Sentences with phrase «collaborative video project»

Special programming associated with the exhibition includes a collaborative video project that asks the community, «What's your favorite American landscape?

Artist Gillian Wearing's Your Views is a huge new collaborative video project, where people share the view from their window

The Turner Prize - winning artist Gillian Wearing invites you to take part in a huge new collaborative video project by sharing the view from where you live

Their collaborative video projects have been shown throughout Israel and internationally including the Storefront for Art and Architecture (New York), Pompidou Center (Paris), Sydney Biennal, and the House of World Cultures (Berlin).

Not exact matches

In a collaborative writing project, students could present their writing in a stream, embellished with related videos, links or images for deeper understanding.

Video of Dear #edtech: Thoughts on Digital Equity Justin Reich is a fifth - year doctoral student at the Harvard Graduate School of Education, and the project manager for the Distributed Collaborative Learning Communities project.

After seeing that video, he knew that he wanted to adapt this project for his classroom and make it a collaborative effort across content areas.

Watch videos about online collaborative projects Journey North and the JASON project.

A collaborative project between HGSE and K - 12 education nonprofit Expeditionary Learning (EL), the free resource includes videos, writing samples and other work designed to provide teachers foundations to create their own projects.

Dance videos are not typical of the work teachers bring to Senior Lecturer Steve Seidel's «Rounds at Project Zero,» a monthly collaborative assessment discussion group at the Harvard Graduate School of Education that is based on principles from hospital medical rounds.

District collaborative projects include online courses with North Georgia University, online video conferences and 3D virtual mapping in coordination with the county government.

The student can learn about fractions while watching a Zaption video, practice working with fractions through online games, work in collaborative groups to create a project that uses fractions, and / or learn from the teacher in a small group setting on how to solve different fractions.

Digital storytelling is perfect for STEAM or STEM integration, language acquisition, interactive lessons, oral reading, collaborative writing, sequencing, class projects, year books, «how to» videos, common core lessons, webinars, online education...

She found that students who were involved with making digital video projects benefitted tremendously: «Clearly, these students were drawing on their lifeworlds as resources in their [digital video] composing, but also critiquing those lifeworlds, reframing neighborhood identities, and using their collaborative work as a persuasive move aimed at change» (p. 77).

Through the use of textbook and document - based primary and secondary source readings, interactive activities, historical fiction, videos, and research projects, the students develop a rich understanding of the varying cultures while becoming more adept at critical thinking and analysis, note taking, research, essay writing, class discussion, and both independent and collaborative study skills.

This conceptual video is a corporate collaborative research project initiated by Bonnier R&D into the experience of reading magazines on handheld digital devices.

From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the viewer through an array of captivating approaches that challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.

Through independent and collaborative projects I curiously explore a wide range of conceptual material using photography and video, often in combination with machine driven and hand - crafted fabrication of wood and acrylic.

He is active with ongoing collaborative and curatorial projects, and currently developing a publishing platform and archive to include videos, audio recordings, books, and editions.

Abina has participated in many international film and video festivals and art fairs as a juror, panelist, curator, and advisor, and has worked on collaborative projects with arts venues internationally.

In this video, VernissageTV takes a look at the exhibition «Acconci Studio and Ai Weiwei: A Collaborative Project» at the contemporary art space Para / Site in Hong Kong Island.

In this video, VernissageTV takes a look at the exhibition «Acconci Studio and Ai Weiwei: A Collaborative Project» at the...

«Storytelling with Saris is a multi-layered collaborative art and advocacy project that uses woodblock prints on saris, writing, performance, and video to address women's empowerment in the face of climate change in a remote Bangladeshi island linked to the artist's heritage.

Working across media including sculpture, video, drawing, painting, collage, land art and performance art, the Houston - born Chin has adopted mutability as his operating premise over his four - decade career, with works ranging from intimate sculptures and drawings steeped in the legacy of Dada and Surrealism to ambitious site - specific, research - driven, collaborative projects involving scientists, fellow artists and community members.

On view through January 17, 2016 and curated by Alex Gartenfeld, the exhibition includes the first complete presentation of photographs from the artist's ongoing series Black Box Collision A, as well as 12 posters from Ebner's collaborative project with David Reinfurt, A HUDSON YARD; and the title video, A PUBLIC CHARACTER, edited by Erika Vogt and scored by Alex Waterman, among other highlights.

The aim of Ritchie's overall project is to expand the space of painting and drawing into six collaborative disciplines: architecture, city planning, video, performance, theater, and music — all while still retaining properties unique to painting and drawing.

A collaborative project, GOD enables two individual artists known for their work in other mediums to come together as video - makers, experimenting anonymously and thus outside their usual comfort zones.

The students will then reflect on their experiences through a collaborative video performance, which will be installed along with other creative materials in the alternative art venue EFA Project Space in midtown Manhattan.

The In - Out Center hosted exhibitions of early video and performance art in addition to supporting conceptual and collaborative projects.

SELECTED GROUP SCREENINGS 2016 Greater New York, MoMA PS1, Long Island City 2015 UnionDocs Collaborative Projects, Spectacle Theater, Brooklyn 2015 Slideluck LA VII, The Space, Los Angeles 2014 Convergence, New York Film Festival, NYC 2014 Slideluck NYC XVIII, Photoville, Brooklyn 2013 Aberrations of Time, 14 Lilienblum Street, Tel Aviv 2013 7th Annual Red Hook Film Festival, Brooklyn Waterfront Artist's Coalition, Brooklyn 2013 Distrital 2013, District Film Festival, Mexico City 2013 Video Dumbo, Eyebeam, NYC 2012 ExDox, Cologne Art and Moving Image Awards, Cologne 2012 Endless Plain, Armory Center for the Arts, Pasadena 2012 Our Haus, Austrian Cultural Forum, NYC 2012 End Tymes Fest, Outpost Artist Resources, Brooklyn 2012 Videorover: Season 3, Contemporary Arts Center, New Orleans 2012 Videorover: Season 3, Manhattan Neighborhood Network, NYC 2012 Videorover: Season 3, Nurture Art Gallery at IndieScreen Cine Club, Brooklyn 2011 UnionDocs» Looking at Los Sures, Carpenter Center for the Visual Arts, Cambridge 2011 Visible Evidence, Tisch School of the Arts, New York University, NYC

She is currently working with West of Rome Public Art, a nomadic nonprofit public art organization in Los Angeles, whose next project is «A Voyage of Growth and Discovery,» a collaborative sculpture and video installation by Mike Kelley and Michael Smith.

She is a member and the originator of RED SHOE DELIVERY SERVICE, a collaborative interactive video / performance project with Molly Dilworth and Cris Moss.

At tranzit.hu, since 2011, she curated the project of The Pseudo Race Group Liberagility (2012), Theodoros Zafeiropoulos's exhibition (2014), and since 2012 she is the curator - editor of the ongoing collaborative research project Curatorial Dictionary that has been realized as an online dictionary and an accompanying exhibition (2013), a participating video project (Report on the Construction of a Spaceship Module, New Museum, New York, curated by tranzit.org, 2014), a series of short essays published in Curating Research (Eds.

2007 An Atlas of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal The History of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France Introvert, Extrovert, Makes No Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence, France NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY Summer Group Show, Richard Telles Fine Art, Los Angeles, CA Dump: Postmodern Sculpture in the Dissolved Field, The National Museum of Art, Architecture and Design, Oslo, Norway Painting as Fact — Fact as Fiction, organized by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland A Fair Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milan, Italy Freelance Stenographer, a collaborative performance and video project by Kelley Walker and Seth Price, The Kitchen, New York, NY Op Ed World, Galerie Frank Elbaz, Paris, France The Melvins, curated by Bob Nickas, The Mandrake, Los Angeles, CA Compulsive, presented by Jalouse at Palais de Tokyo, Paris, France, originated at IAP Art, Miami, Florida Art in America: 300 Years of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art; presented at the National Museum of China, Beijing, China travelling to the Shanghai Musuem, Shanghai, China Altered States, curated by Nicolas Bourriaud and Paolo Falcone, Fuori Uso 06, Pescara, Italy, travelling to WAX — ex MEO, Budapest, Hungary; travelling to Galeria Noua and MNAC National Museum of Contemporary Art, Bucharest, Romania Uncertain States of America: American Art in the 3rd Millenium, (GuytonWalker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw For the People of Paris, Sutton Lane — Paris, Paris, France

Gipe's work encompasses painting, drawing, video, collaborative installations and curatorial projects.

The programming for Platform explores more conceptual work, including video and installation works, as well as presenting collaborative projects with other curators and dealers.

Sama Alshaibi's collaborative work with Dena Al - Adeeb will be part of The Middle East Center for the Arts (MECA)'s exhibition at Mana Contemporary entited «Architecture of Memory», an exhibition of three distinct projects that utilize video, photography, and performance to address concerns surrounding memory, destruction, and commemoration.

Elizabeth Price is selected by the Whitechapel Gallery as part of Artists» Film International, a collaborative project which showcases artists working with film, video and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellproject which showcases artists working with film, video and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellinvideo and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, WellinVideo - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, WellProject 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellington.

While one of the show's main elements consists of a large grid - like installation encompassing individual works from each artist, there are also collaborative works, including a sculptural installation, a series of wall paintings, and a back - room installation consisting of a generative video work projected on the grid of a garage door and several palm fronds strewn about the floor.

As a collaborative project between Frazier, her mother, and her grandmother, the photographs and video reveal both a personal and collective account of people in industrial - dependent cities across America.

2013 BALTIC 39, BALTIC Project Space TUNED CITIES group symposium / screening Newcastle upon Tyne with Clemens von Wedemeyer, Beatrice Gibson, William English, September GRAND UNION, Birmingham, MAGIC EYE — group show with Plastique Fantastique, Paul Sharits, Goodiepal, Luke McCredie, Alexander Stevenson, The Oulipo, July - August GALLERY 400, CHICAGO, I THINK WE»RE READY TO GO TO THE NEXT LEVEL: THE LEGACY OF THE HALFLIFERS, May - June, group show with Shana Moulton, the Halflifers, Bjorn Melhus, James Fotopolis DARK HORSE MOVING PICTURE SHOW — with Paul Tarragó and guest Leo Chadburn Performance / video work I AM YOUR ERROR MESSAGE and other works in a collaborative live show at the Horse Hospital, London, April 5th

This thematic selection of projects from 1995 to the present includes rainbow - colored wall drawings, woven paper installations, black spiral paintings, spider web «drawings,» collaborative videos and documentation of the exhibitions at her Oak Park gallery, The Suburban.

JULIE DICKOVER is the director of the Crisp - Ellert Art Museum at Flagler College in Saint Augustine, Florida, where she has organized exhibitions by artists such as Montreal based video artist Julie Lequin and photographer Mark Ruwedel, as well as a collaborative interdisciplinary project and exhibition with Portland, Oregon based artist Harrell Fletcher.

She was the co-founder of the dance journal project itch, a former member of Ultra-red, and maintains an ongoing collaborative project with visual artist Ashley Hunt, «On movement, thought, and politics,» which has taken form as a workshop, performance, video, and mixed media installation.

Julie Dickover is the director of the Crisp - Ellert Art Museum at Flagler College in Saint Augustine, Florida, where she has organized exhibitions by artists such as Montreal based video artist Julie Lequin and photographer Mark Ruwedel, as well as a collaborative interdisciplinary project and exhibition with Portland, Oregon based artist Harrell Fletcher.

In the same way that Frank Stella sought to break the habit of a four - sided canvas, perhaps these live collaborative veejay sessions can break the rectangle of the video screen, and actively elevate Worley's project to the progressive critical level it aspires.

Recent collaborative projects include An Echo Button, with Ed Atkins and Haroon Mirza for Performa 11 (2011) and DISAMBIGUATION with Steve Reinke, Trinity Square Video, Toronto (2010)

The focus part of the fair features a huge number of exhibitions, talks, performances, outdoor installations and other various projects, with our recommendations including Arcadia Missa showing Hannah Black, 47 Canal with a group show of drawings and small - scale sculptures, VI, VII with Than Hussein Clark, Carlos / Ishikawa showing Lloyd Corporation, Emalin featuring Russian artist Evgeny Antufiev's first project in the UK, Kraupa - Tuskany Ziedler showing Anna Uddenberg, Proyectos Ultravioleta showing video and photography by Regina José Galindo and Union Pacific presents a collaborative sculptural installation by Ben Burgis and Ksenia Pedan.

Staged inside Mike Kelley and Michael Smith's collaborative project A Voyage of Growth and Discovery — a warehouse - size multimedia installation of Burning Man — inspired videos and sculptures — the journey officially began last Monday night at the Farley Storage Building in Eagle Rock once guests had signed a waiver: ``... you elect to participate in an «activity» that may cause social discomfort or distress in some participants.»

His most recent shows include Telepathic Improvisation, a multi-partnered project that marks the first US solo exhibition for the collaborative duo Pauline Boudry / Renate Lorenz, which he co-curated at CAMH with Alhena Katsof; Atlas, Plural, Monumental, a 25 - year survey of sculpture, video and photography, drawing, and interactive artwork by the inimitable Paul Ramírez Jonas; A Traveling Show, in which individual artworks and the display of a decade - old visual correspondence project between Matt Keegan and Kay Rosen spoke to a long - standing friendship and shared interests in humor and language; and THE INTERVIEW: Red, Red Future — a solo exhibition of commissioned works by the artist MPA that traveled to the Whitney Museum of American Art — in which a live performance and sculptures became vehicles through which to imagine the future of the red planet and notions of colonization.