Freeman tweaks historical
classicism with his insistent color and bold compositions, giving the work a hyper - contemporary appearance.
Of special note are two concurrent exhibitions, one by the Romanian artist Geta Brătescu, which in its way shows a variant methodology for combining
classicism with cartooning, deploying humor and a stylized visual wit; and another showing never - before seen latter - day works on paper by the iconic Louise Bourgeois.
Her canvases fuse a sense of
classicism with sculptural elements and a post-internet awareness of the ideas of surface, texture and language.
Huerta works primarily in representational painting, distilling elements of
classicism with a modern social and cultural scrutiny.
What they do have in common is the intention to make painting new, strange and urgent, to cross the rigor of
classicism with the rat - a-tat of Bebop.
In keeping with the 21st century's art de vivre, this design hotel subtly mixes luxury with relaxation,
classicism with modernity.
Students critique several dramatic works in terms of other aesthetic philosophies (such as the underlying ethos of Greek drama, French
classicism with its unities of time and place, Shakespeare and romantic forms, India classical drama, Japanese kabuki, and others)
You can feel «The Interpreter» straining toward
classicism with every ounce of its strength.
Combining
classicism with colorful expression, the Pantone Fashion Color Trend Report Fall / Winter 2018 features a bold palette of autumnal hues complemented by some more unexpected shades.
Not exact matches
The philosopher Fabrice Hadjadj responded to the Charlie Hebdo attacks
with a memorable expression of this Catholic
classicism:
While it is regrettable that he never made his peace
with Italian
classicism» one wonders what Cram might have learned from the delicate austerity of Florentine arcades or the freewheeling geometric brilliance of Borromini» his early embrace of the Mexican Baroque (spurred by his partner Goodhue), his late interest in the Iberian Renaissance, and his numerous forays into American colonial revival show he was no mere Gothic fanatic.
Clerical control of the colleges was thus identified
with classicism and amateurism by modern standards.
Inspired by
classicism, music and contemporary art, each design displays a balance of strength and sensitivity, often
with a raw element.
It is about
classicism and elegance -
with a hint of sporty attitude, and is easy to wear: fundamental notions of what the name Givenchy stands for.
Tea is served, as poised in her hotel suite
with ladylike
classicism, she wears FLAXELY, a bootie in black suede which criss - crosses its way over the foot and up to the ankle in a perfect slim fit.
The film is rooted in Hollywood
classicism, populated
with idiosyncratic characters who have plenty of room to speak and interact in between the action / horror set pieces.
It's a gloriously written film,
with jokes that are crafted rather than excavated from reams of on - set improvisation1; the success of the punchlines is scattershot and up for debate (connoisseurs of the Borscht belt should find much to admire, but a rehash of Lloyd's lovesick daydream flatlines, due in no small part to an overestimation of the comic chops and kitsch appeal of Honey Boo - Boo's mom), yet there is something bracing about its structural
classicism after the last few years of watching the Church of Apatow whack off.
But perhaps a more appropriate comparison is to the Italian filmmaker Pier Paolo Pasolini,
with whom Güney shares a distinctly anti-Utopian, renegade
classicism.
Showing the film's canny admixture of a very modern, almost experimental sensibility
with a sense of
classicism in the period, location and fidelity to the text, the trailer gives a great impression of the enormous strength and boldness of Kurzel's fresh imagining of this archetypal, elemental story.
Takashi Miike, one of the most prolific and versatile directors working today, directs 13 Assassins
with a level of
classicism and efficiency that's a complete breath of fresh air compared to today's action films.
In Riga, walk through the Art Nouveau Quarter and the Old Town - a UNESCO World Heritage Site -
with a variety of architectural styles — romanticism, gothic, baroque,
classicism, and modernism.
While there is an emphasis on the energy of the visible painted mark underpinning all of Manister's stylistic phases, this, in his own view, is always tempered by an engagement
with modernist and postmodernist forms of
classicism.
In unison, both artists had responded in visual terms
with a modernist form of
Classicism.
With the exception of the few black shapes that made their appearance at the start and the end of her painting life, Martin's palette is airy and light — neither heavy nor dark — and it's no stretch to associate this with the classicism she espoused or with the ideas of perfection and joy and innocence, and so on, which held her r
With the exception of the few black shapes that made their appearance at the start and the end of her painting life, Martin's palette is airy and light — neither heavy nor dark — and it's no stretch to associate this
with the classicism she espoused or with the ideas of perfection and joy and innocence, and so on, which held her r
with the
classicism she espoused or
with the ideas of perfection and joy and innocence, and so on, which held her r
with the ideas of perfection and joy and innocence, and so on, which held her rapt.
His work contrasts
with the
Classicism of Jean - Auguste - Dominique Ingres and the Romanticism of Eugène Delacroix.
Cézanne and Pollock both started off as expressionists, and then both created a
classicism teeming
with emotion.
In the context of Picabia's skewed
classicism, Katz's»70s muses — all
with long, unkempt hair and split ends — looked like a disguised allusion to the Three Graces.
Frowned upon by generations of art historians as the last expression of irrationality (as opposed to perfect perspective) the primitive painters played a pivotal role in bridging Medieval styles
with the resurgence of
classicism characteristic of Renaissance artists and architects.
Robert Mapplethorpe and the Classical Tradition exemplifies the artist's rapport
with the elongated and elaborate forms of Mannerist art, namely the study of the human body, highlighting the underlying
classicism evident in the clarity and potency of all Mapplethorpe's subjects as well as their explosive energy.
Classicism was the mainstay of his work up until the 1980s, when the artist became absorbed
with biomorphic forms in direct, mostly unmodulated color.
Phillips was convinced that Braque's art would better stand the test of time because it satisfied three criteria:
classicism, personal vision, and continuity
with French tradition.
His paintings of nudes, skulls, and still - lifes, along
with images of centaurs and muses, place Lüpertz among such diverse artists as Nicolas Poussin, Pierre Puvis de Chavannes, and Hans von Marées as he continues to reinvent
classicism and engage
with tradition.
He gains a sense of inherent
classicism and security from using familiar symbols, yet only
with unceasing concentration and focus can a painter's style be used as a tool to give form to abstract reflection, and that still requiring a callous inhibition of ever ‐ present, hovering uncertainty.
It includes a critical essay by Brooke Holmes investigating the concept of «liquid antiquity»; a series of 27 lexemes that critically rethink the traditional language of
classicism, written by prominent critics and scholars; and ten interviews
with contemporary artists (Matthew Barney, Paul Chan, Haris Epaminonda, Urs Fischer, Jeff Koons, Christodoulos Panayiotou, Charles Ray, Asad Raza, Kaari Upson and Adrián Villar Rojas).
Ironic themes that are echoed throughout Fomenko's work include Picasso,
classicism and sex, where he replaces his portraits faces
with sex organs that are in eye areas, albeit the viewer is still able to identify the imaged person.
Classicism and Romanticism have always been present in Chia's work, but now their presence brings to mind a hint of Matisse, Chagall or Modigliani,
with simplified forms and a stillness we haven't seen from him before.
The exhibition comprises two - dozen works spanning the career of the artist known everywhere simply as «César,» and suggests his fundamental contribution to the evolution of modern sculpture through a radical rethinking of
classicism and bold experiments
with new materials.
Classicism, Romanticism, numbers and pornographic sgraffito pop up in a drawing titled «See Naples + Die,»
with the outline of a possible temple, a quote from Keats and crude, sputtering gunlike shapes that evoke Claes Oldenburg's early sculpture.
The classy
Classicism of the titles attests to the solid literary education she received at Princeton, where she might have read,
with the great Wallace Stevens scholar A. Walton Litz, who chaired the English department in her era, these wonderful lines from the Stevens poem «Descriptions Without Place»:
Romanticism appealed less to the ruling class served by
Classicism, and more to the new middle class whose recent democratic enfranchisement was reflected in the promise of individual and direct engagement
with the art, devoid of complex metaphors and philosophical theories.
Chaos and
Classicism: Art if France, Italy, Germany, and Spain, 1918 — 1936 is organized by New York University Professor of Modern Art Kenneth E. Silver, a renowned authority on European art between the wars, assisted by Helen Hsu, Assistant Curator, Solomon R. Guggenheim Museum,
with Vivien Greene, Curator of 19th - and Early - 20th - Century Art, Solomon R. Guggenheim Museum, as curatorial adviser.
Invoking art historical references from
classicism, modernist sculpture and popular culture, these artists deal
with the monumental and auratic nature of art and culture.
Painting
with classicism, he does not forget his contemporaries.
Arikha's deft combination of
classicism and modernity proved highly popular
with the right sort of clientele.
Cornaro is an art historian specialized in sixteenth and seventeenth - century Western art, therefore her work is strongly associated
with the forms and compositions from the past, ranging from the baroque or
classicism to modernistic abstraction.
The monstrous figures, rendered in plaster and bronze, riff on
Classicism and the Modernist obsession
with primitive forms.
His use of a slightly garish palette, combined
with a proliferation of marks and lines of all kinds, confers upon his works an expressive, reinvented
classicism, a subjective mannerism, which continues right up to the present.
Indeed, this dialectic is as basic as the clash between
Classicism's timeless perfection and Romanticism's fascination
with decay, ruins, and fragments.
Beginning and ending in a classical mode, this period encompasses some of the most important steps in his career: his traditional academic training, his early encounters
with works by modern and Old Master artists, his creative interaction
with pre-classical and tribal art, his invention
with Georges Braque of cubism and papier collé, and his postwar alternation between cubism and
classicism — the groundwork for all the developments in his later career.
Reinterpreting late 18th century Edo
classicism of these two masters, Sush has infused traditional Japanese imagery
with a sense of global culture.