That section has an amusing
coda on some contemporaneous neologisms that have accompanied «Anthropocene» into dictionaries:
[* This thought was
the coda on last night's post summing up events at the United Nations, but I think it's worth featuring on its own.]
He ends Naturalist with a brief
coda on his new career.
In part 2 of our conversation with journalist and author Maryn McKenna, she talks about antibiotic resistance in agriculture and human health, MRSA, and offers a brief
coda on the subject of fecal transplants
And at the end, a solemn, almost despairing,
coda on Blair's grappling with the democratic dilemma: Do you do what the people want?
The deal is a notable drop from the $ 70 billion valuation Uber once commanded, and is a humbling
coda on a rough year for the company, which has been rocked by a series of scandals.
Not exact matches
An interesting
coda: In the recent filings, one of the endless nuances of bankruptcy reveals itself: how a paper still losing money every month
on an operating basis squirrels money away to serve the few rather than the many.
Don Ross, the CEO of PDQ Enterprises, operator of
CODA Markets, a Chicago - based dark pool, thinks further rate hikes could pump the brakes
on bitcoin's eye - popping rally.
The
coda to the TurinGames will be inspired by Venice's annual winter Carnevale — think acrobats,high - wire acts and actors in costumes from the 1971 Fellini film The Clowns.When the tumbling is over, Italian tenor Andrea Bocelli (above) will performand pass the Olympic torch to Canadian pop star Avril Lavigne, who will acceptit
on behalf of the host of the 2010 Games, Vancouver.
After sitting out with injuries for her first two seasons
on campus, Powell has exploded into an offensive force for the Golden Eagles, and it would be a wonderful
coda to her career to see her reach the top 10 in goals scored as a reward for her perseverance.
On tap for this week's Buffet: an interesting
coda to our discussion of vegetarianism; parents tell their children some whoppers about food; celeb chef recipes for the picky; beefing up safety standards for chicken; and a processed school lunch item... [Continue reading]
CODA is an independent political organization that mobilizes residents, activists, and neighborhood groups — anyonewho wants to join in struggling for political, economic and cultural power for the community and an end to discrimination based
on class, race, gender, age, disability, religion, or sexual orientation.
That's because the larger surface - wave magnitudes record low - frequency energy, while Richter and
coda magnitudes are based
on high - frequency seismic waves that people usually feel during real quakes.
This may be why the movie's epilogue feels a little conventional: the tidy resolutions in a
coda that feels gently triumphant, but also tacked -
on.
Not surprisingly, the final film ends with a
coda set
on King's Cross station 19 years later, as the grown - up Harry, Ron and Hermione send their own children off to board at Hogwarts.
The
coda at the end feels tacked
on and unnecessary.
And yet, in a kind of
coda, the film ends with Francine, her hair now cropped into an au courant bob, singing
on stage in a club.
Suffice to say, Home Alone 2 falls into the same sad camp as Elf, celebrating the material benefits of the holiday season and then tacking
on a sentimental
coda as a half - hearted apology.
Toward the song's end, «Mad About You» takes a left turn into a blurry
coda unlike anything else
on Hollow Ground.
Yet the screenplay has the unmitigated gall to tack
on an inspiring
coda at the eleventh hour that retrofits this dirty adult comedy with an uplifting moral.
The unconvincing «grown - up»
coda leaves you
on a bum note, but this was mostly hugely satisfying stuff.
«True Legend» seems like a typical revenge movie until it isn't; then it slaps
on a half hour
coda that points the way toward other, better movies.
While Saving Private Ryan excels at portraying the randomness of survival
on a battlefield, and is easily cinema's greatest and most realistic achievement in depicting the uncompromising horror of war, it's not without its flaws, chief of which is a horribly sentimental
coda in which an ageing Ryan — who is bequeathed a responsibility which would rest heavily
on anybody's shoulders — visits the military cemetery in which some of his former comrades are buried.
There's little doubt, as well, that Shyamalan's expected emphasis
on stylish visuals plays an integral role in confirming the film's mild success, while the story's
coda is nothing short of jaw - dropping in its unexpectedness and audacity (ie it forces the viewer to rethink and recontextualize everything they've just seen)- which ultimately ensures that Split continues the momentum established by Shyamalan's comeback endeavor, 2015's The Visit.
If now not, it may well be any other play
on a vintage end - credits scene just like the filmmakers did with the primary Deadpool film, recreating the end - credits
coda from Ferris Bueller's Day Off.
«When we had come up with the time - travel
coda, there were a lot of things thrown
on the table.
It is, however, an engaging and accomplished production and its
coda offers yet another perspective
on the show, the controversy, and the complexity of the characters we might have assumed we knew from observing them
on camera.
Screenwriter Robert Eisele saves that thematic observation for the
coda, though, so by the time we should be finishing up appreciating its impact
on the characters and the larger social turmoil in which they're living and the sweep through which they will go
on to live, we're just given the concept to understand it.
As if admitting defeat, he ends the movie with a tacked -
on meltdown, which is augmented with an even more tacked -
on «surreal»
coda — a fittingly tone - deaf, arbitrary ending to an inconsequential movie.
Loyal to a fault, «Unbroken» also can't resist the urge to pile
on with a Louis Zamperini
coda that tells us the hero bravely decided to forgive his captors, set to a milquetoast - y Coldplay song.
Other stuff, like Spielberg's traditional final course of four or so endings stacked
on top of one another, is less successful — especially a final
coda evoking the Nixon scandal to come, which ends the film
on a jarringly goofy note.
What makes «Year of the Rat» so vital is how, incidentally or not, it goes from denouncing the auteur theory (through not only the typically insecure observations of actors, but also the deflective statements of Morgan and long - time creative partner Wong) to validating it: In a
coda, we see that the movie's poor box - office showing has shaken Morgan and only Morgan to the core; call filmmaking a «collaborative effort» to your heart's content, but as William Shatner, of all people, opines
on the recent Star Trek V discs, at the end of the day no one
on the set has as much emotionally invested in the picture's success as the person at its helm.
They actually look pretty comparable (and, try as I might, I couldn't pick up
on the subtle differences between the cuts except for that the preview version ended
on a note of unbelievable schmaltz, whereas the final version has a mildly tacked -
on coda featuring Guy rejecting a second gentleman caller).
Here, we're forced to confront the face and mind of Piet Blomfeld (Eric Bana), a fictional creation based — according to the film's
coda —
on multiple sources of real - life individuals who went through the TRC's process.
But such «padding» takes its cues from the novella: a suffocating dinner, endured next to the waiting bed, allows readers to eavesdrop
on conversation pertaining to their upbringings; a
coda of just a few pages telescopes the lives to come.
Shot
on the fly using an iPhone 5S, featuring a pair of loose, energetically bouncy performances from newcomers Kitana Kiki Rodriguez and Mya Taylor, the movie is an exuberantly original shot of comedic adrenaline, building to a cathartically touching
coda that's as distinctive as it is genuine.
Yet, the sense of hope, the feeling of justice, the knowledge that, by doing their job, this team did something, not just important, but heroic, all of this is here, allowing the film to exit
on a euphoric
coda that's absolutely superb.
While the heist itself is great fun and executed with the elan and meticulous precision we'd expect from this director, it's the small, wrap - up
coda at the end which leaves you walking
on air.
The film is not an act of journalism, although its dramatized narrative of events, according to the film's
coda, is based
on the best available testimony of people involved.
Directed with a breezy naturalism
on the streets of Paris, there's a fragile, sad beauty the drama as Chabrol holds out hope for these dreamers in a delicately melancholy
coda.
At that point, the only interest the movie has is debating which is more frustrating: that David Loucka's screenplay abandons its already shaky psychological logic for a twist (twice if one counts the movie's pointless
coda) or that it lowers the characters» intelligence to the point that they all line up
on at a time to fall victim to the horrors inside the titular house.
And not smart enough, as meta - introspection goes, to bridge the gaps in Chronicle, like a badly under - developed «hero» and an equally under - developed «villain,» their relationship to each other, and, at the end, an emotional
coda that feels unearned and tacked -
on.
It's not a far reach for them to access the despair that's essential, I think, to a certain kind of creation, and Porterfield allows them each a moment to express themselves in song: one in a basement before Oldham destroys his instrument, the other
on stage and then over the closing - credits, with the
coda being a sigh from Taylor and a little shake of her head.
Co - writer / director Tom McCarthy's film finds that each of these systems had failed in significant ways when it came to the issue of sex abuse within the Catholic Church (The film's
coda, which lists locations in the United States where similar crimes were uncovered, becomes even more infuriating when it moves
on to the rest of the world).
That's a mere
coda, though, to the film's climactic half - hour, when Berg pours
on the adrenaline with cool shootouts, last - minute rescues and the cornering of the evil genius.
Blood
on the Moon is the perfect
coda to such a collection, a riveting and entertaining story.
The doc, which opens nationwide
on August 17th, and for which there's now a 2 minute - trailer available
on Apple.com, has now got a dramatic
coda, since, as MTV's Stephen Totilo explains, there's a new Donkey Kong world champion, and - yes, it's still one of the movie protagonists.
Arguably — and often labeled — the greatest painter of his generation, Luc Tuymans signals in every canvas the necessary limits of the medium, even the
coda to its drawn - out death: his reliance
on fleeting photographic and filmic imagery, his refusal to spend more than one day
on a canvas, and perhaps most of all, his indifference to craft bring the Belgian artist into head -
on confrontation with painting, and endow his subjects — from the untouchable (the Holocaust) to the pedestrian (flowers, pigeons)-- with an unmistakable air of violence inflicted.
From the 1930s, Avery spent numerous summers in the company of these younger artists and, during the summers of 1957 to 1961, when Avery, Rothko and Gottlieb vacationed together in the popular artists» colony of Provincetown,
on Cape Cod, there was a significant
coda to their reciprocal artistic dialogue, with Avery pushing his images towards the very edges of abstraction.
Seven of the large - scale stained acrylic paintings that comprise that
coda are now
on display at Pace Gallery in the late artist's first New York exhibition in 25 years.