Trends may come and go, but if you're
a classicist who wants to add something modern to their kitchen style, then this idea is for you.
1) She is
a classicist who believes that educated people should be familiar with the common core of generally - accepted literary classics.
Not exact matches
Such a question faces not merely
classicists, but all
who think of Western culture as a continuous history, all
who think the Greeks can, somehow, help us.
Burckhardt was a defector from the
classicist exaltation of the Greeks — and further, from the neo-humanist tradition that exalted moderns
who appropriated the Greeks» legacy.
The eminent University of Cambridge
classicist,
who has almost 200,000 Twitter followers, was distraught after receiving...
Hats off to Lexus chief designer Tadao Mori,
who concocted this collection of shocking - to -
classicists, nontraditional forms and features in such a way as to make the composition agreeable to many.
In a 1984 Artforum review, Thomas McEvilley, a
classicist new to the world of contemporary art, made the case that the Museum of Modern Art in New York served as an exclusionary temple to certain high - minded Modernists — namely, Picasso, Matisse, and Pollock —
who, in fact, took many of their innovations from native cultures.
These were intuitively derived compositions that gained the attention of curator, Jules Langsner,
who included Hammersley in the landmark 1959 exhibition, Four Abstract
Classicists, at the Los Angeles County Museum of Art.
There are hard - edge geometric paintings by Karl Benjamin, Lorser Feitelson, Frederick Hammersley and John McLaughlin called the Abstract
Classicists after their 1959 show, as well as influential figurative artists like Rico Lebrun,
who was, among other things, a teacher of Baldessari.
Frederick Hammersley was a Southern California abstract painter
who appeared in an important exhibition in 1959 called Four Abstract
Classicists, curated by the art critic Jules Langsner at the San Francisco Museum of Modern Art.
The lone anomalous inclusion at the Morgan is Ellsworth Kelly
who, even at his loosest, is a quintessential
classicist.
The exhibition also presents works in the Ateneum collection by artists
who represent the realist and
classicist modernism of the 1920s and 1930s, such as Ragnar Ekelund, Greta Hällfors - Sipilä, Olli Miettinen, Yrjö Ollila, Martti Ranttila, Juho Salminen and Ilmari Vuori.
She moved, specifically, from
classicist drawings of hands to textile works — a self - defined style of «drawing with a sewing machine» in which she sometimes used materials bequeathed by her mother, and explored the Greek myth of Medea, the mother
who killed her children after her husband betrayed her — to, later, collage works, or «drawing with scissors».