Sentences with phrase «collage narrative work»

It takes a good storyteller to hone in on the defining moments of one's life without descending to biographical collage narrative work.

Not exact matches

But, instead of having a few hundred pages to work with, you're compressing the narrative energy of a book into a 60 - second collage of music, speech, and visual dynamics.

In his new works, he reconfigures this relationship through diminishing scale, collage, line and narrative.

All of my work collages bits and pieces of cultural detritus into new narratives.

She has made a number of important works by appropriating images from magazines such as Ebony or Sepia and then erasing, cutting, collaging, and transforming the original material to generate new narratives.

Among the works that Flatland will present is a unique hand painted photography and collage archival inkjet print by Paolo Ventura, who is a true creator of a poetic narrative in today's world dominated by merely «photo - pictures».

Each painting was born out of his earlier narrative paintings that have been worked and re-worked into geometric compositions recording each moment with a variety of gestures and mixed materials including oil paint, encaustic and collage.

Hancock's prints, drawings, and collaged - felt paintings work together to tell the story of the Mounds — a group of mythical creatures that are the tragic protagonists of the artist's unfolding narrative.

Though he does not disclose the details of the context or narrative of his work, Krisanamis has described his method as spontaneous, which he parallels to musical improvisation — weaving together color, line, and collaged elements in a rhythmic manner to form his compositions.

Conceptualizing her practice predominantly through photography, Zalika works in collage, installation, performance and sound to investigate the complexities of history, memory, locality, and the body as they relate to the construction of personal and collective narratives.

The exhibition includes together historical works by Lee Bontecou and Joseph Beuys; minimalist and conceptual works by Donald Judd and Hanne Darboven; detailed narrative drawings by Elizabeth Peyton and John Currin; collages by Amelie von Wulffen, Mona Hatoum, Lucy McKenzie and Paulina Olowska; and large - scale installations by Nate Lowman and Ján Mancuska.

Exploring the struggles determining power relations across race, class and gender, Alida Cervantes» work uses collaged photos of dolls to construct an alternate historical narrative.

A certain material vagueness in pigmented paper pulp thus seems ideal for Stockholder, who has always enjoyed the erasure of distinctions: between gross matter and art, composition and formlessness, narrative and abstraction, sculpture and painting... «Having arrived at the Mill with digital prints of objects she photographed in her years and studio (bright plastic bowls and containers, a drinking bottle, some gaudy cakes that had seen better times) along with real objects (fabric swatches, the floor mat) she proceeded to collage and emboss them in stretches of pigmented paper pulp, working in collaboration with Paul Wong.

Heather Phillipson works with sculpture, moving image, text and sound, creating video installations and «talking pictures» (video with live voice) that weave the viewer through a collage of fragmentary and evolving ideas and narratives in multi-sensory environments.

Comprised of his most recent works in which Gray collages his archived photographs of Iggy Pop and Michael Jackson with his California Mission series, Todd Gray: My Life in the Bush with MJ and Iggy examines California as a site of new narratives and reflections of power.

The tactility of the painting as well as the integration of paper collage onto its surface offers a complexity to Binion's process that is deeply devoted to the narrative of the work's making.

This involved working with found and everyday materials anything from old bus tickets to newsprint to pram wheels, to create collages which were both beautiful arrangements of colour and form, and visual narratives of the urban environment.

b. 1975, USA Elliott Hundley's collaged wall works and sculptures, assembled from found materials: bamboo, string, paper, photographs, magazine clippings, plastic, and foam, loosely jumble together narrative bits and scraps of information.

The work comprises oil paintings, acrylic portraits, narrative mixed - media works and collage.

This exhibition focussed on literary aspects of the work of one of the key historic figures of California Assemblage art — from Jess's lifelong collaboration with Robert Duncan and other poets to the narrative nature of his collage.

In works such as Southern Exposure (1986), Whitten combines gesture with aspects of sculpture and collage, at a time when narrative - based and didactic work was de rigeur for Black artists.

Often taking the form of humorous collages or nonlinear narratives, the work of filmmaker, artist and graphic novelist Sarnath Banerjee explores the contradictions of daily life in contemporary India.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Linder is renowned for the staunchly feminist collages and performance works, like the iconic single - artwork for the Buzzcock's 1977 «Orgasm Addict», with the words reorganising and destablising common social narratives by entering into them.

Working in various media, including painting, sculpture, collage, and performance, he weaves an ongoing narrative that reinterprets a mythical subject.

These video collages simulate a mesmerizing encounter with each painting included within the work, balancing between what curator Luis Martin describes as a «feeling of anticipation for a pending narrative and the sensation of witnessing a pristine and eternal moment.»

Sides, it appears, has a strong interest in how narratives are constructed and / or thwarted: alongside numerous partially signifying collage - based works, he's made work relating to the endingof The Usual Suspects (1995), and his 2014 show at Kunsthalle Winterthur found him presenting don't blow it in the vector (2014), a documentary about electronic musicians that is unapologetically insular and unaccommodating.

Houston - based artist Trenton Doyle Hancock creates prints, drawings and collaged felt paintings that work together to portray an unfolding narrative.

Daniel John Gadd's work references and extends generations of great abstraction from DeKooning to Diebenkorn, to Stella, Tuttle and Ryman by combining the handling of ABEX, shaped formats, and the use of collage and embedding those formal elements with a deeply personal narrative and content.

Roberta Smith: «From an American viewpoint this work stirs together the appropriated images of David Salle, Richard Philips and Martin Kippenberger and the collage narratives of the Los Angeles artist Alexis Smith.

STATEMENT My practice for the past 15 years has been concerned with aspects of intuitive abstraction which incorporates hard edge and organic abstraction as well shifting methodologies of mark making and spatial narratives that are situated within paintings, collages, photographs, objects, Marquette's, books, films, wall paintings and works on paper.

Works assembled from public and private collections will highlight Bearden's mastery of collage as well as his development of narrative and thematic explorations of his native South.

In contrast to the narrative - based and didactic work made by many African - American artists during this period, Whitten's artworks reintroduce gesture with aspects of sculpture and collage.