Not exact matches
At Paris's Opera Populaire in 1870, a young,
clear -
voiced soprano named Christine Daaé (Emmy Rossum) leaps from the ranks of Madame Giry's (a somber, heavily French - accented Miranda Richardson) ballet chorus to the center stage spotlight, thanks to the tutelage of a mysterious teacher — the titular Phantom (Gerard Butler), a musical genius whose facial disfigurement keeps him living
behind a mask and deep in the tunnels underneath the opera house.
While Eminem's rapid vocal assault in «Survival» was bright and
clear, the electric guitars
behind his
voice became noticeably muffled with the volume up.
Despite the language barrier, it's
clear that the effort put in by all the
voice actors, especially the bassy Takaya Kuroda
behind Kiryu, is from the heart.
It's
clear that in its first exhibition, this year's Venice Bienale, It For Others (2013) could have enjoyed the concentration it requires — it is a politically charged and sociological investigation, performed through archival footage and new work — however as part of an exhibition full of other, more audibly shouting
voices, it slightly falls
behind.
What's less
clear is how the companies
behind today's
voice assistants, like Google and Amazon, will generate revenues from their install base.
It's
clear there's an intense amount of time and engineering being put
behind Bixby, but right now it's a neat demo of
voice technology and that's about it.