Sentences with phrase «collage as a technique»

Not exact matches

The collages are made from paper I have first printed myself, using techniques such as lino printing or mono printing.

Morris suggested a collage approach to telling the story, combining interviews with dramatic reenactments (featuring a cast that includes Bob Balaban, along with Peter Sarsgaard and Molly Parker as the ill - fated Olson and his wife) and a variety of graphic techniques that incorporate multiple screens and visual effects.

This PowerPoint contains five seperate pieces of Art work formed around building an understanding of the Landscape and different parts of the landscape, as well as various Art techniques including: drawing, colouring and collage.

Kruger worked in magazine publishing, where her X-Acto knife led her both to collage techniques and to such images as a shattered mirror.

For example, the Tate Gallery's online art glossary states that collage «was first used as an artists» technique in the twentieth century.».

In the 1950s neo-avant-garde artists like Robert Rauschenberg and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary sculpture — as well as works on paper that incorporated found elements drawn from the mass media and everyday life.

Artists like Lorna Simpson and Marcel Dzama have used collage techniques as a means of addressing topics like fantasy, race, class, and politics, while the collective assume vivid astro focus merges magery from the Internet and analog sources alike.

Last Bird, 2017 is created as a photogravure etching with chine - collé; a collage technique used to press one delicate paper onto another.

Although such techniques as collage and assemblage may have served as inspiration, different terms were found for the objects produced, both in the U.S. and in Europe.

Over the years, Gokita developed an unmistakable technique of freely constructing his pictures as if he were creating a collage form.

American Neo-Dada artists and lovers Jasper Johns and Robert Rauschenberg set the scene for US Pop Art, using mass imagery, iconography and found objects and employing techniques such as printmaking, silkscreen and collage.

At the same time as Richard Hamilton's iconic collages have taken over Tate Modern, and Hannah Höch's retrospective at the Whitechapel has gathered a massive body of work demonstrating a similar assemblage technique, a different collage show is tucked away at a tiny space on East London's busy Hackney Road.

It includes John Piper's pioneering technique that combines lithographic drawings with collage and ink wash, as well as Henry Moore's series of reclining figures from 1958 - 9 and Barbara Hepworth's 1968 prints that combined the rigid formal structures of her sculpture with complex textures and color.

I combine these elements, using collage and assemblage techniques, often integrating encaustic into the work as either a paint or an adhesive.

Graphic designers such as Fiore employed a variety of radical techniques — verbal visual collages and other typographic pyrotechnics — that were as important to the content as the text.

These early collages in which Kruger used the techniques she had perfected as a graphic designer, were the artist's initiation into the world of ongoing political, social, and feminist provocations and commentaries on religion, sex, racial stereotypes, consumerism, corporate greed, and power.

His singular techniques — extensive layering of color and collaged elements as well as lacquered surfaces that have been buffed to a dreamlike sheen — make each painting, no matter its size, instantly identifiable as his own.

Selections from Albers's own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction,») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers's prints.

Robert Motherwell: Early Collages, published to accompany an exhibition devoted exclusively to Motherwell's works on paper from the 1940s and early 1950s, reexamines the origins of the artist's style and his revelatory encounter with the papier collé technique that he described in 1944 as «the greatest of our discoveries.»

Cutler, Greenbaum, and Rafferty co-opt mainstream media and modify it using photography combined with other techniques such as collage and sculpture.

There is a crafty aspect to the work which takes do - it - yourself techniques seriously as a way of questioning what is standard, whether it is man - made machines, videos filmed with a handheld camera or textile - like collages.

As he became more successful, Hawkins began to collage mass media images and eventually found objects into his paintings, and he developed a technique he called «puffing up» a shape: building it up from the support by mixing cornmeal into the enamel paint.

The flood of images and data — though still as haphazard as ever — now operated in dialogue with an expanded repertoire of image - making techniques: collage, photocopying and, as in Alpha Particles, silkscreen.

As Abstract Expressionism took hold in New York and action painting grew more dogmatic, Edith set aside her figurative intensions and turned to collage and assemblage «because it was in an avant - garde technique it was considered alright by the abstractionists.»

There is a crafty aspect to the work Personal Protocols and Other Preferences, which takes do - it - yourself techniques seriously as a way of questioning what is standard, whether it is man - made machines, videos filmed with a handheld camera, or textile - like collages.

The display is arranged thematically, to show the full range of Johns» materials, motifs and techniques including his unique use of encaustic and collage in paintings, as well as the innovations he has achieved in sculpture and the graphic arts by expanding the possibilities of traditional media.

In Traditional Object 11, other substances such as paper towel are buried beneath layers of neon yellow acrylic; the piece's primary subject (the Impressionist rectangle) is revealed to be a facade covering up techniques and materials native to textile arts or collage.

The solo exhibition Sanctuary brings together bold new, accompanied with some existing artworks from the London based artist's signature collage technique, using French antique sewing patterns as the conceptual and material starting point for each work.

Polemical but symbolic, it combined drawing and painting as well as craft - based techniques like collage and printmaking seldom associated with traditional Western notions of high art and mastery.

With the introduction of the use of industrial artifacts in art, movements such as Cubism, Dada and Surrealism as well as techniques such as collage and artforms such as cinema and the rise of reproduction as a means of creating artworks.

Combining stop - motion animation drawn from collages of magazine illustrations and advertisementsn with filmed sequences and found footage, films such as Achoo Mr. Kerroochev (1960) and Breathdeath (1963) fused avant - garde cinematic techniques with social critique and Cold War politics.

With the introduction of the use of industrial artifacts in art and techniques such as collage, avant - garde movements such as Cubism, Dada and Surrealism questioned the nature and value of art.

These prints represent all manner of special processes and innovative techniques in printing — such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of photographic images into digital prints; screen printing; and many others.

While earning his BFA from the Universidad de Guanajuato and his MFA in Arts and Technology from The University of Texas Dallas, Nieto was exposed to the masters of Modern art who have shaped both his aesthetic and process such as Jackson Pollock's controlled drip technique, Robert Motherwell's graphic cubist collage, and Willem de Kooning's bold sense of color, among others.

Prince's framing technique — a form of collage that is not a collage, as Prince has described his photos of Marlboro cowboy ads — is a savvy move in the appropriation endgame.

The experience of his compositions and the multitude of techniques he uses to create them — such as collage, monotype, relief printing, paper marbling, and decalcomania — intensifies the complexity of his unique visual universe while provoking closer contemplation of the continuing role of painting as a vital field of contemporary research.

Throughout his career, Chuck Close has expanded his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conté crayon, finger painting, and stamp - pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries.

It explains the nature of assemblage, comparing it to the techniques of collage and introducing the relevant works of some important artists such as Picasso, Schwitters, Duchamp, De Kooning and many others.

Paintings such as Untitled, 1949 - 1950, explore form, line and colour, as they are characteristically geometric employing collage techniques to their composition.

He used these ubiquitous and familiar forms as the basis for bold and colourful compositions inspired by Dada assemblage, Abstract Expressionism and collage techniques.

Through various manipulative techniques involving negative layering, solarization and drawing and collage, Webber incorporates imagery gleaned from mass culture to produce «fractured narratives» referencing social and political issues such as homelessness, AIDS and women's roles in society.

Dustin Yellin collects, manipulates and constructs three dimensional collage pieces suspended within a structure which both presents the clippings as sculptural objects and fragments of text and ideas, they assume a cohesion based on unexpected coincidences as well as the artist's careful collecting and unconventional collation techniques.

Instead, they take their own culture and heritage as primary sources of inspiration and combine photography with other techniques such as collage, silk - printing, painting, and images that use cultural ephemera and archival documents.

The exhibition features works related to their wedding, such as Polaroids and collages inspired by poet Brion Gysin's technique of «cut - ups and permutations.»

Selections from Albers» own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers» prints.

Ossorio speaks of his youth and education in England and the United States; attending Harvard; working as a medical illustrator for the Army; coming to New York and becoming acquainted with Jackson Pollock and other New York artists; a mural commission he received for a church in the Philippines; the difficulty of introducing new ideas into Catholic art; traveling to Paris; his association with Jean Dubuffet; changes in his technique; his work in collage; his affiliation with the Signa Gallery; abstract expressionism.

Dumas first takes photographs of her original imagery and manipulates them by using techniques such as relief, collage, translucent, matte, reflective or metallic substrates, diamond dust, and lighting.

Rauschenberg extended his use of Art Car motifs in his six - part, 1988 «Beamer» series - presented as transparent films on enameled aluminum and using his trademark collage techniques.

Making use of various image sources such as travel guides, CCTV footage and her own photographs, Boserup, b. 1976, operates on a low - tech threshold between collage and drawing, and digital and analog techniques.

In 1974, after 12 years spent on his Hourloupe cycle (the artist's longest - running series), Dubuffet began new experiments, expanding his color palette and brushwork and revisiting techniques such as collage from earlier periods in his career.