Sentences with phrase «classicism with»

Freeman tweaks historical classicism with his insistent color and bold compositions, giving the work a hyper - contemporary appearance.
Of special note are two concurrent exhibitions, one by the Romanian artist Geta Brătescu, which in its way shows a variant methodology for combining classicism with cartooning, deploying humor and a stylized visual wit; and another showing never - before seen latter - day works on paper by the iconic Louise Bourgeois.
Her canvases fuse a sense of classicism with sculptural elements and a post-internet awareness of the ideas of surface, texture and language.
Huerta works primarily in representational painting, distilling elements of classicism with a modern social and cultural scrutiny.
What they do have in common is the intention to make painting new, strange and urgent, to cross the rigor of classicism with the rat - a-tat of Bebop.
In keeping with the 21st century's art de vivre, this design hotel subtly mixes luxury with relaxation, classicism with modernity.
Students critique several dramatic works in terms of other aesthetic philosophies (such as the underlying ethos of Greek drama, French classicism with its unities of time and place, Shakespeare and romantic forms, India classical drama, Japanese kabuki, and others)
You can feel «The Interpreter» straining toward classicism with every ounce of its strength.
Combining classicism with colorful expression, the Pantone Fashion Color Trend Report Fall / Winter 2018 features a bold palette of autumnal hues complemented by some more unexpected shades.

Not exact matches

The philosopher Fabrice Hadjadj responded to the Charlie Hebdo attacks with a memorable expression of this Catholic classicism:
While it is regrettable that he never made his peace with Italian classicism» one wonders what Cram might have learned from the delicate austerity of Florentine arcades or the freewheeling geometric brilliance of Borromini» his early embrace of the Mexican Baroque (spurred by his partner Goodhue), his late interest in the Iberian Renaissance, and his numerous forays into American colonial revival show he was no mere Gothic fanatic.
Clerical control of the colleges was thus identified with classicism and amateurism by modern standards.
Inspired by classicism, music and contemporary art, each design displays a balance of strength and sensitivity, often with a raw element.
It is about classicism and elegance - with a hint of sporty attitude, and is easy to wear: fundamental notions of what the name Givenchy stands for.
Tea is served, as poised in her hotel suite with ladylike classicism, she wears FLAXELY, a bootie in black suede which criss - crosses its way over the foot and up to the ankle in a perfect slim fit.
The film is rooted in Hollywood classicism, populated with idiosyncratic characters who have plenty of room to speak and interact in between the action / horror set pieces.
It's a gloriously written film, with jokes that are crafted rather than excavated from reams of on - set improvisation1; the success of the punchlines is scattershot and up for debate (connoisseurs of the Borscht belt should find much to admire, but a rehash of Lloyd's lovesick daydream flatlines, due in no small part to an overestimation of the comic chops and kitsch appeal of Honey Boo - Boo's mom), yet there is something bracing about its structural classicism after the last few years of watching the Church of Apatow whack off.
But perhaps a more appropriate comparison is to the Italian filmmaker Pier Paolo Pasolini, with whom Güney shares a distinctly anti-Utopian, renegade classicism.
Showing the film's canny admixture of a very modern, almost experimental sensibility with a sense of classicism in the period, location and fidelity to the text, the trailer gives a great impression of the enormous strength and boldness of Kurzel's fresh imagining of this archetypal, elemental story.
Takashi Miike, one of the most prolific and versatile directors working today, directs 13 Assassins with a level of classicism and efficiency that's a complete breath of fresh air compared to today's action films.
In Riga, walk through the Art Nouveau Quarter and the Old Town - a UNESCO World Heritage Site - with a variety of architectural styles — romanticism, gothic, baroque, classicism, and modernism.
While there is an emphasis on the energy of the visible painted mark underpinning all of Manister's stylistic phases, this, in his own view, is always tempered by an engagement with modernist and postmodernist forms of classicism.
In unison, both artists had responded in visual terms with a modernist form of Classicism.
With the exception of the few black shapes that made their appearance at the start and the end of her painting life, Martin's palette is airy and light — neither heavy nor dark — and it's no stretch to associate this with the classicism she espoused or with the ideas of perfection and joy and innocence, and so on, which held her rWith the exception of the few black shapes that made their appearance at the start and the end of her painting life, Martin's palette is airy and light — neither heavy nor dark — and it's no stretch to associate this with the classicism she espoused or with the ideas of perfection and joy and innocence, and so on, which held her rwith the classicism she espoused or with the ideas of perfection and joy and innocence, and so on, which held her rwith the ideas of perfection and joy and innocence, and so on, which held her rapt.
His work contrasts with the Classicism of Jean - Auguste - Dominique Ingres and the Romanticism of Eugène Delacroix.
Cézanne and Pollock both started off as expressionists, and then both created a classicism teeming with emotion.
In the context of Picabia's skewed classicism, Katz's»70s muses — all with long, unkempt hair and split ends — looked like a disguised allusion to the Three Graces.
Frowned upon by generations of art historians as the last expression of irrationality (as opposed to perfect perspective) the primitive painters played a pivotal role in bridging Medieval styles with the resurgence of classicism characteristic of Renaissance artists and architects.
Robert Mapplethorpe and the Classical Tradition exemplifies the artist's rapport with the elongated and elaborate forms of Mannerist art, namely the study of the human body, highlighting the underlying classicism evident in the clarity and potency of all Mapplethorpe's subjects as well as their explosive energy.
Classicism was the mainstay of his work up until the 1980s, when the artist became absorbed with biomorphic forms in direct, mostly unmodulated color.
Phillips was convinced that Braque's art would better stand the test of time because it satisfied three criteria: classicism, personal vision, and continuity with French tradition.
His paintings of nudes, skulls, and still - lifes, along with images of centaurs and muses, place Lüpertz among such diverse artists as Nicolas Poussin, Pierre Puvis de Chavannes, and Hans von Marées as he continues to reinvent classicism and engage with tradition.
He gains a sense of inherent classicism and security from using familiar symbols, yet only with unceasing concentration and focus can a painter's style be used as a tool to give form to abstract reflection, and that still requiring a callous inhibition of ever ‐ present, hovering uncertainty.
It includes a critical essay by Brooke Holmes investigating the concept of «liquid antiquity»; a series of 27 lexemes that critically rethink the traditional language of classicism, written by prominent critics and scholars; and ten interviews with contemporary artists (Matthew Barney, Paul Chan, Haris Epaminonda, Urs Fischer, Jeff Koons, Christodoulos Panayiotou, Charles Ray, Asad Raza, Kaari Upson and Adrián Villar Rojas).
Ironic themes that are echoed throughout Fomenko's work include Picasso, classicism and sex, where he replaces his portraits faces with sex organs that are in eye areas, albeit the viewer is still able to identify the imaged person.
Classicism and Romanticism have always been present in Chia's work, but now their presence brings to mind a hint of Matisse, Chagall or Modigliani, with simplified forms and a stillness we haven't seen from him before.
The exhibition comprises two - dozen works spanning the career of the artist known everywhere simply as «César,» and suggests his fundamental contribution to the evolution of modern sculpture through a radical rethinking of classicism and bold experiments with new materials.
Classicism, Romanticism, numbers and pornographic sgraffito pop up in a drawing titled «See Naples + Die,» with the outline of a possible temple, a quote from Keats and crude, sputtering gunlike shapes that evoke Claes Oldenburg's early sculpture.
The classy Classicism of the titles attests to the solid literary education she received at Princeton, where she might have read, with the great Wallace Stevens scholar A. Walton Litz, who chaired the English department in her era, these wonderful lines from the Stevens poem «Descriptions Without Place»:
Romanticism appealed less to the ruling class served by Classicism, and more to the new middle class whose recent democratic enfranchisement was reflected in the promise of individual and direct engagement with the art, devoid of complex metaphors and philosophical theories.
Chaos and Classicism: Art if France, Italy, Germany, and Spain, 1918 — 1936 is organized by New York University Professor of Modern Art Kenneth E. Silver, a renowned authority on European art between the wars, assisted by Helen Hsu, Assistant Curator, Solomon R. Guggenheim Museum, with Vivien Greene, Curator of 19th - and Early - 20th - Century Art, Solomon R. Guggenheim Museum, as curatorial adviser.
Invoking art historical references from classicism, modernist sculpture and popular culture, these artists deal with the monumental and auratic nature of art and culture.
Painting with classicism, he does not forget his contemporaries.
Arikha's deft combination of classicism and modernity proved highly popular with the right sort of clientele.
Cornaro is an art historian specialized in sixteenth and seventeenth - century Western art, therefore her work is strongly associated with the forms and compositions from the past, ranging from the baroque or classicism to modernistic abstraction.
The monstrous figures, rendered in plaster and bronze, riff on Classicism and the Modernist obsession with primitive forms.
His use of a slightly garish palette, combined with a proliferation of marks and lines of all kinds, confers upon his works an expressive, reinvented classicism, a subjective mannerism, which continues right up to the present.
Indeed, this dialectic is as basic as the clash between Classicism's timeless perfection and Romanticism's fascination with decay, ruins, and fragments.
Beginning and ending in a classical mode, this period encompasses some of the most important steps in his career: his traditional academic training, his early encounters with works by modern and Old Master artists, his creative interaction with pre-classical and tribal art, his invention with Georges Braque of cubism and papier collé, and his postwar alternation between cubism and classicism — the groundwork for all the developments in his later career.
Reinterpreting late 18th century Edo classicism of these two masters, Sush has infused traditional Japanese imagery with a sense of global culture.
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