2008 Selective
Knowledge, Institute for Contemporary Art and Thought, Athens, Greece Zones
of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age
of Branding, Sheila C. Johnson Design Center, organized by Parsons School
of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center
of Contemporary Art
of Salamanca, Spain 2008 California Biennial, Orange County Museum
of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum
of Contemporary Art, Los Angeles, CA Proyecto civico / Civic
Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale
of Sydney: Forms that Turn, Sydney, Australia
Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College
of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum
of Modern and Contemporary Art
of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Museum.
, Serralves Museum
of Contemporary Art, Porto; Tanzimat, Augarten Contemporary, Vienna (both 2010); 11th Istanbul Bienali; After Architecture, Centre d'Art Santa Monica, Barcelona (2009); ISLANDS+GHETTOS, NGBK & Kunstraum Kreuzberg / Bethanien, Berlin; and Monument to transformation, City Gallery Prague, Prague (all 2009); Selective
Knowledge, ITYS, Institute for Contemporary Art and Thought, Athens (2008); «A Number
of Worlds Resembling Our Own», SMART
Project Space, Amsterdam (2007); 27th Bienal de São Paulo (2006); Behind
Closed Doors, Dundee Centre for Contemporary Arts, Dundee (2005); Manifesta 5, San Sebastian (2004), and the 3rd Berlin Biennale, Berlin (2004).