Sentences with phrase «close collective work»

Economically, each of his films is tailored to allow him a large measure of creative control and make close collective work possible (even Les Destinées sentimentales [2000], to some degree, fits such a description, as we will later see).

Not exact matches

As Abigail, Bill, and the rest of Hope Valley work together to create a special Christmas parade to warm the town's collective hearts and bring everyone closer together, Elizabeth longs only for the return of her beloved Jack.

Under Templin's leadership the college created a strategic plan to increase college access and student success for 25,000 additional students drawn primarily from low - income and immigrant communities through a collective action strategy that champions closer working relationships between NOVA and the region's high schools, community - based non-profit organizations, universities, and employers.

In addition to our work described above, this year we will be paying close attention to what more we can do to develop a sense of collective efficacy for our partner groups.

An exhibition of work by North American - Indian and First Nations artists — the artspeaky press release doesn't quite do the artists justice, so if you're looking for a preview, we suggest you take a closer look at Postcommodity, an artist's collective of four showing in the exhibition.

In closing, I would like to add special thanks to the Foundation's Board of Trustees for its ongoing support for all of our efforts and for the collective wisdom it brings to our discussions; and to acknowledge our talented and hardworking staff, which is small in size but often seems to be doing the work of many more.

Bearden was one of what Mary Schmidt Campbell describes as «a significant number of black artists... working in isolation, for the most part, from one another» — a very different situation from the prewar years, when black artists were forming collectives and the Works Progress Administration was bringing artists of all ethnicities into closer contact.1

SO CLOSE will be the first work seen by visitors as part of The Contingent, which responds to the unfolding zeitgeist that Mergel defines as the «rise of collective action in the face of a prevalence of uncertainty.»

but they are., Gregory Lind Gallery, San Francisco, CA The Lineup, Walter and McBean Galleries, San Francisco Art Institute, San Francisco, CA (catalogue) Northwest Annual, Center on Contemporary Art, Seattle, WA Pareidolia, Orange County Center for Contemporary Art, Santa Ana, CA Will's Creek Survey 2004, Allegany Arts Council Saville Gallery, Cumberland, MD New American Talent 19 (two year traveling exhibition), Arthouse, Austin, TX (catalogue) One Line Collective, The Flatiron Building, Chicago, IL Lines, Angles, Curves, Adobe Gallery, Castro Valley, CA 2003 Closer Than You Think, Gregory Lind Gallery, San Francisco, CA Relish, works / san jose, San Jose, CA Dark Spring, Drive Thru Studios, Chicago, IL 2002 Western States Small Works, Sonoma Museum of Visual Art, Santa Rosa, CA Ag: works25, works / san jose, San Jose, CA 1999 Introductions 1999, The Art Foundry Gallery, Sacramento, CA M.F.A. Thesis Exhibition, Mills College Museum, Oakland, CA Bay Area M.F.A., The Mills Building, San Francisco, CA Hubub, works / san jose, San Jose, CA 1998 Rhythm, Gesture & Metaphor, Creative Arts Workshop, New Haven, CT Spanning the Bay, Center for Visual Arts, Oakland, CA 1997 shrink, Southern Exposure, San Francisco, CA 1995 25 x 25 # 20, The Print Club, Philadelphia, PA (edition) Fluxus (in conjunction with John Cage: A RolyoverCircus at Philadelphia Museum of Art), Vox Populi, Philadelphiworks / san jose, San Jose, CA Dark Spring, Drive Thru Studios, Chicago, IL 2002 Western States Small Works, Sonoma Museum of Visual Art, Santa Rosa, CA Ag: works25, works / san jose, San Jose, CA 1999 Introductions 1999, The Art Foundry Gallery, Sacramento, CA M.F.A. Thesis Exhibition, Mills College Museum, Oakland, CA Bay Area M.F.A., The Mills Building, San Francisco, CA Hubub, works / san jose, San Jose, CA 1998 Rhythm, Gesture & Metaphor, Creative Arts Workshop, New Haven, CT Spanning the Bay, Center for Visual Arts, Oakland, CA 1997 shrink, Southern Exposure, San Francisco, CA 1995 25 x 25 # 20, The Print Club, Philadelphia, PA (edition) Fluxus (in conjunction with John Cage: A RolyoverCircus at Philadelphia Museum of Art), Vox Populi, PhiladelphiWorks, Sonoma Museum of Visual Art, Santa Rosa, CA Ag: works25, works / san jose, San Jose, CA 1999 Introductions 1999, The Art Foundry Gallery, Sacramento, CA M.F.A. Thesis Exhibition, Mills College Museum, Oakland, CA Bay Area M.F.A., The Mills Building, San Francisco, CA Hubub, works / san jose, San Jose, CA 1998 Rhythm, Gesture & Metaphor, Creative Arts Workshop, New Haven, CT Spanning the Bay, Center for Visual Arts, Oakland, CA 1997 shrink, Southern Exposure, San Francisco, CA 1995 25 x 25 # 20, The Print Club, Philadelphia, PA (edition) Fluxus (in conjunction with John Cage: A RolyoverCircus at Philadelphia Museum of Art), Vox Populi, Philadelphiworks25, works / san jose, San Jose, CA 1999 Introductions 1999, The Art Foundry Gallery, Sacramento, CA M.F.A. Thesis Exhibition, Mills College Museum, Oakland, CA Bay Area M.F.A., The Mills Building, San Francisco, CA Hubub, works / san jose, San Jose, CA 1998 Rhythm, Gesture & Metaphor, Creative Arts Workshop, New Haven, CT Spanning the Bay, Center for Visual Arts, Oakland, CA 1997 shrink, Southern Exposure, San Francisco, CA 1995 25 x 25 # 20, The Print Club, Philadelphia, PA (edition) Fluxus (in conjunction with John Cage: A RolyoverCircus at Philadelphia Museum of Art), Vox Populi, Philadelphiworks / san jose, San Jose, CA 1999 Introductions 1999, The Art Foundry Gallery, Sacramento, CA M.F.A. Thesis Exhibition, Mills College Museum, Oakland, CA Bay Area M.F.A., The Mills Building, San Francisco, CA Hubub, works / san jose, San Jose, CA 1998 Rhythm, Gesture & Metaphor, Creative Arts Workshop, New Haven, CT Spanning the Bay, Center for Visual Arts, Oakland, CA 1997 shrink, Southern Exposure, San Francisco, CA 1995 25 x 25 # 20, The Print Club, Philadelphia, PA (edition) Fluxus (in conjunction with John Cage: A RolyoverCircus at Philadelphia Museum of Art), Vox Populi, Philadelphiworks / san jose, San Jose, CA 1998 Rhythm, Gesture & Metaphor, Creative Arts Workshop, New Haven, CT Spanning the Bay, Center for Visual Arts, Oakland, CA 1997 shrink, Southern Exposure, San Francisco, CA 1995 25 x 25 # 20, The Print Club, Philadelphia, PA (edition) Fluxus (in conjunction with John Cage: A RolyoverCircus at Philadelphia Museum of Art), Vox Populi, Philadelphia, PA

«We'll Make Out Better than Okay,» The Charlotte Street Foundation la Esquina Gallery, Kansas City, MO, October 25 — December 20, 2013 «Etched in Collective History,» Birmingham Museum of Art, Birmingham, AL, August 18 — November 17, 2013 «The Spirit of Utopia,» Whitechapel Art Gallery, London, UK, July 4 — September 5, 2013 «Labour and Wait,» Santa Barbara Museum of Art, Santa Barbara, CA, July 2 — September 22, 2013; catalogue «Sculpture in the Close,» Jesus College, Cambridge, MA, June 24 — September 22, 2013 «BNKUDRWTR,» Art Basel Unlimited 2013, Basel, Switzerland, June 13 — 16, 2013 «Transforming the Known: Works from The Bert Kreuk Collection,» Gemeente Museum, The Hague, Netherlands, June 8 — September 24, 2013; catalogue «Prima Materia,» Punta della Dogana, Venice, Italy, May 30, 2013 — February 15, 2015; catalogue «Do It,» curated by Hans Ulrich Obrist, organized by Independent Curators International (ICI), Socrates Sculpture Park, New York, NY, May 12 — July 7, 2013; traveled to Gund Gallery at Kenyon College, Gambier, OH, May 12 — August 25, 2013; tranzit, Budapest, Hungary, May 17 — May 19, 2013; MU artspace, Eindhoven, Netherlands, May 17 — July 19, 2013; Manchester Art Gallery, Manchester, UK, July 5 — September 22, 2013; Samek Art Gallery, Lewisburg, PA, September 23 — December 12, 2013; Handwerker Gallery, Ithaca, NY, September 30 — November 1, 2013; Stacion — Center for Contemporary Art Prishtina, Prishtina, Kosovo, November 15, 2013 — January 14, 2014; Utah Museum of Contemporary Art, Salt Lake City, UT, January 17 — May 31, 2014; Musée de la danse, Rennes, France, April 1 — May 17, 2014; Garage Center for Contemporary Culture, Moscow, Russia, May 1 — July 6, 2014; The Episcopal Academy, Newtown Square, PA, September 3, 2014 — April 3, 2015; Michaelis School of Fine Art, University of Capt Town, Cape Town, South Africa, September 4 — 13, 2014; The Galleries at Moore College of Art & Design, Philadelphia, PA, September 13 — December 6, 2014; Denler Art Gallery, Saint Paul, MN, October 16 — November 13, 2014; Anne & Gordon Samstag Museum of Art, Adelaide, Australia, February 13 — April 24, 2015; KKW Kunst Kraft Werk, Leipzig, Germany, May 22 — July 9, 2015; Napa Valley Museum, Yountville, CA, June 19 — August 30, 2015; Kunsthal Rotterdam, Rotterdam, Netherlands, July 4 — August 30, 2015; Numu — El Nuevo Museo de Arte Contemporáneo, Guatemala City, Guatemala, August 8 — October 18, 2015; Kunsthal Aarhus, Aarhus, Denmark, October 2 — November 29, 2015; Bowling Green State University, Bowling Green, OH, October 21 — November 19, 2015; Tallina Kunstihoone, Tallinn, Estonia, November 24, 2015 — January 10, 2016; Verge Center for the Arts, Sacramento, CA, January 9 — March 20, 2016; Galerie de l'UQAM, Montréal, Québec, Canada, January 14 — February 20, 2016; Galerija Umjetnina, Split, Croatia, January 30 — December 31, 2016; Frac des pays de la Loire / HAB Galerie, Nantes, France, February 5 — April 17, 2016; Art Museum of the University of Memphis, Memphis, TN, March 1 — May 10, 2016; Blue Star Contemporary, San Antonio, TX, March 3 — May 8, 2016; Ulrich Museum of Art, Wichita, KS, April 23 — August 28, 2016; Montclair Art Museum, Montclair, NJ, September 9, 2016 — January 1, 2017; catalogue

Her practise is abstract painting using multi media as well as working in close collaboration with the artist collective: Foreign Investment, co-founded in 96.

BRUCE M. SHERMAN (b. New York, NY) Lives and works in New York City SOLO AND TWO - PERSON EXHIBITIONS 2017 Sorry We're Closed, Brussels, Belgium The Journal Gallery, Brooklyn, NY Harper's Books, East Hampton, NY IS, Nicelle Beauchene, New York, NY Kaufmann Repetto, Milan, Italy 2016 Bruce M. Sherman, White Columns, New York, NY Equi - lib - ree - um, South Willard, LA SELECTED GROUP EXHIBITIONS 2018 Aldrich Contemporary Art Museum, Ridgefield, CT (forthcoming) 2017 Symbolisms, Cooper Cole, Toronto, Canada Hill People, Performance Ski, Aspen, CO Lucie Fontaine, New York, NY 9999, The Fireplace Project, East Hampton, NY I Go, You Go, Good To Go, Unclebrother, Hancock, NY The Paperweight Show, Fisher Parrish Gallery, Brooklyn, NY A Forest on the Edge of Time, The Pit, Los Angeles, CA Alicia Gibson, Jennifer Levonian and Bruce Sherman, Adams and Ollman, Portland, OR 2016 Friends: Passed and Present, Haven SBX, Bronx, NY Re-Planetizer, curated by the Pit, Regina Rex, New York, NY The Faraway Inside, Nicelle Beauchene Gallery, New York, NY 9999, The Fireplace Project, East Hampton, NY 2015 11th Annual Thanksgiving Collective, Southampton Arts Center, NY A Walk... curated by Rob Teeters, Tripoli Gallery, East Hampton, NY Calisthenics, curated by Matt Paweski, Thomas Duncan Gallery, LA What's Wrong With We?

Playing the role of a modern social catalyst, Ryan Trecartin's work is the result of a collective effort by a close circle of friends.

At the same time, he sensitized the Ashida family as a means of directing attention to a group of students that would come to make up those collectives, who were themselves brought closer to the art world and to different artists then working with Arena México, such as Jason Fox, Huma Bhabha, Chris Hammerlein, Fabrice Hybert, Matthew Antezzo and Davis Birks, among others.

In one collective work he studies his subject in close - up detail across 21 paintings, echoing the multiplicity of Monet's Haystack paintings.

The salon - style hanging of the work is analogous with the close proximity of prisons and emphasizes the group of artists as a collective whole.

Born in 1980 in Melbourne, Australia, Frost relocated to Reykjavík Iceland in 2005 and working together with close friends Valgeir Sigurðsson and Nico Muhly, formed the Bedroom Community record label / collective.

For the students and trainees in the room — the career that you are considering is at the coalface of our collective work to close the gap in health outcomes for our people.

Without a recommitment to such «architecture», the nation is now in asituation where the closing the gap targets will measure nothing but the collective failure of Australian governments to work together and to stay the course.

Through The Leavitt Companies close knit working environment each member has the collective team in his, or her corner.