The film
clearly pays homage to Asimov, while avoiding the polished look of the I, Robot utopia.
Not exact matches
Clearly the creators of La La Land spent more time making sure the film
paid homage to Gershwin, Astaire and Rogers than Shakespeare.
But, as Burton films are wont
to, this one loses its way with one misguided sequence that allows the director
to pay extended
homage to the vintage horror and sci - fi B - movies that have so
clearly inspired him.
Overall I give it an A, I love the
homage that it
clearly pays to the first film.
First - time writer - director Roth, co-writing with fellow novice Randy Pearlstein, is
clearly a gore - happy horror junkie,
paying respectful
homage to «The Evil Dead,» «Night of the Living Dead,» «The Texas Chain Saw Massacre,» and even «The Last House on the Left.»