Sentences with phrase «collaborative paintings exhibition»

«Alex Israel / Brett Easton Ellis new collaborative paintings exhibition at Gagosian Gallery, London», Purple FR, February 6, 2017.

Alex Israel / Bret Easton Ellis new collaborative paintings exhibition at Gagosian Gallery, London

Not exact matches

In the Wilderness Arts and Literacy Collaborative pathway, Salvin and team teacher Sherry Bass pushed students to make their exhibitions interactive: After a unit focusing on northern California geology, immigration, and migration, students completed projects integrating painting and poetry with history and geology.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

Galerie Buchholz is pleased to announce Eliza Douglas Anne Imhof, an exhibition of new collaborative paintings by Douglas and Imhof, as well as new works produced by both artists individually.

The second half of his solo exhibition includes a series of collaborative figurative sculptures — papier - mâché legs outfitted in Riepenhoff's pants and shoes holding large - scale paintings by artists from Milwaukee, Chicago, New York, and Atlanta, including:

Gagosian presents new collaborative paintings by Alex Israel and Bret Easton Ellis, the second exhibition by the visual artist and writer.

The exhibition features 40 collaborative paintings by Professor Jao Tsung - I together with four masters of the Lingnan School, Zhao Shao - ang, Li Xiong - cai, Guan Shan - yue and Yang Shan - shen.

In 2015, a retrospective organised by Andrea Bellini, director of the Centre d'Art Contemporain Genève, was staged at that venue in Geneva, with further exhibitions in Bergen, Rome, and Porto succeeding it as part of a collaborative curatorial project; last year, paintings by Griffa featured in the Venice Biennale for the first time since 1980.

The collaborative works created for this exhibition is the outcome of four disparate painting practices, creating hybrid works which question notions of authorship and challenges each artist's individual practice.

In the late 1970s, Robinson began painting the pulp romance imagery that he is known for, showing his work in exhibitions organized by Collaborative Projects.

Through key examples of paintings, drawings, large - scale sculpture, graffiti, and products such as toys and apparel, this exhibition aims to reveal critical aspects of his formal, conceptual, and collaborative developments.

Featuring key paintings, sculptures, drawings, toys, and street art interventions, this exhibition examines KAWS's prolific career in depth, revealing critical aspects of his formal, conceptual, and collaborative developments over the last twenty years.

From 2003 until 2011 he was a curator at the Antwerp Museum of Contemporary Art (MuHKA), where he organized large - scale group exhibitions as well as monographic shows, including Emotion Pictures (2005); Intertidal, a survey show of contemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner — A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011); Chantal Akerman: Too Close, Too Far (2012) and the collaborative projects Academy: Learning from Art (2006), The Projection Project (2007), All That Is Solid Melts Into Air (2009), and Kerry James Marshall: Paintings and Other Stuff (2013).

With 19 artists and artist collaboratives, this exhibition — organized by Curator Dean Daderko with Exhibitions Manager and Assistant Curator Patricia Restrepo — includes sculpture, painting, photography, drawing, ceramics, textiles, performance, and installation by a multi-generational cohort of artists.

His latest exhibition, Stage Left, includes 26 new works ranging from paintings on canvas, ceramic collaborations, a collaborative fashion sculpture, a collaborative film, and two red - tinted freezer partitions that divide the gallery into three parts.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Forthcoming in Fall 2014, Green will exhibit «In the Company of Myrtle», recent paintings and collaborative work with Curt Lemieux at McNish Gallery at Oxnard College and «Jammed and Packed», a group exhibition at Glendale College Gallery, curators; Jay Erker and Michele Carla Handel.

Also 500 Years After Guernica, an exhibition of new collaborative paintings by Manuel Ocampo and Irene - Iré curated by TODD B. RICHMOND and Paz Tanjuaquio March 3 to April 14, 2018 at Topaz Arts, NY.

This collaborative exhibition features painting, drawing, video, sculpture and installation by six final year students and recent graduates from Bucks New University: Claire Cunnick, Gill Gregory, Ann Harris, Lindall Pearce, Marion Piper and Sue Willis Hall.

This will be Carlos» first solo exhibition outside his collaborative involvement in the artistic duo, The Date Farmers and will feature a series of new mixed media paintings and found object sculpture.

The SCAD Museum of Art presents «RIVERS,» an exhibition of collaborative paintings by the Bronx, New York - based artists Tim Rollins and K.O.S. (Kids of Survival).

Tim Rollins and K.O.S: RIVERS RIVERS is an exhibition of collaborative paintings by the Bronx, New York - based artists Tim Rollins and K.O.S. (Kids of Survival).

Nineteen works have been acquired that highlight key moments in Brimfield's career, from collaborative films created for past performances and meticulously drawn and painted posters for imaginary erotic magazines about Henry Moore and Barbara Hepworth, to five photographs recreating moments in the life of Jackson Pollock from the perspective of the canvas, a filmed music hall performance starring a fictional raconteur, and posters anticipating her proposed 2015 exhibition at The Hepworth Wakefield.

The gallery will present an exhibition of work by artists Rachel Lee Hovnanian, Ran Hwang, Iké Udé, and the collaborative team Kate Eric, including mixed media installations, photographs, and paintings.

Collaborative exhibition and series of talks between Contemporary British Painting, Paint Club Leeds and the School of Design, University of Leeds.

His latest exhibition, Stage Left, includes 26 new works ranging from paintings on canvas, ceramic collaborations, a collaborative fashion -LSB-...]

The collaborative sound and painting performance by K.R.H. Sonderborg, Wolfgang Hannen, Günter Christmann and Paul Lovens «in actu music & painting,» created in 1993 and produced by Institute for Music and Acoustics of the Center for Art and Media, ZKM Karlsruhe, Germany, is the earliest work in the exhibition.

The Modern Art Museum of Fort Worth, Texas Curated by Andrea Karnes This major survey exhibition of the work of Brooklyn - based artist KAWS (American, born 1974) will feature key paintings, sculptures, drawings, toys, and street art interventions to examine KAWS's prolific career in depth, revealing critical aspects of his formal, conceptual, and collaborative developments over the last twenty years.

March 25 — May 7, 2016 Opening Reception: Friday, March 25 6 - 7:30 pm Sherman Gallery, 775 Commonwealth Ave.. This collaborative exhibition brings together the work of three Boston University Alumni — Nina Bellucci (CFA» 09), Erika Hess (CFA «09), and Stacy Mohammed (CFA «10)-- whose paintings interact across both aesthetic and thematic concerns.

Driss Ouadahi's paintings have rooted themselves in «Systems of Demarcation», a collaborative exhibition detailing architectural mechanisms of control.

* Toronto West Arts Collaborative: ARTSPACE @ the CNE ~ Canadian National Exhibition, Toronto ~ Live Painting ~ August 31 & September 4 2016

The exhibition is a collaborative project that will include 14 paintings and four drawings by Hines that were donated to three area museums: the Nasher Museum, the Ackland Art Museum at the University of North Carolina, Chapel Hill, and North Carolina Central University Art Museum.

His work from 1982 — 1996 was the collaborative practice of Group Material, an exhibition form that continues to occupy him in public discussions, writing, and painting installations.

This thematic selection of projects from 1995 to the present includes rainbow - colored wall drawings, woven paper installations, black spiral paintings, spider web «drawings,» collaborative videos and documentation of the exhibitions at her Oak Park gallery, The Suburban.

Jeremy Deller: Joy in People will include a number of his pioneering collaborative works with fans and amateur cultural practitioners, such as The Uses of Literacy (1997), an exhibition created by fans of The Manic Street Preachers, which brings together paintings, collages, drawings, books, poetry and ephemera inspired by the band's lyrics.

1 Featuring new collaborative commissions and existing work by Vancouver - based artist Tiziana La Melia and Montreal - based artist Maryse Larivière, the exhibition brings together feminist and ecological concerns articulated through tableaus, film, painting, sculpture and rot.

Mirroring the continual dialogue between Condo's drawings and paintings, the simultaneous exhibitions at Skarstedt and Simon Lee reflect the collaborative approach of both galleries to presenting Condo's work.

The exhibition includes works by Deborah Slahta (ceramics), Judith Joy Ross (photography), Ed Kerns (Painting), and the collaborative team of Pat Badt (painting and book making) and Scott Sherk (sculpture and souPainting), and the collaborative team of Pat Badt (painting and book making) and Scott Sherk (sculpture and soupainting and book making) and Scott Sherk (sculpture and sound art).

Previous exhibitions have included: numerous workshops, performances, talks and tours for children; paintings by Colin Martin alongside a projection installation by Clare Langan; works by Johanna Connor and Gabrielle Byrne, two West Cork - based artists; a collaborative showing of mixed media works by Cork - based artists Sandra Minchin and Chris Hurley; an exhibition of paintings exploring cityscapes and urban scenes; an exhibition of drawings and works on paper by Dutch artist Arno Kramer; a series of video works exploring an interest in the precarious balances that exist between the human body and mind; a selected show by invited curator Sarah Foster, linked to the West Cork Craft and Design Guild's 10th Birthday Celebrations; and much more.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York anCollaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York ancollaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

After several exhibitions of her paintings and a series of collaborative «group investigations», in the early 1980's she began to make innovative use of audio and visual technology.

Opening on 16 November, the exhibition highlights Neuenschwander's unique contribution to the narrative of Brazilian Conceptualism and reveals a practice that merges painting, photography, film, sculpture, installation, collaborative actions and participatory events.

Like the exhibition The Portrayal of the Negro in American Painting, this website is a collaborative effort.

Lehmann Maupin is pleased to announce RIVERS, an exhibition of collaborative paintings by the Bronx, New York - based artists Tim Rollins and K.O.S. (Kids of Survival) at the SCAD Museum of Art opening February 1, 2014.

washington university faculty exhibition, st. louis, mo 2003 philip slein contemporary art, invitational group exhibition, st. louis, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo st. louis art museum, «change of space», film by laura beard and d. jansky 2002 museum of contemporary art, «art cache», invitational group exhibit, st. louis, mo left bank gallery, «this is an image», collaborative exhibition with ann rast, st. louis, mo springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 2000 inform, invitational group exhibition, lemp brewery, st. louis, mo des lee gallery, «landscape», invitational group exhibition, curator: philip slein, st. louis, mo 1999 new american paintings, volume 22, national juried exhibition in print springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 1998 r. duane reed gallery, invitational group exhibition, st. louis, mo leedy voulkos gallery, invitational group exhibition, kansas city, mo 1997 erector square gallery, international women's exhibition, new haven, connecticut art loft gallery, «extirpate» with andy milner, heather Bennett, st. louis, mo courthouse gallery, national juried exhibition, woodstock, il 1996 forum of contemporary art, «stations of the cross» group exhibit, st. louis, mo 1993 laguna gloria museum of art, «primarily paint», curator: peter doroshenko, austin, tx artist's lofts gallery, national group exhibition, galveston, tx wayland babtist gallery, national group exhibition, wayland, tx mcallen international museum, national group exhibition, mcallen, tx firehouse gallery, national group exhibition, del rio, tx red mesa art center, national group exhibition, gallup, nm 1990 henry art gallery, mfa thesis exhibition, seattle, wa 1990

Beattie's collaborative work with Daniel Davidson was shown in the exhibitions Painting Now in 2004 and Lateral Thinking: Art of the 1990s in 2001 at the Museum of Contemporary Art, San Diego.