Sentences with phrase «coffin shaped»

But I could get carried into the next life inside a coffin shaped like a person who was.
As the years went on I liked them pointy, then coffin shaped, and now I'm slowly getting into almond shaped nails.
This one was I want to say coffin shaped.
Preparations range from simple linen wrappings to fancy coffins shaped to evoke the animal inside: a divine messenger for every price point.
I simply folded the napkins into a coffin shape and placed the dollar store skeletons on top.

Not exact matches

In fact, Suitsupply's rep has a lot to do with the success of its online business: Suitsupply's distinct coffin - shaped boxes are shipped to your doorstep in two to four days — «anywhere in the world» — and can be returned free of charge.
We have the Merry Cemetery of Romania, the tiger - shaped coffins of Ghana, the bone churches of Europe.
A solitary boatman, the unlit lamp, formal dress, and the coffin - shaped reflection of the window all convey powerful impressions of the feeling of death's presence.
From a tiny terrace outside the apartment's living room, the Chernobyl reactor is visible in the distance, its blocky shape now covered over by the sarcophagus, the concrete coffin designed to contain its radioactive dangers.
A refined version of our A DEAD COFFIN CLUB frame, this fashion forward yet versatile style has quickly become one of our most iconic optical shapes.
Bake some potatoes slices with spooky coffin and tombstone shapes.
Place the coffins or other shapes as you would like.
Coffin nails or ballerina shape nails are the ultimate nail art trend.
She has to go coffin shopping, for two sizes; the sight of a casket in the children's section shaped like a toy truck is surreal and soul - destroying.
During that time, she's often kept confined to a small coffin - shaped box, and is tortured and forced to live as a slave to her captors.
With attacks that spawn adorable skeletal bandmates and a ride that was once his coffin - shaped kids bed, Skylanders: Superchargers Fiesta is an unliving, unbreathing example of why I love this stupid series.
From the bread buried with mummified Egyptians to Ghanaian coffins in the shape of cameras and eagles and from the Mausoleum of Halikarnassos to early Chinese bronzes, the British Museum's collection is rich in objects associated with death.
Although his background is in journalistic writing, Béchard consistently demonstrates his facility with elegant and poetic descriptions of emotion and place, as in this description of François's son Harvey in rural Virginia: «He... lay down in a coffin of tall, cow - smelling grass, the sky above framed raggedly to his shape....
There was a ring shaped like a coffin on one of her fingers.
Because the coffin was rather deep, the bottom was filled with styrofoam in the shape of edamame pods, and over that went a layer of velvet — beige polyester, it was most dreadful.
Under a clearing sky, a newly minted object threw its shadow onto the walkway, coffin - shaped, about two feet long.
Is this the shape of things to come — another nail in the coffin of traditional publishers — or merely literary agencies struggling to be relevant in a new age?
The lack of good timber as well as changes in doctrine hastened the disappearance of the rectangular outer coffin and the sole anthropoid containers were now dug out of local fig - trees and are invariably ill - shaped and crude.
We also got a coffin - load of your Viewer Mail and we weigh in on the new Mario, Sound Shapes, Papo and Yo, and The Last Story.
Then lastly, there is a work in the shape of two giant steel coffins set on top of another, the clearest piece alluding to the cycle of life and death.
His famous 1912 oil on canvas, «Lady in Moscow», with its pink sphere and black, coffin - like shape, is reputedly inspired by clairvoyance.
The central piece, a fantasy coffin produced in Ghana shaped after the Centre Pompidou.
Yellow Abakan, 1967 — 68, a magnificent ten - foot sisal wall sculpture by Magdalena Abakanowicz, who just passed away, appears in my favorite room, with Ruth Asawa's great suspended wire sculpture (Untitled, ca. 1955) and Lenore Tawney's Little River Wall Hanging, 1968, whose delicate linen streams form the shape of a coffin.
At 140 exhibitors, the fair is big but manageable; dealers are given plenty of breathing space to show ambitious works, as in the case of Chicago gallery Monique Meloche's exhibit of Ebony G. Patterson, a selection of wall - sized glittering tapestries and coffin - shaped sculptures mounted on posts.
Opening 5/1 Idiosynchronism curated by Alex Glauber / Dickinson / 19 E 66 / thru 4/24 (extended) 1st 20 Yrs.: Selections / Baumgold / 60 E 66 / thru 5/3 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Opening 5/6 Mary McDonnell / Graham / 32 E 67 / thru 5/13 Emilio Chapela / Faria / 35 E 67 / thru 5/10 Hector Fuenmayor / Hunter / West Building, 68 & Lexington (SW corner) / thru 5/3 Mira Schendel / Hauser & Wirth / 32 E 69 / thru 4/26 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Helen Frankenthaler / Jacobson / 17 E 71 / thru 4/30 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Opening 4/24 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Opening 4/24 Robert Rauschenberg / Starr / 5 E 73 / thru 5/23 James Brooks / Van Doren Waxter / 23 E 73 / thru 4/25 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 5/31 Aftershock / Edelman / 136 E 74 / thru 5/12 Urs Fischer / Gagosian / 821 Park @ 75 (new, additional location / thru 5/8 Biennial; Etc. / Whitney Museum / Madison @ 75 / thru 5/25 Kim Keever / Waterhouse & Dodd / 958 Madison @ 76 / thru 5/6 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 Opening 4/25 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/8 Opening 5/8 Diane Arbus; Cady Noland / Gagosian / 976 Madison @ 77th (new location) / thru 4/23 (extended) Victorire de Castellane / Gagosian / 980 Madison @ 77th / thru 4/26 (extended) Artie Vierkant / Higher Pictures / 980 Madison @ 77 / thru 5/10 Raymond Pettibon / Venus Over Manhattan / 980 Madison @ 77 / thru 5/17 Andy Warhol / Blain - DiDonna / 981 Madison @ 77 / thru 5/17 Sigmar Polke / Werner / 4 E 77 / thru 6/7 Rachel Harrison / Institute of Fine Arts / 1 E 78 / thru 5/11 Opening 4/27 Nicolas Pol / Roitfeld / 5a E 78 / thru 5/6 Peter Coffin / Half / 43 East 78 / thru 5/1 Casting Modernity / Mnuchin / 45 E 78 / thru 6/7 Reception 4/24 Jean - Michel Basquiat / Acquavella / 18 E 79 / thru 6/13 Opening 5/1 Martin Kippenberger / Skarstedt / 20 E 79 / thru 4/26 Ain'tings curated by Ryan Steadman / Blumenthal / 1045 Madison @ 80 / thru 4/26 William Kentridge thru 5/11, Lucas Samaras thru 6/1; Dan Graham thru 11/2 Opening 4/29; Etc. / Met Museum / 5th Avenue @ 82nd Carrie Mae Weems thru 5/14; Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 Philip Pearlstein; Anders Zorn; Edwin Blashfield / National Academy / 1083 Fifth Avenue @ 89 / thru 5/18 Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29
His new piece for the show, The Tomb of the Unknown Craftsman, takes the shape of an intricately decorated cast iron coffin - ship, commemorating the numberless forgotten artists and craftsmen from the past two million years, whose objects now lay in the British Museum.
Nearby, a simple L - shaped coffin (Coffin [Flag Box], 2008) is partially supported by a book titled Birth of Nations, while the distorted sounds of a flag whipping in the wind plays through speakers inset to its coffin (Coffin [Flag Box], 2008) is partially supported by a book titled Birth of Nations, while the distorted sounds of a flag whipping in the wind plays through speakers inset to its Coffin [Flag Box], 2008) is partially supported by a book titled Birth of Nations, while the distorted sounds of a flag whipping in the wind plays through speakers inset to its walls.
Beyond the color differences, these two works, particularly the one featuring a green and orange coffin - like shape sporting three black dots, felt virtually abstract in the context of the show.
It's got the same bulky air traffic control heft, the same coffin - shaped earcups instead of traditional round ones.
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