Collaged archival prints on paper.
Main image: Andrea Geyer, Constellations (Hester Thrale after John Singleton Copley), 2018, (detail),
collaged archival prints on paper, 99 x 77 cm.
Andrea Geyer, Constellations (A'Lelia Walker), 2018,
collaged archival prints on paper, 99 x 63 cm.
Not exact matches
Tragedy (Sissi at the Great Gallery II), 2007
Archival inkjet
print on watercolor paper with watercolor and
collage 59.5 in.
Rapture (Jerry, Cherries in the Snow), 2007
Archival inkjet
print on watercolor paper with watercolor and
collage 62 x 52.75 in.
Dan Devining, «Untitled», 2013,
archival pigment
print, acrylic on paper,
collage, 40 x 30 inches, courtesy Phil Peters.
FRED TOMASELLI Mar. 3, 2009 2013
Collage, gouache, marker, and
archival inkjet
print on watercolor paper 10 3/4 x 12 1/8 in.
Among the works that Flatland will present is a unique hand painted photography and
collage archival inkjet
print by Paolo Ventura, who is a true creator of a poetic narrative in today's world dominated by merely «photo - pictures».
The images are compiled from
collages of torn and cut paper which are scanned, further layered and manipulated in the digital environment and
printed onto canvas with
archival pigment inks.
Archival inkjet
prints with hand painting and
collage, 36 x 36 inches each.
«sound series,» 2016 digital
prints from original
collage on
archival cold press paper
printed by Furthermore, Brooklyn edition of 25, 4
prints per edition 16 x 12 in.
432 Photographs of Nefertiti 2015
Collaged UV coated
archival pigment
prints mounted to Plexiglas and Dibond 54 x 43 x 7/8 inches (137.2 x 109.2 x 2.2 cm) ARG # CWS2015 - 001.2
The images are developed from
collages of torn and cut paper which are scanned and manipulated in the digital environment and
printed onto canvas with
archival pigment inks.
Untitled # 1 from the series New Forms, digital
collage, 2014 - 15
archival pigment
print on fiber - based paper mounted on dibond, 45 x 35 inches (detail)
Like its sister
prints, this work is the product of an involved process whereby the artist combines wood veneer, digital and relief
prints,
collaging them onto a sheet of 4 - ply
archival mat board.
Wayne Bertola (Chicago, IL), Untitled (3), cut & paste paper
collage, 14 x 11 in.; Bridgette Broughman (Alexandria, VA), Specimen 13,
archival pigment
print, 32 x 24 in.
Instead, they take their own culture and heritage as primary sources of inspiration and combine photography with other techniques such as
collage, silk -
printing, painting, and images that use cultural ephemera and
archival documents.
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and
collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet
archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52
Brian Bress, Nicks» Other Knickknacks, 2012
Collage on
archival inkjet
print, 19.5 x 13 inches Cherry and Martin, Los Angeles
Negerhosen2000 / The Travel Albums, 2003, From a series of forty digitally
printed images, pigmented inks, and pencil on
archival paper with mixed media
collage, 11 3/4 x 8 1/4 in.
From a series of 40 digitally
printed images, pigmented inks, and pencil on
archival paper with mixed media
collage.
Sandy Litchfield Opening Scene, 2014
collage and acrylic on
archival digital
print on rag paper 22 x 30 inches
25 / 29 — David Maljković, Temporary Projection, 2012, inkjet
print on
archival paper with
collage element, 100 x 150 x 40 cm
Digital
archival inkjet
prints,
collage and acrylic, 12 x 17 inches.
«Reunion» will span six decades of Richard Smith's artistic practice, including drawings, paintings,
collages and
prints alongside a series of
archival books, photographs and interviews.
30» x 50»
Archival Pigment
print,
collage, and 20 second projected video loop.
An internationally known surrealist artist, Janice Hathaway transforms her photographs into multi-image
collages as
archival prints.