Not exact matches
Prominent Christian publishers
such as Thomas Nelson and Zondervan offer extensive lines
of novels in the «Amish romance»
genre but little in terms
of Christian
classics and no poetry in a contemporary vein.
They are perfection
of the
classic pb cookie
genre in both taste and looks, and I've never gotten so many compliments on
such a humble cookie.
I love music
of quality,
genres with a little patina,
such as Motown or
classic rock, really capture me.
ヤンキー君とメガネちゃん (Yankee - kun to Megane - chan)
Genre: Slice
of Get the latest slate
of new MTV Shows Jersey Shore, Teen Wolf, Teen Mom and reality TV
classics such as Punk'd and The Hills.
So on the American Miserabilism shelf at your local shuttered video store, you can put Andrew Haigh's powerful and poignant «Lean on Pete» alongside
such other
classics of the
genre as Werner Herzog's «Stroszek» and Andrea Arnold's «American Honey.»
The DSG
genre is not to be scoffed at — it's given us
such classic comedies as Caddyshack and Animal House and, more recently, Wedding Crashers and The 40 - Year - Old Virgin — and has done much to codify the behavior
of drunk heterosexual men everywhere.
The original was
such an important milestone in the fighting game
genre and this takes the package
of the
classic and puts it in HD with animations that look fluid and artistic.
1981 was a landmark year for the horror
genre, seeing as it did the release
of such lauded
genre classics as...
In their previous screenplays, Wright and Pegg have very shrewdly thrown
genre conventions on their collective ear; they clearly love horror movies and action flicks and buddy comedies, and they understand the structure
of those films with
such clarity that they can rewrite the rules, scramble up our expectations and wind up with a creation that's both an homage to and a subversion
of past
classics.
There is, in fact, more going on beneath the sheet to make the ghost look substantial, to have discernible body language, but Lowery's use
of such a
classic childhood trope somehow makes his striking images indelible — a familiar image used to upend a
genre.
Silent Running is a
classic film in the sci - fi
genre, although it's one
of those films that has little appeal to anyone that typically avoids
such fare.
Steeped in Australia's brutal colonialist past and evoking other contemporary
classics such as The Proposition and The Tracker, Sweet Country continually defies and undermines
genre expectations with its masterful command
of film style and its confronting tale
of racism and injustice.
Despite giving audiences some bona fide
classics such as The Poseidon Adventure (1972) and The Towering Inferno (1974), the
genre has been rather dead as
of late with lackluster offerings
such as Poseidon (a weak 2006 imitation
of the far better original) and the overly confident 2012 (2009).
This little gem features American treasure and all - around
genre cinema maestro John Carpenter discussing his 1988 sci - fi / action / horror cult
classic They Live, going into detail about
such things as the conceptual ideas behind the movie's premise, his casting
of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight scene between Piper and the great Keith David.
Originally airing in November
of 1979, Salem's Lot was a modern - day vampire tale that reflected the gothic overtones
of the
genre's
classics such as Nosferatu and Dracula.
Film noir was always a cynical and dark (thematically and literally)
genre, but 1949 saw the end
of the first wave
of classic noir films being replaced by the far rawer and more violent wave
of B - grade noirs by the likes
of directors
such as Joseph H Lewis, Robert Aldrich and Samuel Fuller.
Very good film makers
such as Darren Aronofsky and Nicolas Winding Refn have sourced inspiration from the mood and saturated hues
of a
genre classic, which remains the perfect way to pay tribute to past pioneering while producing something new and exciting.
The
classic western had all but already faded away, so thinking about the Coen's version as being
such a
classic western (though I'd argue with enough
of a darker tone and elegiac ending that it's edging toward revisionist in tone if not in content) after so many years
of revisionist westerns is interesting in relation to the original True Grit being almost a throwback to earlier western styles itself, as 1969's westerns generally blew the lid off
classic westerns as a
genre.
«I am proud
of the breadth, intelligence and style
of the choices the London critics have made, honouring the richness
of world cinema and the fresh, cool takes on
classic movie
genres seen in films
such as TINKER TAILOR SOLDIER SPY, DRIVE and THE ARTIST.
Hammer is synonymous with horror, after defining the
genre in Britain with
classics such as Dracula, The Curse
of Frankenstein and The Mummy, which spawned numerous sequels.
It may not have sounded like much on the surface (another reason why it probably didn't do very well with audiences or most critics) but legendary director Hill (the man behind
such classics as «The Warriors,» «48 HRS» and «Streets
of Fire») brought both his impeccable technical gifts and a genuine sense
of personal style to the proceedings that elevated the material to something that came far closer to what one might refer to as «art» than one might rightly expect from a
genre picture these days.
Garland's film traces a line through these cinematic developments all the way back to the
genre's roots via
such classics as The Fly and The Thing, both
of which explore the horrific possibilities
of genetic engineering.
Such is the enduring notoriety and
classic horror status
of The Exorcist (1973) that anything that has come since in the
genre arguably has had a mountain
of expectation to climb.
Some
genre purists would certainly take issue with
such an obvious effort to create new material by fusing the icons
of literary
classics, but Sommers» adrenalized upgrading for modern audiences isn't that different from Siodmak's first venture; the former's just over-cranked and way louder (aided by Alan Silvestri's outrageously bombastic score) in a 5.1 mix guaranteed to work out your home's subwoofer.
The Kobo Kids app features a bright and bubbly interface that showcases a series
of icons pointing to
genre topics
such as space, dinosaurs, animals,
classics, superheroes and many others.
The collection kicks off with essays on books that were foundational to the
genre (
such as The Adventures
of Sherlock Holmes), then moves on to the the heyday
of hardboiled crime fiction with contributions from David Peace, Michael Connelly and Laura Lippman on
classics like Raymond Chandler's The Little Sister.
Even though I will always be a fan
of the old
classics when it comes to this
genre the real gems that stick out for me are the less mainstream titles,
such as Metroid or Castelvania.
Created by the team behind mobile kart racing
classics such as the Crash Bandicoot Nitro Kart - series and Konami Krazy Racing, Cracking Sands represents the next step in the evolution
of the
genre.
RESOGUN, our new exclusive PS4 game, adds a twist to the shooter
genre, and while being very much a «spiritual successor» to the Stardust series, it doesn't shy away from remixing ideas and influences
of classic arcade titles
such as Defender, Data Storm, or Japanese shmups like DoDonPachi and Death Smiles.
Not a bad choice for revisiting a
classic genre of gaming
such as this.
The creator
of such classic franchises
such as Devil May Cry, Okami and Viewtiful Joe returns to the action
genre with a character who may become the most renowned figure in action gaming.
The development team has made it known that they too are lovers
of the FPS
genre and all
of the
classic shooter titles, which is a large reason why they have included
such iconic environments and props.
Brazilian developer Joymasher will team up with The Arcade Crew, a new publishing label from DotEmu, to release Blazing Chrome, a side - scrolling shooter with a look and feel inspired by several
classics of the
genre (
such as Contra III: The Alien Wars, Conra: Hard Corps, and Metal Slug):
Taking influence from many iconic games in the
genre such as Chrono Trigger and Final Fantasy IV, Lost Sphear has a story and gameplay that would've felt right at home during the SNES era
of Japanese role - playing
classics.
The return
of a
classic franchise in a
genre that has been utterly abandoned for far too long — and it's come back with
such style!
For the adventure
genre, the twin peaks
of the early 1990s and the late 1990s saw the releases
of many
classic graphical adventure games
such as the King's Quest and Monkey Island series as well as many survival horror adventure hybrids
such as the Clock Towers, Fatal Frames, and Resident Evil (Biohazard) series.
David Cage, head
of game development at Quantic Dream, has stated that he wishes to make a war game with an «emotional» approach, moving away from the mainstream's idea
of how the war
genre is portrayed, citing
classic films Apocalypse Now and Platoon as influences for
such a project.
Lasting First Impressions
of Ash from SRRN Games
Classic games
such as Final Fantasy, Ultima, Phantasy Star, and Dragon Quest forged the ever popular RPG
genre laying the groundwork that would eventually bring us
such modern hi...
Wolfenstein: The New Order is what happens when a
classic first person shooter franchise is left in the capable hands
of a developer known for some
of the better modern day efforts in the
genre such as the Riddick games and The Darkness.
Developer: DragonJam Studios Platforms: PC Release date: TBA 2016 WinCars Racer is a modern take on the
classic karting
genre from Spanish studio DragonJam Studios that's heavily inspired by the likes
of «90s arcade racing staples
such as Mario Kart, Sega Rally and Crazy Taxi.
There's
such a wealth
of different
genres available, and so many
classic and undiscovered titles to choose from, nobody can truly be bored having a browse
of the PS Store on the small screen.
99Vidas is a side - scrolling Beat»em up inspired by the
classics of the
genre of the late 1980s and 1990s,
such as Double Dragon, Final Fight, Golden Axe, and Streets
of Rage, featuring hand - drawn sprites and sound samples to emulate the look and feel
of the 16 - bit era.
Duke Nukem 3D, along with first - person shooters
such as Doom and Wolfenstein 3D, represents the dawn
of the first person shooter
genre and are considered
classics today.
Despite other experiments
such as Brave Fencer Musashi, Tobal 1 & 2, Front Mission and so on, Squaresoft were still contributing to the RPG
genre through continuations to their ongoing series like Final Fantasy VIII and IX, Legend
of Mana and Chrono Cross, Square will also willing to release new IP's that later went on to become cult
classics (Xenogears anyone?).
The result is a strange and wildly imaginative amalgam
of various
genres — sci - fi, action, horror — and even a few
genre classics,
such as System Shock, Dead Space, and BioShock.
Ni No Kuni: Wrath
of the White Witch has too much in the way
of problems to be one
of the
classics of the
genre, though with its outstanding art direction, voluminous lifespan and absorbing mechanics, it narrowly misses out on being
such, and also has the advantage
of possessing some
of the magic that has been lacking in many
of the more contemporary Japanese RPG's.
These are aspects that are visible in her exploration
of well - established photographic
genres such as film stills, fashion photography or
classic portraits, as well as in series where she explores a more abject material related to themes like fairytales, catastrophes, pornography, war and surrealism.
The exhibit looks at this specific
genre of photography and the surprising variations in the way it has been captured for nearly 175 years: from
classic portraitists
such as Richard Avedon and Herb Ritts, to masters
of the
genre like Neil Leifer, to documentarians including Rineke Dijkstra and Brian Finke, to those better known for other art projects
such as Catherine Opie and Andy Warhol.
As a contemporary continuum to
classic art historical
genres such as Landscape Painting and Still Life Painting, Hanson and Schmidhofer contemplate what we have done and are doing to our environment, what the environment in turn does to us, how we naturalize what we do to each other, and how these «doings» are enacted in the media
of representation during our lifetime.
Placing emphasis on stylistic elements instead
of the overarching photographic medium, the contemporary collection cites how the conventions
of classic genres,
such as portraiture, landscapes and architectural, are developed through new practice.