``... The first
cohesive body of paintings I made was the «Garden Projects» when I was living near Stateway Gardens and Wentworth Gardens here in Chicago — public housing projects that had been built with utopian notions of beauty and good living in mind, but were unable to maintain the promise of their pastoral - sounding names,» he said.
Not exact matches
Sultana's small but
cohesive presentation
of works by Jesse Darling, Jacin Giordano, Celia Hempton and Walter Pfeiffer — with the especially pleasing pairing
of Darling's pink - capped rods (Little Is Growing, 2017) and a peachy Hempton
painting of a man's perineum (South Africa, 5th November 2015, 2015)-- was an odd match for Château Shatto's disjointed selection
of individually strong pieces by Jean Baudrillard,
Body by
Body, Aria Dean and Jacqueline de Jong.
From 1947 to 1951, Pollock's brush seldom touched his
paintings, but physicality abounds in his work through the dexterity
of movement from wrist to arm to
body, and Pollock
painted with a sure confidence in the fluidity
of the
paint orchestrating its quantity, density, speed and rhythm into a completely
cohesive unity
of composition and expression.
This series became my first
cohesive body of work, showcasing a technique I call «
painting with paper.»
Entitled Versus, the new exhibition from the Spanish duo features
paintings, drawings, and sculptures that form a
cohesive body of work showcasing their signature combination
of classical art and elements
of graffiti culture.
As a
cohesive body of work, Walker's
paintings hint at a larger narrative that is never fully revealed to the viewer.
The surprisingly
cohesive body of work in Hahn's New York solo debut contends with the history
of traditional figurative
painting, in which female subjects possess sensuous beauty offset, generally, by a benzo - like tranquility.
In her
cohesive body of work, we find recurring echoes and resonances from themes and styles that are well represented in the history
of art, such as landscape
painting and pop art elements.
«OTHƎRWISƎ» is a
cohesive body of new
paintings investigating animal and human relationships.
These
paintings represent a
cohesive body of work by Haessle in which he explores the formal elements
of color and line to create non-objective, gestural abstractions.
This beautiful monograph reproduces the seven large
paintings and thirteen works on paper displayed in the eponymous exhibition at Matthew Marks Gallery, along with 21 smaller drawings, which together comprise the Letter series, the largest
cohesive body of work the artist has made since his 1991 Cold Mountain series.