The lack of a compelling plot or characters keeps this film from reaching its true potential and instead makes
it a cliche romantic adventure.
Well - directed comedy - drama that starts of as a fascinating peek into the complications of love for a world celebrity, and although the second half isn't quite as well - done as the first due to
cliche romantic comedy shenanigans.
He forms
a cliche romantic relationship with a chemistry teacher named Carla Purty.
Not exact matches
Think of it in terms of the
cliche about
romantic breakups: It's not you, it's me.
The film has many
cliche's and is as predictable as the next
romantic comedy film.
Without adopting the
romantic and moralistic
cliches that have crippled many other films about addiction, Gus Van Sant directs Matt Dillon, Kelly Lynch, James Le Gros and Heather Graham in one of the most influential films of the late 1980s.
Depressing,
cliche, and quite unwatchable at times, Dear John really doesn't have an interesting story to tell, and despite it being in the
romantic genre, the film makes the viewer feel nothing more than annoyance.
An other thing that was awesome in» Friends with Benefits» is the situations (when there talking, etc) between Dylan and Jamie, which I found less
cliche than most of
romantic comedies.
Coming from an adult child of divorce, there's heart here, and Zicherman and Karlin also make sure to avoid
romantic comedy
cliches.
The concept for this young adult
romantic drama is fairly novel, though its treatment — despite its setting on not one but two planets — tends to fall back on teen romance
cliches.
Young Adult (2011)- Strongly gives the impression that writer Diablo Cody and director Jason Reitman intended to take the
cliches of
romantic comedy and apply them to real life: What kind of person would do such things, and how would she be received?
# 3: Save the Date - With a realism that hits close to home, and a complete lack of
cliches that usually populate
romantic comedies, Save the Date stands out as a real genuine story about different stages of love and relationships.
I don't consciously think about
cliches but I do think I like to subvert them, particularly with
romantic tropes.
Though it's hard to deny the effectiveness of Anna Faris» energetically go - for - broke performance, The House Bunny's reliance on some of the most eye - rollingly hoary
cliches within the
romantic - comedy genre proves instrumental in cementing its ultimate downfall.
They pass inevitable
cliches along the way, from Richie (Joe Manganiello) wondering whether he's still got it and Matt Bomer's failed actor, Ken, embracing a rare chance to sing to a new
romantic interest for Mike, in the form of Amber Heard's photogrpher, Zoe.
«What If» misuses only one
romantic comedy
cliche, the most pernicious of all: It tries to pump up the tension by inserting a completely meaningless and unbelievable argument.
Sherrie and Drew's central plot merges
romantic - comedy
cliches with every hackneyed star - wannabe movie ever made.
DeWitt, though, is the best of the three, turning her vegan lesbian into more than what could have been a gaggle of tropes and
cliches, making it clear that her sisterly relationship is just as important as any
romantic entanglement.
At the very least, it doesn't seem to have dawned on anybody to advance past the acceptable
romantic comedy
cliches of bumbling, sexually inept husbands and long - suffering, levelheaded wives.
What's worse, the plotting of the film and the way it spins out of this fateful performance is just as fake, managing to lift every single
romantic comedy
cliche right out of Screenwriting 101 on the way to its supposedly grand climax.
Jodorowsky speaks in large sweeping
romantic cliches and metaphors while Spalding Gray narrates personal anecdotes that are awkwardly vulnerable and intimate