical Russian composers.

But intertextuality forms the backbone of this body of work, with each refresh paying homage to a new wave of classical horror tropes via cinematography, music and familiar dialogue from the vaults of Hollywood horror — much to the delight of genre boffins everywhere.

Louder Than a Bomb DVD Review by Kam Williams Rhyme Doc Chronicles Chicago Poetry Slam Does the hip - hop style of rhyming and its down - to - earth subject - matter about life in the «hood deserve the same respect as the classical couplets of Keats and other lofty lyricists whose work benefits from ivory - towered academia's stamp of approval?

The main work - related activity is when Perlman and Oliver go to inspect a sensational discovery: parts of a classical statue recovered from a lake.

The Italian filmmaker relied on borrowed works from modern classical composer John Adams to determine the ebbing dramatic tension of 2009's I Am Love, while 2015's A Bigger Splash, which centers on the relationship between a fictional rock singer and her mercurial former lover and record producer, climaxes with an electric, lip - syncing performance of the Rolling Stones's «Emotional Rescue.»

This group are already legends within the classical music community for their crystal - pure, otherworldly voices and their immense artistic range, with a songbook that ranges from medieval European devotional music to American shape - note hymns to works by contemporary American and English composers; and in the first half of this concert, they shared some of that range.

Sumthing Else Music Works, the premier record label dedicated to video game soundtracks, in partnership with Disney Interactive and Harmonix, today announced plans to release the «Disney Fantasia: Music Evolved Original Soundtrack,» featuring the original score and classical music selections from the award - winning musical motion game arriving October 21.

The lesson involves group work and introduces pupils to a wide range of mythological creatures from Classical myth to Harry Potter.

This also tells the story of art and the development of sculptural form in Art and how art develops through the ages from Paleleolithic, Egyptian, Greek - Archaic, Classical, Hellenistic Art and Gothic Art following with Early Renaissance and the work of Donatello to the work of Michelangelo in Late Renaissance.

The document spans 14 pages and includes examples of work by Polykleitos, Praxiteles and others from the Archaic and Classical periods.

From our humble beginnings as a single entity in rented space, we have become Arizona's largest not - for - profit charter school network, the largest «brick and mortar» classical education provider in the country, and we are excited about working with new partners to extend this education to eager students nationwide.

Coming back to A-Class family, a practical and spacious compact model is apparently in the works as well in a form of a classical sedan, along with a GLB crossover with seven seats as a big brother of GLA and a competitor for the recently launched Grand Active Tourer from BMW.

He has worked on music for more than 40 video games, where his versatility is reflected in styles ranging from classical to techno - elctronica and jazz.

I worked in every kind of music you could imagine from classical to jazz to pop to hip - hop.

Simply gorgeous.In addition to the stunning visuals, Horizon offers a wonderfully curated selection of radio stations, ranging from local Aussie bands to the classical works of Mozart and Tchaikovsky.

The awards and recognition received from his short film work and this classical work allowed Pedro to start composing music in commercials for the best brands in Portugal, collaborating with some of the best Directors around.

In a lithograph dating from the relatively liberated epoch following the French Revolution, the lithographer Marlet has represented some women sketchers in a group of students working from the male model, but the model himself has been chastely provided with what appears to be a pair of bathing trunks, a garment hardly conducive to a sense of classical elevation: no doubt such license was considered daring in its day, and the young ladies in question suspected of doubtful morals, but even this liberated state of affairs seems to have lasted only a short while.

From miniature window drawings to elaborate replicas of classical masterpieces, you can discover more of the Barcelona - based artist's work at pejac.es.

The artist Anri Sala will discuss his works and their correlation to classical music with Peter Szendy, a musicologist and professor at Brown University, from 4 - 6 pm.

Her work addresses how the historical can be used as a material to address contemporary conditions such as loss, the swipe, the flatness and limitations of an image, emotions in classical sculpture, the use of models, muscle aches from using a computer, color as a language, and the democracy of materials such as clay.

Her works draw from the classical canon of Western art, pop art, and visual cultures to examine complex notions of femininity, beauty, race, sexuality and gender.

The work takes inspiration in part from classical imagery: The artist finds resonance in both representational Catholic iconography as well as the architectural forms of European Gothic and Islamic architecture, while recent praise in the New York Times places her in a complex lineage with both Georgia O'Keefe and Judy Chicago.

Other works on view such as box dioramas, multi-media works on paper, and carved objects in large and miniature scale illustrate the range of Beck's interests, from popular culture to classical art and architecture.

Infusing her work with the themes and motifs from Classical Greek art and literature that have been explored throughout the canon of Western art history, Brown situates her female protagonists as the main lead and erases men's presence all together.

Her work stems from her long study of art history and the classical genres of portraiture, landscape, and still like.

In a statement, Thomas's newest dealer described her rhinestone - embellished works thus: «Drawing from a long study of art history and the classical genres of portraiture, landscape and still life, Thomas» political and pop - culturally infused imagery explores constructed notions of identity and the self.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

Eisenman's work is variable, ranging from colored abstract compositions to realist works created in the classical style, and she has consequently proven herself compotent in and comfortable with all facets and styles of painting.

The ballet tests basic tenants of the genre — roles that are traditionally gender specific become abstracted, ruthless movements manipulate and redirect classical pointe work — while deconstructing pivotal, but cliché moments from historical ballets against a backdrop of Western swagger.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York