A murder in the surf reminds so much of Mann's
climactic sequences from Manhunter that it could be a lost scene from that film.
Not exact matches
The remake faithfully recreates most of the familiar setpieces
from the 1949 version, including the Christmas - dinner
sequence with Timmy's grandparents and a
climactic confrontation in a courtroom over a case of mistaken identity.
The Interpreter tries to cast itself in the Hitchcockian tradition of Secret Agent and The Man Who Knew Too Much, but apart
from the film's
climactic bus
sequence and another nicely crafted
sequence toward the movie's end, this thriller never visually builds much tension or suspense.
A new Ben - Hur trailer plays up the tragedy of Ben - Hur's ordeal, while a new Ben - Hur featurette reveals the practical stunt work
from the
climactic chariot race
sequence.
The
climactic action
sequence of ParaNorman is too busy
from a visual standpoint, but its message shines loud and clear.
And while there are a number of strong
sequences sprinkled throughout (eg Cole talks to his mother (Toni Collette's Lynn) about her own deceased parent), The Sixth Sense's funereal atmosphere ultimately lessens the impact of the much - vaunted
climactic twist and it is, in the end, clear that the film doesn't entirely work as either a drama or a spooky thriller - with the movie's mild success due mostly to Shyamalan's considerable talent and his ongoing ability to wring top - notch work
from folks both in front of and behind the camera (ie this is an exceedingly handsome production, undeniably).
Add to that a
climactic sequence that feels conspicuously movie - ish — with a race down the tarmac that turns the Iranian authorities into Rosco
from The Dukes Of Hazzard — and Argo looks more like an efficient time - waster than one of the best of the year.
From the famous hallway scene to the
climactic Kingpin showdown, count down the best of the Marvel's Daredevil fight
sequences.
Instead, those come
from the graphic ways Robert goes about killing - off everyone in his way, highlighted by a
climactic 20 minute
sequence in the «Home Mart» store, which is so ridiculously violent you'll be looking for Quentin Tarantino's name in the credits.
From the opening elevator
sequence to the bus shenanigans to the
climactic scenes, Speed used all five channels to great effect.
The
climactic long ballet
sequence evens moves past the 30s to the films of the 40s and 50s, melding noir with a massive abstract ballet in the style of Vincente Minelli and Gene Kelly's own An American In Paris
from the previous year.
It's an enthusiasm that immediately wins you over with the unmistakable strains of mast - swinging combat, a nimble dexterity that is inexhaustibly fun through any number of elongated action
sequences,
from a carriage chase to scaffold rappelling and a
climactic high seas battle.
One such
sequence involves a daring gambit to instantly lower the pressure within a shopping mall, creating a vacuum
from a giant skylight, and another is the
climactic chase, which features a trio of semi-trucks, some leaping and hanging on to the vehicles, and a wall of apocalyptic storm activity in pursuit.